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A beauty dancing ‘Nunozarashi’「布ざらし」を踊っている美人 / Oshie-gata’ (おし絵形, Designs for Patchwork Pictures)

  • Object type

  • Museum number

    1914,0217,0.3

  • Title (series)

    • A beauty dancing ‘Nunozarashi’「布ざらし」を踊っている美人 / Oshie-gata’ (おし絵形, Designs for Patchwork Pictures)
  • Description

    Colour woodblock print, oban. A beautiful woman wearing wooden clogs (‘geta’) and performing with two long strips of cloth in a ‘nunozarashi’ dance, from the series ‘Oshie-gata’ (おし絵形, ‘Designs for Patchwork Pictures’).

  • Producer name

  • Culture/period

  • Date

    • 1795 (c.)
  • Production place

  • Materials

  • Technique

  • Inscriptions

      • Inscription Type

        inscription
      • Inscription Position

        middle left
      • Inscription Content

        おし絵形
      • Inscription Transliteration

        Oshie-gata
      • Inscription Translation

        Designs for Patchwork Pictures
      • Inscription Comment

        series title
      • Inscription Type

        signature
      • Inscription Position

        lower right
      • Inscription Content

        春英画
      • Inscription Transliteration

        Shun’ei ga
      • Inscription Comment

        artist’s signature
      • Inscription Type

        mark
      • Inscription Position

        bottom left
      • Inscription Content

        山, 三つ巴, 印
      • Inscription Transliteration

        yama, mitsudomoe, in
      • Inscription Comment

        publisher's mark
      • Inscription Type

        seal
      • Inscription Position

        lower left
      • Inscription Content

      • Inscription Transliteration

        kiwame
      • Inscription Comment

        censorship seal
  • Curator's comments

    ‘Nuno-zarashi’ is not the name of a particular dance, but rather a technique seen in Kabuki and traditional Japanese dance, which involves the waving about of two long strips of cloth in the air so as not to let them touch the ground. The performer usually wears high ‘geta’ clogs. It is based on the idea of women washing cloth and then bleaching it in the sun, hence ‘nuno’ (布, ‘cloth’), and ‘sarasu’ (晒す, ‘to expose to the air’). This technique is seen, for example, in the 18th century ‘onnagata’ dance ‘Sarashi Sanbaso’ (晒三番叟) and in such 19th century works as ‘Sarashime’ (晒女, also called ‘Omi no Okane’ 近江のお兼) and ‘Echigo Jishi’ (越後獅子). (P. Griffith 8/2012)

    More 

  • Bibliography

    • Hizo Ukiyo-e taikan Vol 2 BW 108 bibliographic details
  • Location

    Not on display

  • Subjects

  • Associated titles

    • Associated Title: Nuno-zarashi (布ざらし) ((dance))
    • Associated Title: Oshie-gata (おし絵形) ((series title))
  • Acquisition name

  • Acquisition date

    1914

  • Acquisition notes

    Credit line: "Donated by William Cleverly Alexander"

  • Department

    Asia

  • Registration number

    1914,0217,0.3

Woodblock print.Music, dance and drama.  Girl dancing the nuno-zarashi dance with two silken streamers. Nishiki-e on paper.

Recto

Woodblock print.Music, dance and drama. Girl dancing the nuno-zarashi dance with two silken streamers. Nishiki-e on paper.

Image description

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Object reference number: JCF5424

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