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  • Object type

  • Museum number


  • Description

    Silver plate showing a king hunting lions; judging by his crown the king may be the Sasanian king Varahran V (popularly known as Bahram Gur) (reigned AD 420-438) whose hunting exploits became legendary.

  • Culture/period

  • Date

    • 5thC-7thC
  • Materials

  • Technique

  • Dimensions

    • Diameter: 27.6 centimetres
    • Height: 4.5 centimetres (minus foot ring)
    • Diameter: 7.2 centimetres (exterior of foot ring)
    • Weight: 937.3 grammes
  • Curator's comments

    A loose copy of this plate was offered for auction by Sotheby's (NY), lot 456, on Friday 2 December 1988, wherein described as "first half of the 20th Century". Three others, of silver and gold, are said to have been made in Rawalpindi and Peshawar: one was acquired through the Paris branch of Feuerdent by the Hermitage (Smirnov 1909, no.55: "modern"), a second was acquired by Hagop Kevorkian in 1937 and a third, of gold, was reported by Smirnov. The weight of the present bowl was published in Brussels catalogue as 936 g. but this is slightly incorrect.

    Unpublished Cernuschi catalogue entry
    Silver plate showing a Sasanian ruler hunting lions
    Possibly acquired in India or Afghanistan
    5th - 7th century
    H 4.5 - 5.0 (minus foot ring), D 27.6 cm, weight 934.5 g
    Smirnov 1909: pl. XXVI; Sarre 1922: pl. 104; Erdmann 1936: 223, pl. 66; Orbeli 1938: vol. I, 728-29, vol. IV, pl. 231A; Haskins 1952: 333-34; Dalton 1964: 61-62, pl. XXXVII, no. 207; Pinder-Wilson 1971: no. 107; Kent & Painter eds 1977: 146, no. 307; Harper et al. 1978: 58-59, fig. 17b; Harper & Meyers 1981: 76-77, 156, 162-63, 176, pl. 25; Marshak 1986: 26, fig. 6; Overlaet ed. 1993: 194-95, no. 53; Sarkhosh Curtis 1993: 23; Wilcox & McBride 1986: 40; Collon 1995: 206; Harper 2000: 51, 54, pl. 23; Masia 2000: 216, 274, fig. 1d.
    London, The British Museum, ANE 124092 (1897-12-31,187)

    Hammered silver plate with rim defined on the interior with a single engraved line; subsequently detached circular foot ring, now largely missing but indicated by traces of old solder; interior represents the mounted figure of a king brandishing a lion cub in one hand in a manner characteristic of Late Antique hunts. The cub's parents are depicted leaping upwards, one already wounded and the second being slashed with a long straight double-edged pommel-less sword held in the king's right hand. The rider has already discarded his bow but he still carries his decorated tapered box quiver slung from his right thigh; the scabbard is not visible as it would have been slung on the opposite side. Other details are consistent with other Sasanian depictions, such as the decorated bridle, the pair of tasselled balloons rising from the rear of the saddle, and the absence of stirrups. The sword type is also consistent with Sasanian rather than later depictions. The stylised motif at the bottom of the plate was intended to represent hilly terrain. The silver has been analysed by XRF and suggested to have a silver composition of 94.2 – 94.9%, copper content of 4.05 – 4.7%, and 0.5 – 0.7% gold. Neutron activation analysis confirmed a broadly similar composition of 96.4% silver, 3.02% copper and 0.63% gold. These results are consistent with most ancient silver but the minor trace elements distinguishes it from other objects believed to have been made from a so-called "central Sasanian" ore source. The decoration was made by engraving and chasing, and extensive areas of the design were spot gilded, including the crown, chest-girdle, belt, parts of the quiver, vertical trouser folds, horse harness, the horse’s hooves and tail, balloon fittings, and the lions’ bodies. Dots on the interior, including one on the back of the rider’s hand, appear to be remnants from the laying out of the design. There is no centering mark on the underside, nor are there traces of an inscription indicating previous ownership, value or weight.     The rider is popularly interpreted as being a representation of the Sasanian king Bahram (Varahran) V (r. 421-439), who was renowned for his hunting exploits, with a scene similar to this described in the Shah-Nameh. However, the rider's crown is beribboned and crenellated, with a crescent on either side and surmounted by a korymbos. This does not exactly match that of Bahram V, or indeed any other Sasanian ruler, each of whom adopted an individual crown on their accession to the throne and which are carefully depicted on their coin portraits. Although at least some of these rulers are known to have had more than one crown type, it is more likely that this plate is a later attempt to glorify the hunting exploits of Sasanian monarchy rather than being a specific portrait: the successful hunt became a metaphor for royal khwarnah (glory and good fortune), and this extended to the owners of the plate. As such, this object has been regarded as provincial Sasanian production of the 5th, 6th or 7th century. The relatively sketchy manner in which the design was executed supports this interpretation, and it shares close stylistic comparisons with an inscribed plate in the Blumka collection which is palaeographically dated between the 5th and mid-7th centuries, and a second example found at Chilek near Samarkand. All of these have silver compositions which suggest they originated from sources other than that used for so-called “central Sasanian” plates as those contain slightly higher amounts of iridium and are presumed to originate within Iran.
        This plate was acquired by Major-General Alexander Cunningham (1814-1893) of the Indian army and later Director-General of the Archaeological Survey of India. It later passed into the collection of Sir Augustus Wollaston Franks (1826-1897), who bequeathed it to the British Museum. It inspired a number of copies which are said to have been made in Rawalpindi and Peshawar: one was acquired by the Hermitage in the 19th century from the Paris branch of the dealer Feuerdent but recognised by Smirnov (1909: no. 55) as "modern", a second entered the collection of the Armenian dealer-collector Hagop Kevorkian by 1937, and a third version made of gold was also reported by Smirnov (Harper 2000: 54).


  • Bibliography

    • Curtis & Tallis 2012 127 bibliographic details
    • Demange F 2007a cat.31, pp.91-92 (entry by St John Simpson) bibliographic details
    • Pinder-Wilson 1971a no. 107 bibliographic details
    • Sarre F 1922a no.104 bibliographic details
    • Smirnov 1909 no.54, pl.XXVI bibliographic details
    • Collon 1995a p. 206, fig. 172 bibliographic details
    • Curtis 1993a p. 23 (illustration) bibliographic details
    • Wilcox P & McBride A 1994a p. 40 (illustration) bibliographic details
    • Bowden 2002a p.141 (illustrated) bibliographic details
    • Painter K 1977a p.146, no. 307 bibliographic details
    • Farrokh K 2005a p.18 bibliographic details
    • Erdmann 1943 p.223, pl. 66 bibliographic details
    • Harper P O 2000a p.23, pl.51 (regarded as 5th-6thC provincial Sasanian) bibliographic details
    • Marshak B 1986a p.26, fig.6 bibliographic details
    • Hughes M J & Hall J A 1979a p.328, tables 1, 2.5 bibliographic details
    • Curtis 2000a p.81, fig. 93 bibliographic details
    • Curtis 2000b pl.23 bibliographic details
    • Overlaet B 1993a pp. 194-95, no. 53 (cat. entry by Overlaet) bibliographic details
    • Harper P O et al. 1978a pp. 58-59, fig. 17b (cited as comparison for bowl in Blumka collection) bibliographic details
    • Haskins J F 1952a pp.333-34 bibliographic details
    • Dalton 1964a pp.61-62, pl. XXXVII, no. 207 bibliographic details
    • Harper P O & Meyers P 1981a pp.76-77, 156, 162-63, 176, pl. 25 bibliographic details
    • Pope 1938 vol. I, 728-29, vol. IV, pl. 231A (essay by J. Orbeli) bibliographic details
  • Location

    Not on display

  • Exhibition history


    2012 24 May - 30 Sep, London, BM, 'The horse: from Arabia to Royal Ascot'
    2010 22 Nov-2011 10 Feb, BM, Gallery 68, case 10
    2010 29 May-15 Oct, USA, Kentucky Horse Park, 'A Gift from the Desert'
    2007- BM, Rahim Irvani Gallery for Ancient Iran, case 6
    2006 14 Sept-30 Dec, Paris, Cernuschi Museum, 'Les Perses Sassanides ou les Fastes d'un empire oublié'
    2005 Sept-2006 Jan, London, BM, 'Forgotten Empire'
    2004 26 Jun-29 Aug, Niigata Bandaijima Art Museum, Treasures of the World's Cultures
    2004 10 Apr-13 Jun, Fukuoka Art Museum, Treasures of the World's Cultures
    2004 17 Jan-28 Mar, Kobe City Museum, Treasures of the World's Cultures
    2003 18 Oct-14 Dec, Tokyo Metropolitan Art Museum, Treasures of the World's Cultures
    1997, BM, 'Heirs of Rome'
    1995-2005 17 Nov-, BM, G52/IRAN/22/3
    1994 16 Jun-23 Dec, BM, G49/IRAN, case 22, no. 3 1994 15 Jan-10 Apr, Italy, Rome, Palazzo Delle Esposizioni, La Seta e La Sua Via - The Silk and its Route
    1993 12 Feb-25 Apr, Belgium, Brussels, Musée Royaux d’Art et d’Histoire, Splendeur des Sassanides / Hofkunst Van des Sassanieden, no.53
    1985 28 Mar-12 May, London, Commonwealth Institute, Animal Regalia CANCELLED
    1975-ca 1990 BM, Iranian Room, [IR], case 21, no. 1
    1971, BM, 'Royal Persia: a commemoration of Cyrus the Great and his successors on the occasion of the 2500th anniversary of the founding of the Persian Empire'
    Persian Landing, case 3

  • Subjects

  • Associated names

  • Acquisition name

  • Acquisition date


  • Department

    Middle East

  • BM/Big number


  • Registration number


  • Additional IDs

    • AF.187
    • OT.187 (1st ed. of catalogue)
    • OT.207 (2nd ed. of catalogue)
COMPASS Title: Silver plate


COMPASS Title: Silver plate

Image description



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