Collection online

digital photograph

  • Object type

  • Museum number

    2013,2034.4173

  • Description

    Digital photograph (colour); view of painted rock art showing top: two red figures facing right, left side arm behind body and right side arm raised; bodies are decorated with white spots and wearing garments, bracelets, arm bands and necklace. Heads display elaborate coiffure/headdress (?). Small figure (child?) follows behind. Top right: faded white Barbary sheep facing right. Top left: white circular shape with ‘spokes’. Bottom left: white quadruped outlined in red (camel?) facing left with rider; to right is white quadruped (?) outlined in red facing right with scalloped backline and horn (?). Red Barbary sheep with elaborate horns faces left with front legs superimposing white and outlined-in-red male antelope facing right; another quadruped outlined in red superimposed by back legs of Barbary sheep. On right: jellyfish-like white oval shape outlined in red with internal patterns and dependent vertical rays hanging from underside. Round Head Period. Tam Zoumaitak, Algeria.
    Scanned

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  • Producer name

  • Date

    • 17 April 2006 (date digitized)
    • 30 December 1997 (original photograph)
  • Production place

  • Technique

  • Dimensions

    • File size: 120 megabytes
    • Resolution: 300 dots per inch
  • Curator's comments

    Detail of 2013,2034.4171.
    Algeria is Africa’s largest country and most of it falls within the Sahara Desert. It also hosts a rich rock art concentration. Most of the sites are found in the south east of the country near its borders with Libya and Niger but there are also important concentrations in the Algerian Maghreb and in the Hoggar Mountains in the central south. The most renowned of all these areas is the Tassili n’Ajjer (meaning ‘plateau of chasms’) in the south east. Water and sand erosion have carved out a landscape of thin passageways, large arches, and high-pillared rocks, described as “forests of stone” by French archaeologist and ethnographer Henri Lhote. The resulting undercuts at cliff bases have created rock shelters with smooth walls ideal for painting and engraving.
    The Ajjer plateau rises to approximately 500-600 metres above the plain of Djanet, an oasis city, and capital of Djanet District, in Illizi Province, southeast Algeria. The region has been inhabited since Neolithic times, when the environment was much wetter and sustained a wider extent of flora and fauna as witnessed in the numerous rock paintings of Tassili n'Ajjer. Classified as a World Heritage Site by UNESCO in 1982 and Biosphere Reserve in 1986, Tassili n'Ajjer covers a vast area of desert landscape in southern Algeria, stretching from the Niger and Libyan border area, north and east of Djanet, as far as Illizi and Amguid, covering an area of 72,000 sq. km. More than 15,000 rock paintings and engravings, dating back as far as 12,000 years are located in this region and have made Tassili world famous for this reason. The art depicts herds of cattle and large wild animals such as giraffe and elephant, as well as human activities such as hunting and dancing. The area is especially famous for its Round Head paintings which were first described and published by Henri Lhote in the 1950s. Thought to date from around 9,000 years old, some of these paintings are the largest found on the African continent, measuring up to 13 feet in height.

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  • Location

    Not on display

  • Subjects

  • Associated places

  • Acquisition name

  • Acquisition date

    2013

  • Department

    Africa, Oceania & the Americas

  • Registration number

    2013,2034.4173

  • Additional IDs

    • ALGDJA0030013 (TARA number)
Digital photograph (colour); view of painted rock art, detail of 2013,2034.4171 showing top: two red figures facing right, left side arm behind body and right side arm raised; bodies are decorated with white spots and wearing garments, bracelets, arm bands and necklace. Heads display elaborate coiffure/headdress (?). Small figure (child?) follows behind. Top right: faded white Barbary sheep facing right. Top left: white circular shape with ‘spokes’. Bottom left: white quadruped outlined in red (camel?) facing left with rider; to right is white quadruped (?) outlined in red facing right with scalloped backline and horn (?). Red Barbary sheep with elaborate horns faces left with front legs superimposing white and outlined-in-red male antelope facing right; another quadruped outlined in red superimposed by back legs of Barbary sheep. On right: jellyfish-like white oval shape outlined in red with internal patterns and dependent vertical rays hanging from underside. Round Head Period. Ajjer Plateau, Djanet, Tassili, Algeria.

Digital photograph (colour); view of painted rock art, detail of 2013,2034.4171 showing top: two red figures facing right, left side arm behind body and right side arm raised; bodies are decorated with white spots and wearing garments, bracelets, arm bands and necklace. Heads display elaborate coiffure/headdress (?). Small figure (child?) follows behind. Top right: faded white Barbary sheep facing right. Top left: white circular shape with ‘spokes’. Bottom left: white quadruped outlined in red (camel?) facing left with rider; to right is white quadruped (?) outlined in red facing right with scalloped backline and horn (?). Red Barbary sheep with elaborate horns faces left with front legs superimposing white and outlined-in-red male antelope facing right; another quadruped outlined in red superimposed by back legs of Barbary sheep. On right: jellyfish-like white oval shape outlined in red with internal patterns and dependent vertical rays hanging from underside. Round Head Period. Ajjer Plateau, Djanet, Tassili, Algeria.

Reproduced by permission of the artist. Copyright TARA/ David Coulson

Image description

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