Skip to main content
Please enable JavaScript in your web browser to get the best experience.
Menu
Main navigation
Visit
Toggle Visit submenu
Back
to previous menu
—
Visit
—
Visit
—
Family visits
—
Group visits
—
Audio app
—
Out-of-hours tours
—
Tours and talks
—
Object trails
—
Accessibility
—
Food and drink
—
Late opening on Fridays
—
Museum map
Exhibitions and events
Collection
Toggle Collection submenu
Back
to previous menu
—
Collection
—
Collection
—
Collection online
—
Galleries
—
Blog
—
The British Museum podcast
Learn
Toggle Learn submenu
Back
to previous menu
—
Learn
—
Learn
—
Schools
—
Communities
—
Adult learning
—
Young people
Membership
Toggle Membership submenu
Back
to previous menu
—
Membership
—
Membership
—
Renew Membership
—
Events
—
Buy Membership
—
Renew Gift Membership
—
Existing Members
—
Buy Under 26 Membership
—
Upgrade your Membership
—
How your money helps
—
Buy Gift Membership
—
Visiting as a Member
—
Members' Room
Support us
Toggle Support us submenu
Back
to previous menu
—
Support us
—
Donate
—
Corporate support
—
Become a Patron
—
Supporter case studies
—
Become a Volunteer
—
Leave a legacy
—
American Friends of the British Museum
Secondary navigation
Shop
Search
Donate
Hide menu
Treatment; 04 Jul 2013; Clean metal surface details (remove excess wax and dirt accretions). Check mobility of door (liaise with Organics conservator) and small plate on corner. Secure if necessary.; Organics; Metals
Reason
Storage
Description
Dirt and wax build-up was softened with White Spirit (composition variable - petroleum distillate) but very little could be removed in this way. Therefore a sharp scalpel and a pin in a pin vice were used to carefully pick this out of the engraving - carried out under an optical microscope at a magnification of around 30-40x. Where corrosion was present within the engraving this was removed as far as possible by the above method. Where accretions were on the surface they were also softened with White Spirit (composition variable - petroleum distillate) and carefully scraped away with a scalpel under magnification so as not to damaged the gilding beneath. As the surface within the engraving is very rough it was impossible to remove all of the wax and dirt built-up, this means that the engraved lines still appear quite dark in many places. Where thicker engraved lines were present an original engraved line was visible in the centre which had later been widened. The loose plate that had been held down with a sheet of adhesive in the previous treatment became loose again very quickly. Therefore to hold it in place more firmly a new nail was made from copper wire and painted to match. Small wooden wedges were placed in the hole first to hold the nail in place and stop the plate moving.
Details
Treatment
1 related objects
reliquary
Museum number
1854,0411.2 |
Production date
13thC |
Production place
Made in:
Limoges