- Museum number
- Series: Oxus Treasure
Model of gold chariot drawn by four horses abreast: the chariot box or cab is open at the back. It has an irregular square front, wider at the top than the bottom, ornamented with two incised bands in saltire, probably representing diagonal bracing struts. These bands are decorated with triangles and have a Bes head at the intersection. The floor is covered with cross-hatching, most probably representing a flooring of interlaced leather thongs. The two large wheels each have nine spokes, and the running surfaces are studded with small pellets to represent the bulbous heads of large stud-like nails which in the full-size original would have secured a tyre and felloe-sheathing of bronze. The axle is soldered at either end but the wheels originally rotated freely. A seat, in the form of a narrow strip of gold, runs from the front to back of the interior. On this is seated the principal figure. He wears a long robe reaching to the ankles, the sleeves of which appear to be empty like those of the 'kandys'. On his head is a hood or cap, around the front of which is a flat strip of gold, resembling a fillet, with the ends projecting above the forehead, and around his neck is a gold wire torc. The driver wears a similar cap without a fillet, a short girded tunic and a wire torc; his legs are also formed of wires. The two human figures are fixed to the chariot by wires.
The chariot is pulled via a pair of draught-poles fixed to four horses under a single four-bay yoke. On the yoke, above each horse, is a large loop, representing the terrets, through which the wire reins pass; alternating with these loops were originally four crescentic fan-shaped yoke ornaments. The bits have large rings at the sides as rein attachments, and each animal has duplicate representations of the neck-strap and backing-element, the former with a pendant tassel, punched into the metal.
The horses are small, pony-sized animals, but otherwise have the appearance of ram-headed Nesaeans. Their tails are tied up in mud-knots and the hair of the forelock is pulled back Only nine legs of the horses survive and the spokes of one wheel are imperfect. The two human figures are fixed to the chariot by wires passing through holes in the bottom and doubled over beneath. In the case of the charioteer these wires are attached to a small plate connecting his feet; in the case of the other figure they are longer, and also pass through the seat.
- Production date
- 5thC BC-4thC BC
Height: 4.50 centimetres (wheel)
Height: 7.50 centimetres
Length: 19.50 centimetres
Weight: 75.50 grammes
- Curator's comments
- WAA Slide no. 15. Also illustrated or discussed in: Charriere 'Scythian Art', fig. 332; 'Antiquity' 178, pl. XXII; 'Iraq' 33, p. 28, pl. 9a; Pugachenkova 'Iskusstvo Baktrii epochi Kushan', fig. 3; review by St J Simpson in 'Hali' 82 (1995).
Related bronze chariot-model formerly in the Bröckelschen Collection, attributed to western Iran and a 7th-6th century BC date by P. Calmeyer and more recently by Houshang Mahboubian in "Art of Ancient Iran: Copper and Bronze" (London 1997), p. 252, cat. no. 329. The profile of the chariot and the wheel construction exactly match representations of Achaemenid chariots on the sculptured facades of the Apadana at Persepolis, the so-called Darius seal, and the upper register of a Persian-period stela from Paphlagonia. These do not show the fronts of the chariots, thus it is unclear what was normally used to decorate this portion of the chariot. The use of a Bes-head on the Oxus chariot-model is compatible with it having been made for a boy as Bes was regarded as being a protective deity of the young, and his popularity throughout the Persian empire is demonstrated by the discovery of amulets (e.g. in a hoard at Babylon) and on gold jewellery. The hand rail at the back of the Oxus chariot model is a practical feature for mounting and dismounting and has also been noted on a Persian-period chariot model from Amathonte in Cyprus, and on sarcophagi of the same period. The identification of the horses has attracted some different opinions. Littauer (1971) suggested they were ponies and the vehicle was merely an excursion chariot but others have regarded them as Nisaean horses (Curtis & Tallis eds 2005: 222).
- Bibliographic references
Dalton 1964a / The treasure of the Oxus with other examples of early oriental metal-work (7, pp. 3-4, pl. IV)
Littauer M 1971a / The figured evidence for a small pony in the Ancient Near east (pp.27-28, pl. IXa)
Rogers R W 1929a / A History of Ancient Persia from its earliest beginnings to the death of Alexander the Great (fig.35)
Von der Osten H H 1956a / Die Welt der Perser (pl. 73: top)
Pugachenkova G A & Rempel L I 1965a / Istoriya Iskusstvo Uzbekistana [The Arts of Uzbekistan & their history] (fig. 4)
Barnett 1968a / The Art of Bactria and the Treasure of the Oxus (pl.V.1)
Du Ry C J 1969a / Art of the Ancient Near and Middle East (p. 152)
Pinder-Wilson 1971a / Royal Persia: a commemoration of Cyrus the Great and his successors on the occasion of the 2500th anniversary of the founding of the Persian Empire (no.24)
Karageorghis 1973 / Excavations in the Necropolis of Salamis (p.79, figs 10-11, pls)
Hicks J 1976a / The Persians (p.70)
Littauer M A & Crouwel J H 1979 / Wheeled Vehicles and Ridden Animals in the Ancient Near East (p.145, fig.82)
Gafurov B G & Cibukidis D I 1980a / Aleksandr Makedonskij i vostok (p. 263, figure)
Roaf M 1990a / Cultural atlas of Mesopotamia and the Ancient Near East (p.221)
Boardman J 1994a / The Diffusion of Classical Art in Antiquity (p.114)
Abdi 1999a / Bes in the Achaemenid Empire (p.135, table 8.4)
Kipiani 1999 / Up'lisc'ixis ganadgurebuli k'vablebi (pp.7-18)
Kipiani 2000 / Up'lisc'ixis kidovani samarxis inventari (katalogi ga senisvnebi) (pp.74-95)
Knowles D 2003a / A Few of my Favourite Things (p. 20)
Simpson 2004b / 'Baubo' at Merv (pp. 230-32) (discussion of Bes)
Allen 2005a / The Persian Empire: A History (p.93) (suggests it may be a religious dedication)
Curtis & Tallis 2005 / Forgotten Empire: The world of Ancient Persia (399)
MacGregor 2010 / A History of the World in 100 Objects (26)
Mongiatti et al 2010 / A gold four-horse model chariot from the Oxus Treasure: a fine illustration of Achaemenid goldwork (p.27-38, p.28, fig.1, p.29, fig.2, p.30, table.1-2, p.31, fig.3-4, p.32, fig.5, p.33, fig.6-8, p.34, fig.9-10, p.35, fig.11-13, p.36, fig.14-15)
Curtis & Tallis 2012 / The Horse from Arabia to Ascot (98)
Simpson 2012a / Afghanistan. A Cultural History (pp.32-33)
- On display (G52/dc3)
- Exhibition history
2023 4 May - 13 Aug, London, BM, G35, Luxury and Power: Persia to Greece
2021 29 May-12 Sep, London, V&A, Epic Iran
2012 24 May - 30 Sep, London, BM, 'The horse: from Arabia to Royal Ascot'
2010-2011, London, BM/BBC, 'A History of the World in 100 Objects'
2006 7 Mar-11 Jun, Barcelona, Fundacion La Caixa, 'L'imperi Oblidat'
2005-2006 Sept-Jan, London, BM, 'Forgotten Empire'
1995-2005 17 Nov-Aug BM, G52/IRAN/27
1994 16 Jun-23 Dec, BM, G49/IRAN/27
1989 Temporary display, BM, Room 35 (Hinton St Mary mosaic staircase)
Iranian Room [IR], OT case, no. 7, Jul 1975-ca 1990
1979, State Hermitage, Leningrad
1975-ca 1990 Jul- BM, Iranian Room [IR], OT case
1971, BM, 'Royal Persia: a commemoration of Cyrus the Great and his successors on the occasion of the 2500th anniversary of the founding of the Persian Empire'
1958- Persian Landing, c/c (south-west)
1931-ca 1939 BM, Room 20: Persian Room
1923-1931 BM, King Edward VII Building: Franks Display
1900- BM, Gold Ornament Room
- Only nine legs of the horses survive (out of a total of sixteen); the wheels no longer move freely as they have been partially glued (in 1975); the same glue was used on the underside to fix the split pins securing the figures inside the chariot.
- Acquisition date
- Middle East
- BM/Big number
- Registration number
- Additional IDs
Miscellaneous number: OT 7 (catalogue number)