- Museum number
Two abstract sculptural forms, face between them. 1936
Pen and black ink, black chalk and grey wash
- Production date
Height: 495 millimetres
Width: 351 millimetres
- Curator's comments
- This drawing is based upon a small study in a 1935 sketchbook inscribed "statues". It is also reminiscent of photographs taken by Moore of rough hewn stones awaiting carving which he placed on land he owned at Barfreston in Kent. The stones evoked comparison with prehistoric monuments while the setting prompted Moore to investigate the relationship between sculptural objects and landscape.
The following label was written by Kim Sloan for Places of the Mind, 2017:
Moore first visited Stonehenge in 1921 and in the 1930s he made large concrete bases in his Kent garden which reminded him of Avebury. At this time, Moore was also studying the structural nature of objects found in the landscape – bones, trees, stones, shells – creating drawings from them that would morph into ideas for sculpture. The two forms here are based on a small 1935 sketchbook study inscribed ‘statues’ and have an eerie stillness that recalls the Surrealist artist, Giorgio de Chirico, whose work Moore admired.
See also A. Gruetzner Robins, ''South Country' and other imagined places', in K. Sloan (ed.), Places of the Mind: British watercolour landscapes 1850-1950, (London, 2017), pp. 92-117.
- Not on display
- Exhibition history
1991 Jan-April, BM, Recent Acquisitions (no cat.)
2001 Feb-May, Dallas Mus. of Art, 'Henry Moore Retrospective'
2001 June-Sep, San Francisco, Calif.Legion of Honor, 'Henry Moore Retrospective'
2001/2, Washington, DC, NGA, 'Henry Moore Retrospective'
2008/9 Sep-Jan BM, British Sculptors' Drawings, no cat.
2010 Feb-Aug, London, Tate Britain, Henry Moore
2010/11 Sep-Feb Toronto, AG of Ontario, Henry Moore
2017 23 Feb-27 Aug, London, BM, G90, Places of the Mind: British Landscape watercolours 1850-1950
- Acquisition date
- Acquisition notes
- Accepted by H M Government (the Treasury Commissioners of Inland Revenue) in lieu of tax on the estate of the late Lord Clark of Saltwood and allocated to the British Museum.
- Prints and Drawings
- Registration number