book of prints; print

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Object Type: book of prints; print
Museum number: 1919,0415.17.1-75
Description: 'Seventy-five views of Italy and France, adapted to illustrate Byron, Rogers, Eustace, and all works on Italy and France, from drawings made on the spot expressly for this work by J.D. Harding, Esq.' (London: A.H. Baily & Co) 1834; containing 75 etchings after Harding by various printmakers. Together with title-sheet and table of illustrations; tissue-guard between pages. Bound in half-leather, with marbled covers, gold lettering at the spine, marbled endpapers and gilded edges. Etching on chine collé
Producer name: After: James Duffield Harding; Published by: A H Baily & Co; Published by: Robert Jennings (& Chaplin) (prints); Print made by: Thomas Higham; Print made by: William Miller; Print made by: Edward Goodall; Print made by: James Redaway; Print made by: James Baylis Allen; Print made by: John Charles Varrall; Print made by: Thomas Jeavons; Print made by: John Smith (?); Print made by: Frederick James Havell; Print made by: William Richard Smith; Print made by: Robert Brandard; Print made by: James Tibbetts Willmore; Print made by: Josiah Henshall; Print made by: Rest Fenner; Print made by: Samuel Fisher; Print made by: R Radclyffe (?); Print made by: James Harfield Kernot; Print made by: Charles Cousen (?); Print made by: Ebenezer Challis
School/style
Production date: 1834 (date of publishing on prints 1831-1833)
Production place: Published in: London (England)
Materials
Technique: etching; letterpress (title-sheet)
Dimensions: Height: 415 millimetres (approx. size of each sheet); Width: 275 millimetres
$Inscriptions
Curator's comments: Cataloguing supported by the Elizabeth Cayzer Charitable Trust
Location: Not on display
Associated places: Topographic representation of: Italy; Topographic representation of: France
Associated titles
Acquisition date: 1919
Department: Prints and Drawings
Registration number: 1919,0415.17.1-75

Free entry

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