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print
Object Type
print
Museum number
1902,1011.6533
Title
Object:
Catherine, Lady Bampfylde
Description
Portrait after Reynolds (Mannings 104); standing whole-length to front, within landscape, head in three-quarter profile and looking to left, her left arm leaning on a block to right, wearing her hair high and curled with a plait looped over her right shoulder, with strings of pearls fastened at her breast; white lilies at foreground right; proof before title. 1779 Mezzotint
Producer name
Print made by:
Thomas Watson
(also publisher)
After:
Sir Joshua Reynolds
Published by:
William Dickinson
School/style
British
Production date
1779
Production place
Published in:
London (England)
Materials
paper
Technique
mezzotint
Dimensions
Height:
632 millimetres
Width:
376 millimetres
$Inscriptions
Curator's comments
The portrait, now in the Tate Gallery, was exhibited at the Royal Academy in 1777. Catherine Moore had married Sir Charles Bampfylde of Poltimore in Devon in 1776.
Bibliographic references
Hamilton 1884 / A Catalogue Raisonné of the Engraved Works of Sir Joshua Reynolds
(p.80.II)
Chaloner Smith 1883 / British Mezzotinto portraits from the introduction of the art to the early part of the present century
(2.II)
Goodwin / British Mezzotinters: Thomas Watson, James Watson, Elizabeth Judkins
(36.II)
Location
Not on display
Exhibition history
1984 London, BM, 'Gainsborough and Reynolds in the BM', cat.124
Associated names
Portrait of:
Lady Catherine Bampfylde
Acquisition name
Bequeathed by:
William Meriton Eaton, 2nd Baron Cheylesmore
Acquisition date
1902
Department
Prints and Drawings
Registration number
1902,1011.6533