- Museum number
Soup plate; earthenware (creamware) with hand printed and transfer printed decoration of mussels in asymmetrical group in shades of grey and black.
- Production date
Diameter: 243 millimetres
- Curator's comments
- In set with 1993.0506.1
Text from J. Rudoe, 'Decorative Arts 1850-1950. A catalogue of the British Museum collection'. 1994, no. 369, (Acquisitions 1991-1993)
A description of Messrs. Borgen & Co.'s Royal Danish Galleries published in Art Journal. 1873, 377, advertises a new line of ornamental and table ceramics painted by two French artists, Léonce Goutard and Pierre Mallet, 'whose services ahve been exclusively acquired by Messrs. Borgen'. This would explain the special registered backstamp. Little is known of the artists involved or how they came to work for Borgen. Pierre mallet (d. 1898) worked as a ceramic painter in Paris until 1870, when he fled to London following the Paris Commune and turned to engraving. Léonce Goutard is recorded in the 1860's as a lithographic artist, specialising in birds. (J. Adémar, 'Inventaire du fonds francais après 1800', Bibliothèque Nationale, Paris).
These two plates are from a series of tablewares (M. Batkin, 'Wedgwood Ceramics 1846-1959', London 1982, pl. 197). clearly inspired by Félix Bracquemond's well-known 'service Rousseau' of 1866-7. Commissioned by F.E. Rousseau and decorated with Bracquemnond's designs in the manner of Hokusai, the 'service Rousseau' was shown to great acclaim at the Paris Exhibition of 1867. For a full account of the service, see J.P. Bouillon et al., 'Art, Industrie et Japonisme. Le service 'Rousseau'', exhibition catalogue, Musée d'Orsay, Paris 1988. Borgen's service was no doubt intended as a cheaper version of the celebrated French service, with the cachet of two French artists.
For further discussion, see 1993,0506.1.
- Not on display
- chip on rim, has restoration
- Acquisition date
- Britain, Europe and Prehistory
- Registration number