- Museum number
Digital photograph (colour); view of painted rock art on a rock face showing eight human figures. To the left there are five human figures partially outlined in red, partially defined by series of red dots. Figures are depicted upright, facing front or right, with arms and legs in different positions (splayed, outstretched down or to the left). Four figures have triangular lines at the waist (garments? belts?). The figure to the lower left probably wears a mask. The figure to the top left is surrounded by a circle made of rows of dots. To the right there are two infilled (white) human figures upright facing front, with arms outstretched down, surrounded by a red background. To the lower right there is a human figure outlined in red and infilled in white, with the hand to the left holding an unidentified shape. Throughout the panel there are several unidentified red and white shapes. Archaic Period. Elikeo, Chad.
- Production date
- November 2012
File size: 69.90 megabytes
Resolution: 300 dots per inch
- Curator's comments
- See 2013,2013.6805 and 2013,2034.6808 to 2013,2034.6809 for details. These figures, difficult to detect and describe, are the best example of the so-called Elikeo style, only documented in seven or eight sites and chronologically ascribed to the oldest period of the Ennedi Plateau rock art.
The Ennedi Plateau is located at the north-eastern corner of Chad, on the southern edge of the Sahara Desert. It is a sandstone massif carved by erosion in a series of superimposed terraces, alternating plains and ragged cliffs crossed by seasonal rivers (wadis). Unlike other areas in the Sahara with rock art engravings or paintings, the Ennedi Plateau receives rain regularly –if scarce- during the summer, and thus it is a more benign environment to human life that other areas placed to the north, as the Messak plateau, the Tassili or the Tibesti Mountains. However, its position far from the main trade routes made its rock art being unknown to Europe until the 1930’s, when Burthe d’Annelet gave notice of them and De Saint-Floris published the first paper on the subject. The main effort to document this rock art came in 1956-1957 when Gerard Bailloud documented more than 500 rock art sites within an area of just one sixth of the entire plateau.
The depictions in the Ennedi Plateau can be broadly organized in the same periods and styles of the rest of Saharan rock art areas. Therefore, three main periods have been documented: the so-called archaic period –representing wild animals-, the bovine period (which has domestic cattle as the predominant animal) and a third, late period named the dromedary or Camel Period. However, there are several slight regional differences with respect to other Saharan regions. The first one is the absence of differentiated Horse and Camel Periods: in the Ennedi depictions both animals appear together, and thus they are included in a generic dromedary period (although horses were introduced earlier than dromedaries in the Sahara). Secondly, the oldest engravings in the Ennedi Plateau are much more modern than those to the north, starting to appear at the 5th-4th millennia BC. Finally, the numerous cliffs and gorges at the Ennedi Plateau house depictions of numerous local styles, sometimes contemporary to others, sometimes corresponding to successive periods. That variability means an enormous richness of techniques, themes and artistic conventions, with some of the most original depictions in Saharan rock art. Paintings are dominant in the sample, although engravings are relatively common in the area.
- Not on display
- Acquisition date
- Africa, Oceania and the Americas
- Registration number
- Additional IDs
Previous owner/ex-collection number: CHAENP0210005 (TARA number)