A scheme for the decoration of the vault of the Sistine Chapel; studies of arms and hands. 1508 Pen and brown ink over a sketch in lead point and stylus (vault study); black chalk (arms and hands) Verso: Study of drapery for a seated figure; a seated figure Brush and brown ink over a light greyish preparation (drapery study), the parallel strokes done with the point of the brush; black chalk overlaid with brown wash (the seated figure); stylus marks, interpreted by Wilde as representing a seated nude
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