Aragonite cylinder seal; contest scene; in the centre - a bearded, nude hero, with a crested head-dress, holds a bull in each hand (possibly to protect them); to the left - bull-man (in profile) fights rampant lion. A bird in between them; to the right - the bull-man, full faced, fights two lions; an ibex or small goat between them. Terminal an ibex head; slightly chipped at edges. Greenstone cylinder seal; a goddess wearing a striped robe and a multiple-horned head-dress stands with both hands raised behind a worshipper (owner of seal - Hash-hamer?) in a fringed robe, bald and clean-shaven, who raises his right hand. He is being led by a second goddess in a flounced robe and multiple-horned who raises her left hand. They approach a deified king (possibly Ur-Nammu?) who is bearded, wears a plain robe with a double-rolled hem and a bracelet on his raised right wrist (he does not hold a cup). He is seated beneath the crescent moon on an elaborate throne with a curved back whose legs are shaped like a bull's, which stands on a two-step dais. A double-line border runs above the scene; inscription. The execution of the design is of very high quality. One of the seated figure's feet, the front foot of the chair and the central part of the dais, have been erased, perhaps to mask a shallow chip. Calcite cylinder seal; squatting animal (minus head) shaped knob; a priest-king wearing a head-band and net robe is feeding flowers to a pair of ewes; reed bundles are symbols of the goddess Inanna and divide the scene; pierced transversely; unpierced at top.
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