Baby carrier made from wood and decorated with yellow, black, white and red beads

International women collectors

By Sushma Jansari, Curator of Asian Ethnographic and South Asia Collections

Publication date: 16 March 2018

Sushma Jansari looks at the lives of four women collectors, and some of the objects they collected that are now in the British Museum.

International women collectors

Between the 19th century and the present day, many women collected objects during their travels around the world and either donated or sold this material to the British Museum. In this post, I look at four exceptional women who travelled and collected in South Asia, Siberia and Southeast Asia: Lady Florentia Sale, Kate Marsden, Susi Dunsmore and Shireen Akbar. Objects from the collections of Lady Sale and Shireen Akbar can be seen in the newly refurbished Sir Joseph Hotung Gallery of China and South Asia (Room 33).

Lady Florentia Sale (1790–1853)

Lady Sale travelled to different parts of the British Empire across the world with her husband, Sir Robert Sale (1782–1845), who was a British army officer.

Portrait of Lady Sale wearing tassled veil and bare-shouldered lace dress, with a facsimile of her signature below.
Richard James Lane (1800–1872) after Maria Moseley, Portrait of Lady Sale. Lithograph on chine collé, 1845.

Sir Robert fought in many military campaigns, including the First Anglo-Afghan War (1839–1842). During this war, Lady Sale and others were taken hostage in Kabul for some nine months by Afghan forces, before she bribed the guards to release them in 1842. During her captivity, Lady Sale kept a diary which she later published as A Journal of the Disasters in Afghanistan (1843), and it became a bestseller. Her diaries and letters are now held at the British Library. While she was in Afghanistan, Lady Sale acquired some ancient coins and donated 20 of them to the British Museum. One is on display in the South Asia section of Room 33.

Coin with the Indian goddess Subhadra holding a flower in her hand on one side and a panther standing on the other side
Coin of Agathocles. The square coin has an Indian goddess with a Brahmi inscription on one side, and a panther and a Greek inscription on the other side. Greco-Bactrian. c. 190–180 BC.

Kate Marsden (1859–1931)

Marsden was a nurse, traveller and author who was elected one of the first female Fellows of the Royal Geographical Society. She also founded Bexhill Museum in East Sussex. Kate Marsden dedicated her life to help and care for those suffering from leprosy. She received the support of Queen Victoria and Maria Feodorovna, the Empress of Russia, to travel to Siberia so that she could help the lepers living there.

Wooden cup on a stem, carved with decorative patterns
Wooden choron used to hold kumis (fermented mare's milk). Made by Yakult. Siberia.

Her journey and work there was described in her book, On Sledge and Horseback to Outcast Siberian Lepers (1892). During her travels in Siberia, she acquired some objects which she later donated to the British Museum.

Mat made of white, brown and black fur. A chequered pattern in the centre, with a white fur fringe.
Fur and leather mat from Siberia.

Susi Dunsmore (1927–2017)

Dunsmore was a writer and lecturer specialising in textile crafts. She lived and worked in many places around the world, including Nepal, Sarawak and Belize. In eastern Nepal, Susi Dunsmore learned about spinning and weaving allo (Himalayan giant nettle) from local women.

Woven textile, with diagonal stripes of elongated "anvil" designs, in white, black, orange and red.
Woven cotton textile to be made up into a cap (topi). Nepal, 1980–1990.

In turn, Marsden helped them to develop their skills and introduce money-making, handwoven products.

Baby carrier made from wood and decorated with yellow, black, white and red beads
Beaded baby-carrier. Sarawak, 19th–20th century.

She collected many textiles and objects (mostly woven) from both Nepal and Sarawak and donated over 100 of them to the British Museum.

Conical hat made from bamboo, decorated with metal thread, red thread and yellow, red and green beads.
Embroidered bamboo hat. A note inside the brim reads, 'Ahmad Zaini your ever obedient ex-student.' Sarawak, 19th–20th century.

Shireen Akbar (1944–1997)

Living in Tower Hamlets, Akbar worked with the Bangladeshi diaspora community – particularly women and children – from the 1970s onwards. She formed successful collaborations between the local community, art galleries and museums, and also co-curated some exhibitions. Ms Akbar amassed a large collection of over 300 rickshaw paintings, a rickshaw, posters, household objects and other material from Dhaka in Bangladesh, which she sold to the British Museum.

Panel from a rickshaw showing a bleeding woman crouching to protect an infant while soldiers fire guns at planes overhead
Rickshaw panel painting from Dhaka, Bangladesh.

The rickshaw paintings and the rickshaw were displayed in the exhibition ‘Traffic Art’ at the Museum of Mankind between 1988 and 1991.

Colourfully patterned and decorated cycle rickshaw with a canopy over the passenger seat.
Rickshaw made in Dhaka, Bangladesh.

One of these rickshaw paintings and a photograph of the rickshaw are on display in Room 33.

Wooden figure of a deer painted with pink, green and white spots
Figure of a deer made in Dhaka, Bangaldesh.

The Sir Joseph Hotung Gallery of China and South Asia was reopened in November 2017.