British Museum collection boosted by gift from Tiffany &
Co.
Objects to be displayed in Room 2 from 1 May 2009, admission
free
The British Museum collects modern and contemporary material
worldwide, within many areas of human activity, both to build on
the Museum’s strengths by adding to those areas in which it has
traditionally collected and to show how modern objects respond to
the cultures represented in its historical collections. The British
Museum has received a recent generous gift of Elsa Peretti-designed
jewellery, accessories and tableware from Tiffany & Co.
The collection will go on temporary display in the Museum from 1
May.
Many of Peretti’s objects grow out of the traditions of
different cultures across the world, adapted by Peretti in a highly
individual way. To make this connection, objects from South East
Asia and from the ancient world are shown alongside Peretti’s
creations, whether historic lacquer from Japan, or Early Christian
pottery pilgrim flasks from Asia Minor. The work of Elsa
Peretti demonstrates the resonance today of these ancient
traditions. Modern design is rarely shown in the context of world
cultures of all periods; this display will encourage a different
approach to such objects and demonstrate that they can combine
superb craftsmanship and symbolic meaning in a modern age.
Born in Florence, Italy in 1940, Peretti studied interior design
in Rome, but made her name as a fashion model in Barcelona, Spain,
before moving to New York in the 1960s. There she turned to design,
creating jewellery for a handful of top fashion designers –
Halston, Oscar de la Renta, Giorgio di Sant’Angelo and, since 1974,
Tiffany & Co. For Tiffany she has designed personal ornaments
and tableware, in silver, gold, lacquer, bamboo basketry and
glass.
Examples of the work on display include Peretti’s silver
candlesticks inspired by the human bones from the Capuchin crypt at
Santa Maria della Concezione in Rome. Her silver tablewares are
made in Spain and in Italy, while her glass vessels are hand made
in time-honoured Venetian methods by master glass-blowers from the
Archimede Seguso company in Murano. Among the personal ornaments,
Peretti’s bamboo bag is made by a master bamboo weaver in Japan.
Her rock crystal scent-bottle echoes Chinese snuff-bottles of the
17th or 18th century and is carved in Hong Kong; alongside it are
rock-crystal samples showing the stages in achieving the form from
a single lump of stone. Peretti’s infinitely supple mesh
scarf, made of knitted gold links, revives the fine metal mesh used
for evening bags in the early 20th century.
The Peretti display will sit alongside a temporary display which
also highlights the theme of cultural dynamism in a rapidly
changing modern world. ‘Continuity and Change’ will showcase
contemporary objects shaped by new tastes and trends,
cross-cultural influences and adoption of mediums, techniques and
ideas which originate from different parts of an increasingly
smaller world. The display is treated from the perspective of
non-western cultures and all the objects are from the Museum’s own
wide-ranging modern and contemporary collections. Each object tells
a story of cultural survival, adaptation or radical breaks with the
past in form, meaning or both. Thus a fish-shaped charm made from a
tinfoil biscuit wrapper in Egypt, whilst made from modern materials
reflects the ancient tradition of fish as symbols of fertility and
the design of ancient Korean ceremonial stands is a continuing
source of inspiration to the artist Cho Chung Hyun. His modern
vases reflect the design of these objects, but are purely
decorative.
For more information or images please contact the Press Office
on +44 (0)20 7323 8394 or communications@britishmuseum.org.
Notes to Editors
- The Museum’s modern European and American collections comprise
design classics from Christopher Dresser’s electroplated metalwork
to Marianne Brandt’s Bauhaus tea-infuser, and from hand-made
Venetian glass by artists such as Barovier, to mass-produced
American ceramic dinnerwares by Russel Wright. These objects have
been assembled since the late 1970s, and complement the V&A’s
holdings in this area. A catalogue was published in 1991 (J. Rudoe,
Decorative Arts 1850-1950. A catalogue of the British Museum
collection, revised 1994). Many of Peretti’s pieces for Tiffany
have already become the design classics of the present day. The
collaboration between Peretti, her craftsmen and Tiffany is a
remarkable instance of the international basis on which
contemporary design is conducted. This gift will make it available
for future generations. Tiffany has its roots as an American
company but these objects were almost all made in Spain, Italy and
Japan. Other examples of modern European and American objects
may be seen in the Museum’s twentieth-century gallery (Room 48) on
the upper floor of the Museum.
- Modern and contemporary objects are acquired for the British
Museum’s Asian, African, American, Oceanic and European collections
and collections of prints, drawings, medals and coins
worldwide.