Stephen Coppel
Curator of the Modern Collection
Modern prints and drawings of
Western-based cultures (e.g. Europe, North and South America,
Australasia) from the late 19thC to the present day
Department: Prints and Drawings
Telephone: +44 (0)20 7323 8410
Email: scoppel @ thebritishmuseum.ac.uk
Stephen Coppel is Curator of modern prints and drawings in the
Department of Prints and Drawings at the British Museum. He was
appointed Assistant Keeper of the print collection in 1992 and
became responsible for the modern collection in 2004. He was
previously curator of prints and illustrated books at the National
Gallery of Australia, Canberra, 1982 to 1992.
Current British Museum projects
The American Scene: Prints from Hopper to
Pollock, exhibition and catalogue with Jerzy
Kierkuc-Bielinski, for April 2008
“From the Angry Penguins to Now: Modern Australian Prints and
Drawings” (working title), exhibition and catalogue, for
October 2010
Previous British Museum projects
“Fred Williams: An Australian Vision”,
exhibition and catalogue with Irena Zdanowicz, 2003
“Matisse to Freud: A Critic’s Choice. The
Alexander Walker Bequest”, exhibition and brochure, 2004
“Avigdor Arikha From Life: Drawings and Prints
1965-2005”, exhibition and catalogue with Duncan Thomson, 2006
External fellowships/ honorary positions/ membership of professional bodies
Member of Art Association of Australia and New
Zealand (1988 onwards)
British Art Medal Society (1999 onwards)
Publications
S. Coppel, Avigdor Arikha from Life: Drawings and Prints
1965-2005, with D. Thomson, (London: British Museum Press,
2006)
S. Coppel, Imaging Ulysses: Richard
Hamilton’s Illustrations to James Joyce (London: British
Council, 2002)
S. Coppel, Picasso and Printmaking in
Paris (London, South Bank Centre, National Touring
Exhibitions, 1998)
S. Coppel, ‘William Mitchell (1820-1908) and
John Malcolm of Poltalloch (1805-93)', chapter 7 and ‘George
Salting (1835-1909)', chapter 8 in A.Griffiths
(ed.) Landmarks in Print Collecting: Connoisseurs and
Donors at the British Museum since
1753 (London: British Museum Press in association with the
Museum of Fine Arts Houston, 1996), pp.159-210
S. Coppel, Linocuts of the Machine Age:
Claude Flight and the Grosvenor School
(Aldershot: Scolar Press, in association with the National Gallery
of Australia, Canberra, 1995), reprinted 1997