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To celebrate Vikings Live, we have replaced our Roman alphabet with the runic alphabet used by the Vikings, the Scandinavian ‘Younger Futhark’. The ‘Younger Futhark’ has only 16 letters, so we have used some of the runic letters more than once or combined two runes for one Roman letter.

For an excellent introduction to runes, we recommend Martin Findell’s book published by British Museum Press.

More information about how we have ‘runified’ this site

 

Project director

Department of Greece and Rome 

Project curators

Supported by

The Leverhulme Trust
  • Christian Levett (Mougins Museum of Classical Art)
  • The Shelby White - Leon Levy Program for Archaeological Publications
  • Institute of Classical Studies, London
  • The British Academy, Reckitt Fund

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Project progress

 

The Naukratis project is interdisciplinary and collaborative, involving scholars from many museums and research institutes across the world – in the UK, Europe, Egypt, the USA and Australia.

Work began in 2003 with a focus on Greek pottery, the largest single group of finds from Naukratis, and one of the most important and varied Archaic and Classical pottery assemblages known from the ancient world. The British Museum's research on this was in part conducted in collaboration with researchers of the SFB 295 B.1 ‘Griechische Kunst und Kunsthandwerk in Ägypten. Kulturtransfer und Interaktion in archaischer Zeit’ at the University of Mainz, Germany, led by Ursula Höckmann.

While the main focus was on the British Museum collection, a loan of nearly 1,000 sherds of Greek pottery from the Ashmolean Museum in Oxford enabled us to study them alongside our own material.

In 2004, a joint conference at the British Museum examined Greek pottery from Naukratis in the context of exchange in the Eastern Mediterranean. The proceedings were published in 2006 (Villing and Schlotzhauer 2006), revealing much new information on the early Greek inhabitants and visitors of Naukratis, their religious life, and the networks of exchange of which the town was a part. Greek pottery from Naukratis also provided a rich field for scientifically investigating Archaic pottery production in the East Greek ‘mother cities’ of Naukratis that remained poorly understood. One of the results that emerged from this work was the identification of a workshop of Greek-style pottery in sixth century BC Naukratis.

 

With time, however, it became increasingly clear that the site could only be fully understood if other categories of finds, and later periods, were considered. Moreover, not only the objects in the British Museum, but also the large number of finds in other collections, had to be included.

In 2009, a workshop on ‘Egyptians and Foreigners in the Nile Delta: Trade and Interaction’ was held at the British Museum with scholars working on Naukratis and related sites such as Kom Firin, Sais, Tell Dafana, and Herakleion-Thonis. This was a first step in aiming for a broader and more balanced view of Naukratis.

As a second phase of the project, a collaboration with Penny Wilson of Durham University was initiated and external funding obtained. This new phase began in 2011 with three project curators, supported by academic experts and student volunteers, working in partnership with curators and collections managers in museums and institutions with holdings of Naukratis material. The aim is to re-unite and re-contextualise the entire body of finds from Naukratis. This includes both Greek and Egyptian objects from the site’s beginnings in the seventh century BC through to the seventh century AD.

A crucial aspect of this second phase is also new fiedwork at the site itself. Three brief seasons of work (in 2012, 2013 and 2014) have now been completed and have produced a wealth of important new insights, as well as demonstrating that there is much yet to be discovered about the site from its rich surviving archaeological remains.

This work will, finally, provide a solid foundation for a new analysis of the history and development of the site as an Egyptian, Greek and Roman town and a centre of cross-cultural contact.


 

Research around the world, and at home

 
Houses at Amara West

Project curator François Leclère photographing objects in the McLean Museum in Greenock, July 2011.

Since 2011, a main focus of our work has been the study and analysis of finds from the early fieldwork in the British Museum itself as well as in the our partner museums in the UK, US, Egypt and elsewhere, collection.

Huge thanks are due to the curators, registrars and administrators at all of these museums, whose assistance is vital to the project. An exciting (if somewhat alarming) development resulting from this phase of work is that numbers of known objects from Naukratis have been going up steadily.

We are now aware of over 17,000 finds that were distributed over 60 collections worldwide, from Dundee to Kyoto and Sydney. While some of these finds have been lost or de-accessioned (especially during the Second World War), the majority is still extant. Nearly all of the pieces are now in the database.

In the meantime, back in London, work continued on the Naukratis finds in the British Museum collection. Here we were able to identify an additional 1400 previously unprovenanced or wrongly provenanced objects as coming from Naukratis. These include, in particular, stamped amphora handles which with the help of drawings in Petrie's excavation diary can now be securely re-attributed to the site.


 

Archives: reassessing nineteenth century archaeology

 
Page from Petrie's journal from the day he identified Naukratis

Page from Petrie's journal from the day he identified Naukratis. EES Archive XVIId, 47 © Egypt Exploration Society

Gathering and studying excavation diaries and notes is another aspect of the work we began in 2011. The Egypt Exploration Society, the Petrie Museum and the Griffith Institute at Oxford kindly allowed us to examine and digitise many documents relevant to Petrie’s work at the site. The diaries of Hogarth’s two seasons at the site were also generously provided for study and documentation by his granddaughter.

Some 700 pages of relevant documents have now been digitised and transcribed.

It is already becoming clear that the notebooks offer invaluable additional information on the topography and development of the site and the find context of objects. They reinforce the impression that much more Egyptian material was originally encountered at the site than is reflected in the surviving body of evidence, thus helping to provide a more balanced picture of the nature of Naukratis and its inhabitants. A productive collaboration with the Centre Golenischeff in Paris with its important archive of papers by Egyptologist Jean Yoyotte was also initiated.


 

Analysing Naukratis: art and science

 
Polychrome painting on fragments of Archaic Greek architecture from Naukratis

Polychrome painting on fragments of Archaic Greek architecture from Naukratis

While much of the past three years has been dedicated to gathering evidence, we were also able to engage research and analysis. A first overview of the hitherto much neglected Egyptian material alongside excavation documentation proved particularly interesting, suggesting that the Egyptian aspect of Naukratis is earlier than is often thought, going back to the very beginnings of the site in the late seventh century BC. A detailed study of the numerous terracotta and limestone figurines has revealed significant local production from the seventh century BC to the Roman period displaying a notable variety of cross-cultural influences over time.

Research on these and other groups of material is continually informed by scientific analyses. Greek, Cypriot and locally made terracotta figurines and pottery have been analysed with NAA and petrographic/SEM-EDX analysis. This has not only helped us to resolve some tricky questions of provenance, but has also made it possible to investigate potting technology and its transfer in a cross-cultural environment.

Scientific research on the polychrome painting on some of the Ionic architecture and Cypriot and local sculpture from the site has now been completed. New imaging methods producing stunning results allow the visualization of pigment traces of Egyptian blue that are almost invisible to the naked eye.

Most recently, a programme of faience analysis was initiated in collaboration with the Musée du Louvre, Centre de Recherche et de Restauration des Musées de France (C2RMF). Analyses were carried out at the Accélérateur Grand Louvre d'Analyse Elémentaire (AGLAE), facilitated by the European CHARISMA programme. The results shed new light on the production of faience at sixth century BC Naukratis against the wider background of cultural contact and technology transfer.

Further scientific investigations of pottery, stone and glass are currently under way, some of them in collaboration with ongoing research in other institutions.


 

Engaging with others: from London to Egypt

 
Naukratis, November 2011: area of Hogarth’s Hellenion, previously covered by a lake

Naukratis, November 2011: area of Hogarth’s Hellenion, previously covered by a lake

Two international workshops held at the British Museum have allowed us to share our results with colleagues and to discuss and debate the wider historical questions and methodological issues surrounding Naukratis, the Nile Delta and Egyptian-Greek relations.

The first of these two-day conferences was organised by Ross Thomas in December 2011 on the theme of Naukratis and the Nile Delta. It was attended by around 60 scholars from the UK, the rest of Europe, Egypt, Israel and the USA. It featured 24 papers on topics ranging from sites such as Naukratis, Herakleion, Alexandria, and Schedia, to the distribution of Greek trade amphorae in Egypt, the Nile Delta landscape and waterways, pottery and faience production and trade, and developing interaction between Greeks, Egyptians, Phoenicians, and Cypriots in the Eastern Mediterranean.

In June 2013, the second workshop was organised by Marianne Bergeron and Aurélia Masson-Berghoff, on the theme of Naukratis in context: cults, sanctuaries and offerings, bringing together over 60 Egyptologists and Greek archaeologists from the UK, the rest of Europe, Egypt, and North America. The workshop featured 21 papers concerning Greek and Egyptian ritual practices at Naukratis and beyond, focusing on religious practices in cross-cultural contexts, Ptolemaic royal cults, terracotta figurines, faience objects and Greek pottery as votive offerings, votive inscriptions and Egyptian cult processions and temple decoration.

 

Fieldwork

 
 

For the second fieldwork season, the team was joined by inspector Entesar El Sayed Ashour, from the local SCA office and her colleague Emad Hamdy Mohamed Abou Esmail.

An exciting new development has been the instigation of new fieldwork. Three brief seasons have now been completed, in October 2012, April 2013 and April/May 2014 supported by a British Academy Small Research Grant (Reckitt Fund), a grant from the Honor Frost Foundation, and additional funding from the British Museum and the Institute of Classical Studies, London.

The results obtained so far provide important new insights into the site’s archaeology and geomorphology and clearly demonstrate the site’s remaining fieldwork potential.