Good impressions:

Image and Authority in Medieval seals

Edited by Noël Adams, John Cherry and James Robinson

British Museum Research Publication 168
ISBN 978-086159-168-8
© The Trustees of the British Museum 2008

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 Title page and contents 

 Part I 

  • In search of a semiotic paradigm: the matter of sealing in Medieval thought and praxis (1050-1400), Brigitte Miriam Bedos-Rezak
  • The Knight's alter ego: from equestruian to armorial seal, Adrian Ailes
  • Heads, arms and badges: royal representation on seals, John Cherry
  • Queens and Powerful women: image and authority, Elizabeth Danbury

 Part II 

  • The re-use and copying of ancient intaglios set in Medieval personal seals mainly found in England: an aspect of the Renaissance of the 12th century, Martin Henig
  • Seals and status in Medieval English towns: a case-study of London, Newcastle and Durham, Elizabeth New
  • Glasgow, Italy and France: 13th and early 14th-century seals from the Cathedral, Virginia Glenn
  • The seals of the Order of St Lazarus of Jerusalem in England, David Marcombe
  • The judicial seals of the Welsh courts of great sessions, David H. Williams

 Part III 

  • The oldest equestrian seals in Sweden: Karl Svekersson, Birger Brosa and Karl the Deaf, Coran Tegner
  • The re-engraved matrix: bishop versus chapter in Nidaros around 1300, ErlaBergendahl Hohler
  • Medieval seal matrices found at castles and castle mounds in Denmark - what does archaeology tell about ther use? Michael Andersen
  • Seals of Swedish towns before 1350, Henrik Klackenberg

 Part IV 

  • Curial narratives: the seals of Cardinal Deacons 1280-1305, Julian Gardner
  • The sealed saint: representations of Saint Francis of Assisi on Medieval Italian seals, Ruth Wolff
  • '...in quella era unico al mondo': A reassessment of cinquecento seal engraving and the seal matrices of Lautizio da Perugia, Matthew Sillence

 Appendix and handlist 

 Bibliography 

Seal

Seal of Robert Fitzwalter, AD 1213-19 (Handlist no. 8.1)