Bibliography and abbreviations

Use the links below to display the bibliography.

Exhibition catalogues can be found under ‘Exhibition’ followed by the name of the town or place where they were held and by the year.

Permanent collection catalogues can be found under the town or place, followed by the year.

A

H.W., ‘Een buurtwandeling rondom Rembrandts woning’, Kroniek van het Rembrandthuis, xxi, 1967, 51–3.

Allan, A.J., De Ruïne van Brederode, Overloon, 1983.

Alpers, S., Rembrandt’s Enterprise: the Studio and the Market, Chicago, 1988.

Alten, W. von, Rembrandts Zeichnungen, Berlin, 1947.

Amsterdam, 1917, Stichting Rembrandthuis, Korte Gids voor het Rembrandthuis.

Amsterdam, 1925, J.F. Backer, Katalog der Radierungen des Rembrandthuis.

Amsterdam, 1942, M.D. Henkel, Catalogus van de Nederlandsche tekeningen in het Rijksmuseum te Amsterdam. Deel 1, tekeningen van Rembrandt en zijn school.

Amsterdam, 1965, I.Q. van Regteren Altena and L.C.J. Frerichs, Selected Drawings from the Printroom.

Amsterdam, 1972, J. Piet Filedt Kok, Rembrandt Etchings and Drawings in the Rembrandt House. A Catalogue.

Amsterdam, 1976, P.J.J. van Thiel et al., All the Paintings in the Rijksmuseum.

Amsterdam, 1981, B. Broos, Oude tekeningen in het bezit van de Gemeentemusea van Amsterdam waaronder de collectie Fodor. Deel 3. Rembrandt en tekenaars uit zijn omgeving.

Amsterdam, 1985, P. Schatborn, Catalogue of Dutch and Flemish Drawings in the Rijksmuseum. IV: Drawings by Rembrandt, his anonymous pupils and followers, The Hague.

Amsterdam, 1988, B. Bakker, E. Fleurbaay, A.W. Gerlagh, De Verzameling van Eeghen. Amsterdamse tekeningen 1600–1950 ... berustend bij het Gemeentearchief Amsterdam.

Amsterdam, 1991, E. Ornstein-van Slooten, M. Holtrop and P. Schatborn, The Rembrandt House. The Prints, Drawings and Paintings, Zwolle and Amsterdam.

Andrews, K., Adam Elsheimer, Oxford, 1977.

Andrews, K., 1979/81, ‘Das Problem der Elsheimer-Gouachen’, Sitzungsberichte Kunstgeschichtliche Gesellschafte zu Berlin, N.F. Heft 28/29, Oct. 1979–May 1981, 23–5.

Andrews, K., ‘“Ein Rotterdamer Maler und Radierer geringer Ordnung”: On some gouaches by Gerrit van Battem’, Essays in Northern European Art presented to Egbert Haverkamp-Begemann, 1983, 24–6.

Anon. (C. Dodgson?), ‘New Acquisitions at the National Museums: The Print Room of the British Museum’, Burlington Magazine, 1, 1903, 134–8.

B

B. = Bartsch, 1797 or 1803–21.

Backer, J.F., and Veth, J., ‘Een “Missing Link”’, Oude Kunst, ii, 1916–17, 79–80.

Backer, 1925, see Amsterdam, 1925.

Baer, C.O., Landscape Drawings, New York, c. 1970.

Bakker, B., ‘Rembrandt en de olifant’, Kunstschrift, 4, 1994, 24–8.

Baldwin Brown, G., Rembrandt. A Study of his Life and Work, London, 1907.

Barnes, S.J., De Poorter, N., Millar, O., and Vey, H., Van Dyck. A Complete Catalogue of the Paintings, New Haven and London, 2004.

Bartsch = Bartsch, 1797 or 1803–21.

Bartsch, A., Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt [...], Vienna, 1797.

Bartsch, A., Le peintre-graveur, 21 vols, Vienna, 1803–21.

Bauch, K., Jacob Adriaensz. Backer, ein Rembrandtschüler aus Friesland, Berlin, 1926.

Bauch, K., Die Kunst des jungen Rembrandt, Heidelberg, 1933.

Bauch, K., ‘Rembrandt und Lievens’, Westdeutsches Jahrbuch für Kunstgeschichte (Wallraf-Richartz-Jahrbuch), xi, 1939, 239–68.

Bauch, K., ‘Handzeichnungen Pieter Lastmans’, Münchener Jahrbuch der bildenden Kunst, iii–iv, 1952–3, 220–32.

Bauch, K., Der frühe Rembrandt und seine Zeit, Berlin, 1960.

Bauch, K., Rembrandt. Gemälde, Berlin, 1966.

Bauch, K., ‘Zum Werk des Jan Lievens (I)’, Pantheon, xxv, 1967, 160–70, (II), 259–69.

Beck, H.-U., ‘Anmerkungen zu den Zeichnungssammlungen von Valerius Röver und Goll van Franckenstein’, Nederlands Kunsthistorisch Jaarboek, XXXII, 1981, 111–25.

Beck, H.-U., ‘Goll von Franckenstein als Käufer von Zeichnungen auf der Auktion von Abraham van Broyel in Amsterdam (1759)’, Oud Holland, xcviii, 1984, 111–16.

Beck, M.D., Der junge Rembrandt und Italien, diss., Bonn, 1949.

Becker, W., Rembrandt als Dichter. Eine Untersuchung über das Poëtische in den biblischen Darstellungen Rembrandts, Leipzig, 1909.

Bedaux, J.B., ‘Beelden van “leersucht” en tucht. Opvoedingsmetaforen in de Nederlandsche schilderkunst van de zeventiende eeuw’, in Nederlands kunsthistorisch jaarboek, 33, 1982 (1983), 49–74.

Bell, M., Drawings of Rembrandt. Drawings of the Great Masters, London, c. 1905 etc. (1908).

Ben. = Benesch, 1954–7/73.

Benesch = Benesch, 1954–7/73.

Benesch, O., ‘Eine Zeichnung von Aert de Gelder’, Mitteilungen der Gesellschaft für vervielfältigende Kunst, xlv, 1922, 37–43.

Benesch, O., ‘Rembrandts zeichnerische Entwicklung’, Österreichische Rundschau, 19, Vienna, 1923, 993–1013.

Benesch, O., ‘Die Rembrandt-Zeichnungen des Budapester Museums der schönen Künste’, Belvedere, viii, 1925, 119–29 (reprinted in Benesch, 1970, 46–56).

Benesch, O., 1925I or 1926, ‘Rembrandt-Relicta aus der Münchener Graphischen Sammlung’, Die Graphischen Künste, xlviii, 1925, Mitteilungen, 25–39; xlix, 1926, Mitteilungen, 10 (reprinted in Benesch, 1970, 83–100).

Benesch, O., ‘Unbekanntes und Verkanntes von Rembrandt’, Wallraf-Richartz-Jahrbuch, N.F. ii–iii, 1933–4, 295–309 (reprinted in Benesch, 1970, 115–27).

Benesch, O., Rembrandt. Werk und Forschung, Vienna, 1935.

Benesch, O., 1935I, ‘Rembrandt Harmensz. van Rijn’, in Hans Vollmer (ed.), Allgemeines Lexikon der bildenden Künstler [...] begründet von Ulrich Thieme und Felix Becker, vol. xxix, Leipzig, 1935, 259–71.

Benesch, O., ‘An early Group-Portrait Drawing by Rembrandt’, Art Quarterly, iii, 1940, 2–14 (reprinted in Benesch, 1970, 134–9).

Benesch, O., Rembrandt selected Drawings, London and Oxford, 1947, with as a separate vol. A Catalogue of Rembrandt’s selected Drawings.

Benesch, O., The Drawings of Rembrandt, 6 vols, London, 1954–7 [vols i–ii, 1954; iii–iv, 1955; v–vi, 1957], 2nd ed. enlarged and edited by E. Benesch, London and New York, 1973.

Benesch, O., ‘Caravaggism in the Drawings of Rembrandt’, Actes du 17ème congrès international d’histoire de l’art, The Hague, 1955, 385–404 (reprinted in Benesch, 1970, 175–89).

Benesch, O., ‘Rembrandt and ancient History’, Art Quarterly, xxii, Winter, 1959, 309–32.

Benesch, O., Rembrandt as a Draughtsman, London, 1960.

Benesch, O., ‘Neuentdeckte Zeichnungen von Rembrandt’, Jahrbuch der Berliner Museen, vi, 1964, 105–50 (reprinted in Benesch, 1970, 247–69).

Benesch, O., Collected Writings, I. Rembrandt, ed. E. Benesch, New York, 1970.

Benesch, O., 1973, see Benesch, 1954–7.

Berg, H.M. van den, ‘Willem Schellinks en Lambert Doomer in Frankrijk’, Oudheidkundig Jaarboek, xi, 1942, 1–31.

Berlin, 1930, E. Bock and J. Rosenberg, Staatliche Museen zu Berlin. Die Zeichnungen niederländischer Meister.

Berlin, 1975/78, Gemäldegalerie Staatliche Museen Preussischer Kulturbesitz. Katalog der ausgestellten Gemälde des 13–18. Jahrhunderts, ed. princ. 1975; English ed. 1978.

Berlin, 2006, H. Bevers, Rembrandt, die Zeichnungen im Berliner Kupferstichkabinett. Kritischer Katalog. Ostfildern and Berlin, 2006.

Bernhard, M., Rembrandt (vol. I Druckgraphik, vol. II, Handzeichnungen), 2 vols, Munich, 1976.

Bernt, W., Die Niederländischen Zeichner des 17. Jahrhunderts, 2 vols, Munich, 1957.

Bettagno, A., ‘Brief Notes on a Great Collection: Anton Maria Zanetti and his Collection of Drawings’, Festschrift for Erik Fischer, Copenhagen, 1990, 101–8.

Binstock, B., ‘The Birth of Rembrandt’, in Roscam Abbing, 2006I, I, 267–78.

Biörklund, G., and Barnard, O., Rembrandt’s Etchings. True or False, Stockholm, London and Paris, 1955.

Blanc, C., L’oeuvre complet de Rembrandt, 2 vols, Paris, 1859 and 1861.

Blanc, J., Peindre et penser la peinture au XVIIe siècle : la théorie de l’art de Samuel van Hoogstraten, Bern, 2008.

Blankert, A., Ferdinand Bol (1616–1680), een leerling van Rembrandt, diss., Utrecht, 1976.

Blankert, A., Ferdinand Bol 16161680, Rembrandt’s Pupil, Doornspijk, 1982.

Bloch, V., Review of Clark, 1966, Burlington Magazine, cix, 1967, 714–16.

Bock, E., and Rosenberg, J., 1930, see Berlin, 1930.

Bode = Bode, W. and Hofstede de Groot, 1897–1905/6.

Bode, W., ‘Die ersten Selbstporträts des Rembrandt van Rijn’, Zeitschrift für bildende Kunst, xi, 1876, 125–6.

Bode, W., ‘Rembrandts früheste Thätigkeit: der Künstler in einer Vaterstadt Leiden’, Die Graphischen Künste, iii, 1881, 49–72.

Bode, W., Studien zur Geschichte der holländischen Malerei, Braunschweig, 1883.

Bode, W., and Hofstede de Groot, C., Rembrandt. Beschreibendes Verzeichnis seinerGemälde [...], 8 vols, Paris, 1897–1905 (English ed. 1897–1906).

Bode, W., and Valentiner, W.R., Handzeichnungen Altholländischer Genremaler, Berlin, 1907.

Boeck, W., ‘Rechts und links in Rembrandts Druckgraphik’, Wallraf-Richartz-Jahrbuch, xv, 1953, 179–219.

Boeck, W., Rembrandt, Stuttgart, 1962.

Bolten, J., and Folmer-van Oven, A.T., Catalogue of Drawings of a Private Collection, Hilversum, 1989.

Bonnier, H., L’univers de Rembrandt, Paris, 1969 (English ed., Rembrandt, London, 1970).

Boon, K.G., ‘De tekenkunst in de zeventiende eeuw’, in H.E. van Gelder (ed.), Kunstgeschiedenis der Nederlanden, ii, 1955, 134–52.

Boon, K.G., ‘Amor en Venus of het “Vroutgen met een pappotgen”’, De kroniek van het Rembrandthuis, XXVI, 1972, 27–31.

Borssum Buisman, J.H. van, ‘Geertje Dircx nader bezien’, Teylers Museum Magazijn, iii/i, 1984, 5–7.

Boschma, C., ‘Rembrandts tekeningen van de Rhenense stadspoorten’, Oud Holland, lxxxi, 1961, 91–6. Bredius = Bredius 1935/Bredius-Gerson, 1969.

Bredius, A., ‘De Schilder Johannes van der Cappelle’, Oud Holland, x, 1892, 26–40.

Bredius, A., ‘Die Rembrandt-Ausstellung in London’ (Review of Exh. London, R.A., 1899), Zeitschrift für bildende Kunst, x, 1899, 297–305.

Bredius, A., ‘Rembrandtiana II: de nalatenschap van Harmen Becker’, Oud Holland, xxviii, 1910, 195–201.

Bredius, A., ‘Hindoostan’sche tekeningen in Nederland in de XVIIe eeuw’, Oud Holland, xxix, 1911, 139–42.

Bredius, 1915–22 = A. Bredius with O. Hirschmann, Künstler-Inventare. Urkunden zur Geschichte der holländischen Kunst des xviten, xviiten und xviiiten Jahrhunderts, 8 vols, The Hague, 1915–22.

Bredius, A., ‘Christ blessing the Children, by Maes (?)’, Burlington Magazine, xliii, 1923, 104.

Bredius, A., ‘Bijdragen tot een biografie van Nicolaes Maes’, Oud Holland, xli, 1923–4, 207–14.

Bredius, A., with notes by H. Gerson, Rembrandt. Gemälde, Vienna, 1935 (English ed., 1937).

Bredius-Gerson, 1969 = Rembrandt. The complete Edition of the Paintings by A. Bredius revised by H. Gerson, London, 1969.

Bredt, E.W., Rembrandt-Bibel, 2 vols, Munich, 1921 (2nd ed., 1927–8).

Bremen, W., ‘Die Hortges Poort binnen Anrath un das Wirtshaus “Zur blauen Hand”’, Der Niederrhein, 1960, 45–60.

Brière-Misme, C., ‘Un portrait retrouvé de Constantin Huygens’, Oud Holland, liii, 1936, 193–201.

Brière-Misme, C., ‘Autour de Rembrandt’, Musées de France, v, 1949, 122–8.

Brighton, 1964, Brighton Art Gallery and Museum. Paintings executed before 1837 in the permanent Collection.

Brion, M., with P. Zumthor, C. Roger-Marx, R. Huyghe et al., Rembrandt, 1965.

Briquet, C.M., Les filigranes, 4 vols, Geneva, 1907.

British Museum, Reproductions of Drawings by Old Masters, iv, London, 1894.

Broos, B.P.J., ‘Rembrandt. Verandert. En overgeschildert’, De kroniek van het Rembrandthuis, xxvi, 1972, 137–52.

Broos, B.P J., ‘Rembrandt and Lastman’s Coriolanus: the History Piece in 17th-century Theory and Practice’, Simiolus, viii, 1975–6, 199–228.

Broos, B.P.J., Index to the formal Sources of Rembrandt’s Art, Maarssen, 1977.

Broos, B.P.J., ‘Rembrandts Indische miniaturen’, Spiegel Historiael, xv, 1980, 210–18.

Broos, B.P.J., Review of Strauss and van der Meulen, 1979, Simiolus, xii, 1982, 245–62.

Broos, B.P.J., ‘Fame shared is Fame doubled’, in Exh. Amsterdam-Groningen, 1983, 35–58.

Broos, B.P.J., 1983I, ‘De bronnen over Rembrandt anno 1983’, De kroniek van het Rembrandthuis, 1983, nos 1–2, 1–31.

Broos, B.P.J., Review of Sumowski, 1979–81 [Drawings of the Rembrandt School, vols 1–4], Oud Holland, XCVIII, 1984, 162–86.

Broos, B.P.J., ‘Tekeningen en schetsen van Rembrandt’, Antiek, xx, 1, 1985, 19–27.

Broos, B.P.J., 1985I, ‘Notitie der tekeningen van Sybrand Feitama II’, Oud Holland, xcix, 1985, 110–54.

Broos, B.P.J., ‘Rembrandts eerste Amsterdamse periode’, Oud Holland, cxiv, 2000, 1–6.

Broos, B.P.J., and Gert Panhuysen, ‘Predikant Johannes Sylvius, neef en vreind van Saskia en Rembrandt’, De kroniek van het Rembrandthuis, 2006, nos 1–2, 42–68.

Brown, 1907, see Baldwin Brown, 1907.

Brown, C., Carel Fabritius: complete Edition with a Catalogue raisonné, Oxford, 1981.

Brown, C., ‘Rembrandt Reassessed’, Apollo Magazine, cxlviii, 2006, 54–61.

Brown, P., Indian Painting under the Mughals, Oxford, 1924.

Brunet, G., ‘Tableaux et dessins de Rembrandt dans les collections anglaises’, Revue Universelle des Arts, xi, 1866, 256–60.

Bruyn, J., Rembrandts keuze van Bijbelse onderwerpen, Utrecht, 1959.

Bruyn, J. et al., A Corpus of Rembrandt Paintings, see Corpus.

Bruyn, J., ‘On Rembrandt’s Use of Studio-Props and Model Drawings during the 1630s’, Essays in Northern European Art presented to Egbert Haverkamp Begemann, Doornspijk, 1983, 52–60.

Bruyn, J., Review of Sumowski, Gem., vol. i, in Oud Holland, xcviii, 1984, 146–62.

Bruyn, J., Review of Sumowski, Gem., vol. iii, 1986, in Oud Holland, cii, 1988, 322–33.

Bruyn, J., ‘An unknown Assistant in Rembrandt’s Workshop in the early 1660s’, Burlington Magazine, cxxxii, 1990, 715–18.

Bruyn, J., Review of Sumowski, Gem., vol.VI, Oud Holland, CX, 1996, 165–173.

Budapest, 2005, T. Gerszi, 17th-Century Dutch Drawings in the Budapest Museum of Fine Arts, a complete Catalogue.

Bürger, W., (E.J.T. Thoré), ‘Les dessins de Rembrandt au British Museum’, Revue germanique, iii, 1858, 392–403.

Burmeester, A., and Renger, K., ‘Neue Ansätze zur technischen Erforschung von Handzeichnungen: Untersuchungen der ‘Münchener Rembrandt-Fälschungen’ im Nahen Infrarot’, Maltechnik, iii, 1986, Juli, 9–34 (see also Master Drawings, xxiii-xxiv, 1985–6, 526–37).

Busch, W., ‘Zu Rembrandts Anslo-Radierung’, Oud Holland, lxxxvi, 1971, 196–9.

Byam Shaw, J., ‘Rembrandt [...] Study of a Woman as Cleopatra’, Old Master Drawings, iii, 1928, 31–2.

Byam Shaw, J., ‘Arent de Gelder (1645–1727)’, Old Master Drawings, iv, 1929, 10–13.

Byam Shaw, J., ‘Rembrandt van Rijn’, Old Master Drawings, viii, 1933–4, 43–5.

Byam Shaw, J., ‘Three Drawings of Rembrandt’s School’, Old Master Drawings, xiii, 1938, 18–21.

C

Cambridge, Mass., 1940, A. Mongan and P.J. Sachs, Drawings in the Fogg Museum of Art, 3 vols.

Campbell, C., Studies in the formal Sources of Rembrandt’s Figure Compositions, diss., London University, 1971.

Campbell, C., ‘Rembrandts etsen “Het sterfbed van Maria” en “De drie Bomen”’, De kroniek van het Rembrandthuis, 1980, no. 2, 2–33.

Carr, J.W.C., Drawings by the Italian Masters, London, 1877.

Cavalli-Björkman, G. (ed.), Rembrandt and his Pupils; papers given at a symposium in the Nationalmuseum, Stockholm, 2-3 October, 1992, Stockholm, 1993.

Chapman, H.P., ‘Rembrandt’s “burgelijk” self-portraits’, Leids Kunsthistorisch Jaarboek, VIII, 1989, 203–15.

Chapman, H.P., Rembrandt’s Self Portraits. A Study in seventeenth-century Identity, Princeton, 1990.

Chatsworth, M.J., The Devonshire Collection of Northern European Drawings, A Complete Catalogue, 5 vols, Turin, London and Venice, 2002.

Chaumelin, M., Les trésors d’art de la Provence exposés à Marseille en 1861, Paris and Marseille, 1862.

Chong, A., and M. Zell (eds), Rethinking Rembrandt, Boston and Zwolle, 2002.

Churchill, W.A., Watermarks on Paper in Holland, England, France, etc. in the xviiand xviiiCenturies and their Interconnection, Amsterdam, 1935.

Clark, K., Rembrandt and the Italian Renaissance, London, 1966.

Clark, K., An Introduction to Rembrandt, London, 1978.

Claussin, J.J. de, Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt [...], Paris, 1824, with Supplément, 1828.

Clippel, K. de, ‘Adriaen Brouwer, portrait painter: new identifications and an iconographic novelty’, Simiolus, XXX, 2003, 196–216.

Cologne, 1983, Hella Robels, Niederländische Zeichnungen vom 15. bis 19. Jahrhundert im Wallraf-Richartz-Museum, Köln.

Conway, M., ‘Some Rembrandt Drawings’, Burlington Magazine, xiv, 1908–9, 37.

Coppier, A.-C., Les eaux-fortes de Rembrandt, Paris, 1922 (ed. princ. 1917).

Corpus = J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel and E. van de Wetering, A Corpus of Rembrandt Paintings, The Hague, Boston and London, i, 1982, ii, 1986, iii, 1989, iv The Self-Portraits (by E. van de Wetering), 2005 (in progress).

Courtright, N., ‘Observations on the the Origins of Rembrandt’s Drawing Style’, in T.W. Gaehtgens (ed.), Künstlerischer Austausch. Artistic Exchange. Akten des xxviii. internationalen Kongresses für Kunstgeschichte, Berlin, 15.–20. Juli 1992, 1994, 607–20.

Courtright, N., ‘Origins and meanings of Rembrandt’s late drawing style’, Art Bulletin, lxxviii, 1996, 485–510.

Crenshaw, P., ‘Rembrandt’s Declaration of Bankruptcy’, in Chong and Zell, 2002, 159–71.

D

Dattenberg, H., ‘Zur Datierungsfrage von Lambert Doomers deutscher Reise’, Oud Holland, li, 1934, 150.

Dattenberg, H., Der Niederrhein, 1935.

Dattenberg, H., ‘Der Niederrhein in den Handzeichnungen Lambert Doomers (1622/23–1700)’, Die Heimat, xvii, 1938, 385–95.

Dattenberg, H., 1938I, ‘Wandern und Reisen am Niederrhein [...] iv’, Niederrhein, 1938, i, 18–24.

Dattenberg, H., ‘Lambert Doomer als Zeichner’, Pantheon, xxv, 1940, 13–16.

Dattenberg, H., Die Heimat, Krefeld 19, 1–2, 1940, 71.

Dattenberg, H., ‘Een zoekgeraakt kunstboek van Lambert Doomer’, Bulletin van het Rijksmuseum, x, 1962, 31–4.

Dattenberg, H., ‘Doomer-Hoff’, Heimatbuch des Kreises Kempen-Krefeld 1963, 1963, 33–7.

Dattenberg, H., Niederrheinansichten holländischer Künstler des 17. Jahrhunderts, Düsseldorf, 1967.

Daulby, D., A Descriptive Catalogue of the Works of Rembrandt [...], Liverpool, 1796.

Daum, G., ‘Die fünf Zeichnungen des Rembrandtschülers Lambert Doomers von Anrath’, Heimatbuch des Kreises Vieren, 1978, 212–20.

Defoer, H.L.M., ‘Rembrandt van Rijn, de Doop van de Kamerling’, Oud Holland, xci, 1977, 2–26.

Demonts, L., ‘L’album de dessins de Rembrandt donné au Musée du Louvre par M. Bonnat’, Gazette des Beaux-Arts, lxii, 1920, I, 1–20.

Denheane, G., Lambert Lombard, peintre de la Renaissance. Liège 1505/06–1566, Brussels, 2006.

Detroit, 1988, A-M. Logan, The Collection of the Detroit Institute of Arts. Dutch and Flemish Drawings and Watercolors.

dG, see Hofstede de Groot, 1915.

Dibbits, T., ‘De Receptie-geschiedenis van “Heilige Familie bij avond”’, Bulletin van het Rijksmuseum, liv, 2006, 101–21.

Dickey, S.S., Prints, Portraits and Patronage in Rembrandt’s work around 1640, diss., New York, 1994.

Dickey, S.S., ‘Doop door water en het zwaard. Doopsgezind martelaarschap in de kunst van Rembrandt en zijn tijdgenoten’, Doopsgezinde bijdragen, nieuwe reeks 21, 1995, 39–62.

Dickey, S.S., ‘Mennonite Martyrdom in Amsterdam in the Art of Rembrandt and his Contemporaries’, in W.Z. Shetter and I. van der Cruysse (eds), Contemporary Explorations in the Culture of the Low Countries, Lanham (MD), 1996, 81–103.

Dickey, S.S., Prints, Portraits and Patronage in Rembrandt’s work around 1640, Ann Arbor, 1994.

Dickey, S.S., ‘Van Dyck in Holland. The Iconography and its impact on Rembrandt and Lievens’, in H. Vlieghe (ed.), Van Dyck 1599–1999: conjectures and refutations, Turnhout, 2001, 289–303.

Dickey, S.S., Rembrandt: Portraits in Print, Amsterdam, 2004.

Diedenhofen, W., ‘Trophäen im Park. Zu einer Zeichnung des Antonie van Borssum’, Bulletin van het Rijksmuseum, xxi, 1973, 117–26.

Dodgson, C., ‘Drawings: recent acquisitions’, British Museum Quarterly, I, 1926, 72–4.

Drost, W., Adam Elsheimer und sein Kreis, Potsdam, 1933.

Drost, W., Adam Elsheimer als Zeichner, Stuttgart, 1957.

Drost, W., ‘Gouache Bildchen von Adam Elsheimer in der Werkstatt Rembrandts’, Museion. Studien aus Kunst und Geschichte für Otto H. Förster, Cologne, 1960, 148–52.

Drost, W., 1960I, ‘Eine Handzeichnungsgruppe aus der Rembrandt-Werkstatt um 1656’, Das Werk des Künstlers. Studien zur Ikonographie und Formgeschichte. Hubert Schrade zum 60. Geburtstag, Stuttgart, 1960, 212–29.

Duchesne, J., ainé, Description des objets d’arts qui composent le cabinet de feu M. Le Baron V. Denon. Estampes et ouvrages à figures, Paris, 1826.

Dudok van Heel, S.A.C., ‘Het Maecenaat Trip: opdrachten aan Ferdinand Bol en Rembrandt van Rijn’, De kroniek van het Rembrandthuis, xxxi, 1979, no. 1, 14–26.

Dudok van Heel, S.A.C., ‘Een Holbein uit de collectie Six’, Amstelodamum, lxxix, 1992, 55.

Dudok van Heel, S.A.C., ‘Rembrandt en de vaandrigs van de Amsterdamse schutterij’, De Kroniek van het Rembrandthuis, 1993, no. 2, 15–22.

Dutuit, E., Manuel de l’amateur d’estampes. Écoles flamande et hollandaise, ii, Paris and London, 1882.

Dutuit, E., L’oeuvre complet de Rembrandt, vols i and iv, Paris, 1883 and 1885.

E

Edinburgh, 1985, K. Andrews, Catalogue of Netherlandish Drawings in the National Gallery of Scotland, 2 vols.

Eeghen, I.H. van, ‘Maria Trip of een anoniem vrouwsportret van Rembrandt’, Maandblad Amstelodamum, xliii, 1956, 160–69.

Eeghen, I.H. van, ‘Frederick Rihel, een 17de eeuwse zakenman en paardenliefhebber’, Maandblad Amstelodamum, xlv, 1958, 73–81.

Eeghen, I.H. van, ‘Het huis op de Rozengracht’, Maandblad Amsteldamum, lvi, 1969, 180–83.

Eeghen, I.H. van, 1969I, ‘Elsje Christiaens en de kunsthistorici’, Maandblad Amsteldamum, lvi, 1969, 73–8.

Eisler, M., Rembrandt als Landschafter, Munich, 1918.

Ember, I., ‘Benjamin Gerritsz. Cuyp (1612–1652)’, Acta historiae artium, xxv, 1979, 89–141.

Emmens, J.A., ‘Ay Rembrandt, maal Cornelis stem’, Nederlands Kunsthistorisch Jaarboek, vii, 1956, 133–65, reprinted in Emmens, iii, 1981, 61–97.

Emmens, J.A., ‘Rembrandt’s Teachers and Contemporaries’, in Rembrandt after Three Hundred Years. A Symposium, Chicago, 1973, 113–30.

Emmens, J.A., Rembrandt en de regels van de kunst, Amsterdam, 1964, reprinted in Emmens, ii, 1979.

Emmens, J.A., Verzameld Werk, vols 2–4, Amsterdam, 1979–81.

Erpel, F., Die Selbstbildnisse Rembrandts, Vienna and Munich, 1967.

Ettinghausen, R., ‘The Emperor’s Choice’, in De artibus opuscula, xl, Essays in Honour of Erwin Panofsky, New York, 1961, 98–120.

Exh. = Exhibition.

Exhibition, Amsterdam, 1955, I.Q. van Regteren Altena, Amsterdam in tekening 1600–1800: verzameling Mr. Chr. P. van Eeghen, Koninklijk Oudheidkundig Genootschap Amsterdam, Rijksmuseum.

Exhibition, Amsterdam-Rotterdam, 1956, I.Q. van Regteren Altena and K.G. Boon, Rembrandt. Etsen, Rijksprentenkabinet, Rijksmuseum and Museum Boymans-van Beuningen, Rotterdam.

Exhibition, Amsterdam-Rotterdam, 1956I, A. van Schendel, J.L. Cleveringa and B. Haak, Rembrandt. Schilderijen, Rijksmuseum and Museum Boymans-van Beuningen.

Exhibition, Amsterdam, 1964, J.W. Niemeijer, De verzameling van Bernard Houthakker, Rijksmuseum, Rijksprentenkabinet.

Exhibition, Amsterdam, 1964–5, C.W. Mönnich, L.C.J. Frerichs and J. Verbeek, Bijbelse Inspiratie. Tekeningen van Lucas van Leyden en Rembrandt, Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam, 1966, K.G. Boon, De meesterwerken van de europese prentkunst 14101914, Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam, 1968, J.W. Niemeijer, De verzameling van A. Schwarz, Rijksmuseum, Rijksprentenkabinet.

Exhibition, Amsterdam, 1969, P.J.J. van Thiel (ed.), drawings cat. by L.C.J. Frerichs and P. Schatborn, Rembrandt 16691969, Rijksmuseum.

Exhibition, Amsterdam, 1972, B. Haak, Regenten en regentessen, overlieden en chirurgijns, Amsterdamse groepsportretten van 1600–1835, Amsterdams Historisch Museum.

Exhibition, Amsterdam, 1973, K.G. Boon and P. Schatborn, Hollandse Genre-tekeningen uit de zeventiende eeuw, Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam-Toronto, 1977, B. Bakker and B. Haak et al., The Dutch Cityscape in the 17th Century and its Sources, Amsterdams Historisch Museum and Art Gallery of Ontario.

Exhibition, Amsterdam, 1981, E. Ornstein-van Slooten and P. Schatborn, Work in Process: Rembrandt Etchings in different States, Rembrandthuis.

Exhibition, Amsterdam-Washington, 1981–2, P. Schatborn, Figuur-studies/Dutch Figure Drawings of the seventeenth Century, Rijksmuseum and National Gallery of Art.

Exhibition, Amsterdam-Groningen, 1983, A. Blankert, B. Broos, E. van de Wetering and G. Jansen, The Impact of a Genius. Rembrandt, his Pupils and Followers in the seventeenth century, Kunsthandel K. and V. Waterman and Groninger Museum.

Exhibition, Amsterdam, 1984–5, P. Schatborn and E. Ornstein-van Slooten, Bij Rembrandt in de leer/ Rembrandt as Teacher, Rembrandthuis.

Exhibition, Amsterdam, 1985–6, B. Broos, Rembrandt en zijn voorbeelden/ and his Sources, Rembrandthuis.

Exhibition, Amsterdam, 1986–7, R.E.O. Ekkart and E. Ornstein-van Slooten, Oog in oog met de modellen van Rembrandts portret-etsen, Rembrandthuis.

Exhibition, Amsterdam, 1987, M. Schapelhouman and P. Schatborn, Land & Water. Hollandse tekeningen uit de 17de eeuw [in Dutch and English], Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam-Boston-Philadelphia, 1987–8, P.C. Sutton, J. Bruyn, S. Schama et al., Masters of 17th Century Dutch Landscape Painting, Rijksmuseum, Boston Museum of Fine Arts and Philadelphia Museum of Art.

Exhibition, Amsterdam, 1988–9, P. Schatborn and E. Ornstein-van Slooten, Jan Lievens 1607–74. Prenten en Tekeningen/ Prints and Drawings, Rembrandthuis.

Exhibition, Amsterdam, 1989, J.F. Heijbroek (ed.), De verzameling van mr. Carel Vosmaer (182688), Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam, 1991, B.W. Meijer, Rondom Rembrandt en Titiaan, Museum het Rembrandthuis.

Exhibition, Amsterdam, 1991–2, A. Tümpel and P. Schatborn, Pieter Lastman, Museum het Rembrandthuis.

Exhibition, Amsterdam-Vienna-New York-Cambridge, 1991–2, W.W. Robinson, Seventeenth-Century Dutch Drawings: A Selection from the Maida and George Abrams Collection, Rijksmuseum, Albertina, Pierpont Morgan Library and Fogg Art Museum.

Exhibition, Amsterdam, 1993–4, B. Bakker and H. Leeflang, Nederland naar ’t leven, Museum het Rembrandthuis.

Exhibition, Amsterdam, 1996, C. Schuckmann, M. Royalton-Kisch, E. Hinterding, Rembrandt & van Vliet. A Collaboration on Copper, Museum het Rembrandthuis.

Exhibition, Amsterdam, 1996–7, P. van der Coelen (ed.), Patriarchs, Angels and Prophets. The Old Testament in Netherlandish Printmaking from Lucas van Leyden to Rembrandt, Museum het Rembrandthuis.

Exhibition, Amsterdam, 1997, E. de Jongh and G. Luijten, Spiegel van Alledag. Nederlandse genreprenten 1550–1700, Rijksmuseum.

Exhibition, Amsterdam-Paris, 1998–9, B. Bakker, M. van Berge-Gerbaud, E. Schmitz and J. Peeters, Landscapes of Rembrandt: his favourite walks, Gemeentearchief and Institut Néerlandais.

Exhibition, Amsterdam, 1999–2000, B. van den Boogert, Rembrandts schatkamer, Museum het Rembrandthuis.

Exhibition, Amsterdam, 2000, G. Luijten and J.P. Filedt Kok (eds), The Glory of the Golden Age ... Drawings and Prints, Rijksmuseum.

Exhibition, Amsterdam-London, 2000–01, E. Hinterding, G. Luijten and M. Royalton-Kisch, Rembrandt the Printmaker, Rijksmuseum and British Museum.

Exhibition, Amsterdam, 2003, Vincent’s Choice: The Musée Imaginaire of Van Gogh, Rijksmuseum Vincent Van Gogh.

Exhibiton, Amsterdam, 2003, E. van de Wetering, Rembrandt’s hidden Self-Portraits, Museum het Rembrandthuis.

Exhibition, Amsterdam-Berlin, 2006, Rembrandt. Zoektocht van een genie, E. van de Wetering et al., Museum het Rembrandthuis and Gemäldegalerie der staatlichen Museen in Berlin.

Exhibition, Antwerp-London, 1999, M. Royalton-Kisch, The Light of Nature: Landscape Drawings by Van Dyck and his Contemporaries, Rubenshuis and British Museum.

Exhibition, Antwerp-Amsterdam, 1999–2000, C. Depauw and G. Luijten, Anthony Van Dyck as a Printmaker, Museum Plantin-Moretus and Rijksmuseum.

Exhibition, Arts Council of Great Britain, 1949, A.E. Popham, Old Master Drawings from Chatsworth.

Exhibition, Berlin, 1970, C. and A. Tümpel, Rembrandt legt die Bibel aus, Kupferstichkabinett, Staatliche Museen preussischer Kulturbesitz.

Exhibition, Berlin-Amsterdam-London, 1991–2, C. Brown, J. Kelch and P. van Thiel, Rembrandt. The Master and his Workshop, Paintings, Gemäldegalerie SMPK at the Altes Museum, Rijksmuseum and National Gallery.

Exhibition, Berlin-Amsterdam-London, 1991–2I, P. Schatborn, H. Bevers and B. Welzel, Rembrandt. The Master and his Workshop, Drawings and Etchings, (the drawings not exhibited in London, where the prints were also exchanged for impressions from the British Museum’s collection), Kupferstichkabinett SMPK at the Altes Museum, Rijksmuseum and National Gallery.

Exhibition, Boston-St Louis, 1980–81, C.S. Ackley, Printmaking in the Age of Rembrandt, Boston Museum of Fine Arts and St Louis Art Museum.

Exhibition, Boston-Chicago, 2003–4, C.S. Ackley et al., Rembrandt’s Journey, Boston Museum of Fine Arts and Art Institute of Chicago.

Exhibition, Braunschweig, 1979, R. Klessman, J. Białostocki, S. Jacob and R.E.O. Ekkart, Jan Lievens. Ein Maler im Schatten Rembrandts, Herzog Anton Ulrich-Museum.

Exhibition, Braunschweig-Utrecht-Cologne-Munich, 1988–90, R. Klessmann (ed.), J. Białostocki et al., Europäische Malerei des Barock aus dem Nationalmuseum in Warschau, Herzog Anton Ulrich-Museum, Centraal Museum, Wallraf-Richartz-Museum and Alte Pinakothek.

Exhibition, Braunschweig, 2006, T. Döring et al., Aus Rembrandts Kreis. Die Zeichnungen des braunschweiger Kupferstichkabinetts, Herzog Anton Ulrich-Museum.

Exhibition, Bremen-Zurich, 1967, W. Sumowski, W.R. Deusch, G. Busch, and M. Gregori, Handzeichnungen Alter Meister aus Schweizer Privatbesitz, Kunsthalle and Kunsthaus.

Exhibition, Bremen, 2000–01, A. Röver-Kann and T. Ketelsen, Rembrandt, oder nicht? : Zeichnungen von Rembrandt und seinem Kreis aus den Hamburger und Bremer Kupferstichkabinetten, Kunsthalle.

Exhibition, Brussels-Hamburg, 1961, K.G. Boon and L.C.J. Frerichs, introduction by F. Lugt, Holländische Zeichnungen der Rembrandt-Zeit, Koninklijke Bibliotheek Albert I and Kunsthalle.

Exhibition, Brussels-Rotterdam-Paris-Bern, 1968–9, C. van Hasselt, Landschaptekeningen van hollandse meesters uit de XVIIde eeuw, Albert I Bibliotheek, Museum Boymans-van Beuningen, Institut Néerlandais and Kunstmuseum Bern, 2 vols.

Exhibition, Brussels-Rotterdam-Paris, 1972–3, M.J. Kuznetsov and T.A. Tseshkovskaya, Dessins Flamands et Hollandais du dix-septième siècle, Bibliothèque Royale Albert 1er, Museum Boymans-van Beuningen, Institut Néerlandais.

Exh. Brussels, 2005, S. Hautekeete, Les dessins de Rembrandt et ses élèves appartenant à la collection de Jean de Grez, Musées royaux des beaux-arts de Belgique.

Exhibition, Cambridge, 1966, M. Cormack, Rembrandt and his Circle, Fitzwilliam Museum.

Exhibition, Chicago-Minneapolis-Detroit, 1969–70, J.R. Judson, E. Haverkamp-Begemann and A.-M. Logan, Rembrandt after Three Hundred Years, Art Institute, Institute of Arts and Detroit Institute of Arts.

Exhibition, Coventry, 1987, R.A. Clarke, A. Wright and R. Barnett, The Blasted Oak – The Oak Tree: Natural History, Art and Myth in European Culture, Herbert Art Gallery and Museum.

Exhibition, Delft, 1956, Er was eens…; ons land gezien door schilders in vroeger tijden, Museum het Prinsenhof.

Exhibition, Delft, 1994, J. ten Brink Goldsmith, M. Plomp et al., Leonaert Bramer 1596–1674. Ingenious Painter and Draughtsman in Rome and Delft, Stedelijk Museum het Prinsenhof.

Exhibition, Denver-Newark, 2001–2, M. Westermann, C.W. Fock, E. Jan Sluijter and H.P. Chapman, Art and Home: Dutch Interiors in the Age of Rembrandt, Denver Art Museum and Newark Museum.

Exhibition, Dijon, 2003–4, M. Piotrovsky, E. Starcky et al., Rembrandt et son école: collections du musée de l’Ermitage, Musée des Beaux-Arts.

Exhibition, Dordrecht, 1992–3, A. Chong, J. Loughman, C. Brusati, M.E. Wieseman et al., De Zichtbaere Werelt, Dordrechts Museum.

Exhibition, Dordrecht-Cologne, 1998–99, P. Schoon, E. van de Wetering, J. Loughman, V. Manuth, G. Sluiter, M. de Winkel, E. Mai and P. Schatborn, Arent de Gelder (1645–1727). R’t’s laatste leerling, Dordrechts Museum and Wallraf-Richartz-Museum.

Exhibition, Dresden, 2004, C. Dittrich and T. Ketelsen, Rembrandt. Die Dresdener Zeichnungen, Dresdener Residenzschloss (Ausstellungsräume des Kupferstich-Kabinetts).

Exhibition, Düsseldorf, 1953, H. Dattenberg, Niederrheinansichten Holländischer Meister des 17. Jahrhunderts, Kunstmuseum.

Exhibition, Düsseldorf, 1964, E. Trautscholdt and R.M. Muthman, 150 Meisterzeichnungen des 16. bis 19. Jahrhunderts, C.G. Boerner.

Exhibition, Edinburgh, 1971, D. Thomson, A Virtuous and Noble Education, Scottish National Portrait Gallery.

Exhibition, Edinburgh-London, 2001, J.L. Williams et al., Rembrandt’s Women, National Gallery of Scotland and Royal Academy.

Exhibition, Exeter, 1988, M. Royalton-Kisch and N. Fabian, Rembrandt. A Selection of Etchings, Royal Albert Memorial Museum.

Exhibition, Frankfurt, 1966–7, J. Held et al., Adam Elsheimer. Werk, Künstlerische Herkunft und Nachfolge, Städelsches Kunstinstitut.

Exhibition, Frankfurt, 2000, A. Strech, ‘Nach dem Leben und aus der Phantasie’: Niederländische Zeichnungen vom 15. bis 18. Jahrhundert aus dem Städelschen Kunstinstitut, Städelsches Kunstinstitut.

Exhibition, Frankfurt-Edinburgh-London, 2006, R. Klessmann, E. Gordenker and C.T. Siefert, Adam Elsheimer 1578–1610, Städelsches Kunstinstitut, National Gallery of Scotland and Dulwich Picture Gallery.

Exhibition, Glasgow, 1990–91, J. Walsh, H.P. Chapman and H. Beloff, Rembrandt by himself, Burrell Collection.

Exhibition, Haarlem, 1978, J.H. van Borssum Buisman, Teylers Museum. 200 jaar verzamelen.

Exhibition, Hartford-Dartmouth-Boston, 1973–4, F.W. Robinson, One hundred Master Drawings from New England Private Collections, Wadsworth Atheneum, Hopkins Center Art Galleries, Museum of Fine Arts.

Exhibition, Kassel-Amsterdam, 2001–2, E. van de Wetering and B. Schnackenburg et al., The Mystery of the Young Rembrandt, Staatliche Museen Kassel and Museum het Rembrandthuis.

Exhibition, Kassel-Leiden, 2006–7, C. Vogelaar and G.J.M. Weber, Rembrandt’s Landscapes, Staatliche Museen Kassel and Stedelijk Museum ‘De Lakenhal’.

Exhibition, Koblenz-Bonn, 1992, K. Honnef, K. Weschenfelder and I. Haberland, Vom Zauber des Rheins ergriffen, [with contributions on L. Doomer by W. Schulz], Mittelrhein Museum and Rheinisches Landesmuseum.

Exhibition, Laren, 1966, Oude tekeningen. Een keuze uit de Verzameling P. en N. de Boer, Singer Museum.

Exhibition, Leiden, 1956, J. van Wessem, Rembrandt als leermeester, Stedelijk Museum ‘De Lakenhal’.

Exhibition, Leiden, 1991–2, C. Vogelaar (ed.), Rembrandt en Lievens in Leiden, Stedelijk Museum ‘De Lakenhal’.

Exhibition, Leningrad, 1926, M. Dobroklonski, Musée de l’Ermitage. Dessins des maîtres anciens, Exposition de 1926, (published 1927).

Exhibition, Leningrad, 1969, V. Loewinson-Lessing and Y.I. Kuznetsov, Rembrandt, his Pupils and Followers, Hermitage.

Exhibition, Liverpool, 1994–5, Xanthe Brooke, Face to Face. Three Centuries of Artists’ Self-Portraiture, Walker Art Gallery.

Exhibition, London, 1835, A Catalogue of one hundred original Drawings by Sir Ant. Vandyke and by Rembrandt van Ryn, Lawrence Gallery (drawings formerly in the collection of Thomas Lawrence).

Exhibition, London, 1858, 1859 and 1860, W.H. Carpenter, British Museum. A Guide to the Drawings and Prints exhibited to the Public in the King’s Library.

Exhibition, London, 1877, F.S. Haden, Catalogue of the etched Work of Rembrandt, Burlington Fine Arts Club (2nd ed., 1879).

Exhibition, London, Grosvenor Gallery, 1877–8, Winter Exhibition of Drawings by the Old Masters.

Exhibition, London, Grosvenor Gallery, 1878–9, Winter Exhibition of Drawings by the Old Masters.

Exhibition, London, 1891, S. Colvin, Guide to an Exhibition of Drawings and Sketches in the Print and Drawing Gallery, British Museum.

Exhibition, London, 1895, S. Colvin, Guide to an Exhibition of Drawings and Engravings by the Old Masters, principally from the Malcolm Collection, British Museum (2nd ed.).

Exhibition, London, 1899, S. Colvin, Guide to an Exhibition of Drawings and Etchings by Rembrandt and Etchings by other Masters in the British Museum.

Exhibition, London, 1899, Exhibition of Works by Rembrandt. Winter Exhibition, Royal Academy.

Exhibition, London, 1901, S. Colvin, Guide to an Exhibition of Drawings and Sketches by the Old Masters, and deceased artists of the English School, principally acquired between 1895 and 1901, British Museum.

Exhibition, London, 1910, Exhibition of Drawings bequeathed to the British Museum by the late Mr George Salting, British Museum.

Exhibition, London, 1912, British Museum. Guide to an Exhibition of Drawings and Sketches by the Old Masters [...] acquired between 1904 and 1912.

Exhibition, London, 1914, C. Dodgson, Guide to an Exhibition of Drawings and Sketches acquired between 1912 and 1914, British Museum.

Exhibition, London, 1929, H. Schneider and A.M. Hind, Exhibition of Dutch Art 1450–1900, Royal Academy (1929I= Commemorative Catalogue of the Exhibition of Dutch Art [...], 1930).

Exhibition, London, 1933, A.M. Hind, Guide to an Exhibition of the more important Prints and Drawings acquired during the Keepership of Mr Campbell Dodgson 1912–1932, British Museum.

Exhibition, London, 1938, A.M. Hind, Drawings and Etchings by Rembrandt, British Museum.

Exhibition, London, 1938, Exhibition of 17th Century Art in Europe, Royal Academy.

Exhibition, London, 1953, Drawings by Old Masters, Royal Academy.

Exhibition, London, 1956, C. White, Rembrandt and his Succession, British Museum.

Exhibition, London, 1958, Eight Centuries of Landscape, British Museum.

Exhibition, London, 1965, Sixty Years of Patronage [...] the National Art-Collections Fund, Arts Council Gallery.

Exhibition, London, 1965–7, The British Museum. Masterpieces of the Printroom, British Museum.

Exhibition, London, 1969, C. White, The late Etchings of Rembrandt. A Study in the Development of a Print, British Museum.

Exhibition, London, 1970, I.Q. van Regteren Altena and P.W. Ward-Jackson, Drawings from the Teyler Museum, Haarlem, Victoria and Albert Museum.

Exhibition, London, 1972–3, E. Croft-Murray, The Art of Drawing, British Museum.

Exhibition, London, 1973, J.B. Shaw, Old Master Drawings from Chatsworth, Victoria and Albert Museum.

Exhibition, London, 1974, J.A. Gere, Portrait Drawings, xv–xxCenturies, British Museum.

Exhibition, London, 1976, C. Brown et al., Art in seventeenth-century Holland, National Gallery.

Exhibition, London, 1976–7, Dutch Drawings from the Witt Collection, Part II: other than Landscape, Courtauld Institute Galleries.

Exhibition, London, 1977, see Rawson, 1977.

Exhibition, London, 1977I, J. Rowlands, Rubens. Drawings and Sketches, British Museum.

Exhibition, London, 1978, T. Clifford, A. Griffiths and M. Royalton-Kisch, Gainsborough and Reynolds in the British Museum, British Museum.

Exhibition, London, 1981, S. Lambert, Drawing: Technique and Purpose, Victoria and Albert Museum.

Exhibition, London, 1984, M. Royalton-Kisch, Rembrandt and the Passion, British Museum.

Exhibition, London, 1984I, J. Rowlands (ed.), Master Drawings and Watercolours in the British Museum, British Museum.

Exhibition, London, 1987, S. Lambert, The Image Multiplied, Victoria and Albert Museum.

Exhibition, London, 1988–9, D. Bomford, C. Brown and A. Roy, Art In the Making: Rembrandt, National Gallery.

Exhibition, London, 1990, Treasures of the Print Room, British Museum (no catalogue).

Exhibition, London, 1990, M. Jones (ed.), Fake?, British Museum.

Exhibition, London, 1991, N. Turner and C. Plazzotta, Drawings by Guercino in British Collections, British Museum, 1991.

Exhibition, London, 1992, M. Royalton-Kisch, Drawings by Rembrandt and his circle in the British Museum, British Museum.

Exhibition, London, 1992I, J. Ingamells, Rembrandt 1892. Twelve paintings: a century of changing perceptions, Wallace Collection.

Exhibition, London-Washington, 1993, A. Wilton and A. Lyles, The Great Age of British Watercolours, 1750–1880, Royal Academy and National Gallery of Art.

Exhibition, London, 1996–7, M. Royalton-Kisch, H. Chapman and S. Coppel, Old Master Drawings from the Malcolm Collection, British Museum.

Exhibition, London-The Hague, 1999–2000, C. White and Q. Buvelot (eds), Rembrandt by himself, National Gallery and Mauritshuis.

Exhibition, London-Paris-Cambridge, 2002–3, W.W. Robinson, Bruegel to Rembrandt. Dutch and Flemish Drawings from the Maida and George Abrams Collection, British Museum, Institut Néerlandais and Fogg Art Museum.

Exhibition, London, 2005, Masterpieces of Portrait Drawing, British Museum (no catalogue).

Exhibition, London, 2006, Rembrandt: a 400th Anniversary Display, British Museum (no catalogue). Exhibition, London, 2006 I, D. Bomford et al., Art in the Making. Rembrandt, National Gallery.

Exhibition, Los Angeles, 1991–2, R. Rand, with a contribution by J. Fronek, Masterpiece in Focus: The Raising of Lazarus by Rembrandt, L.A. County Museum of Art.

Exhibition, Madrid, 1934, E.L. Ferrari, Grabados y Dibujos de Rembrandt en la Biblioteca Nacional, Museo de Arte Moderno.

Exhibition, Manchester, 1982, M. Clarke and N. Penny (eds), The Arrogant Connoisseur: Richard Payne Knight (17511824), Whitworth Art Gallery.

Exhibition, Melbourne-Canberra, 1997–8, A. Blankert et al., Rembrandt: A Genius and His Impact, National Gallery of Victoria and National Gallery of Australia.

Exhibition, Milwaukee, 1976, A. Bader, The Bible through Dutch Eyes, from Genesis through the Apocrypha, Milwaukee Art Center.

Exhibition, Munich, 1966–7, W. Wegner, Rembrandt und sein Kreis, Staatliche Graphische Sammlung.

Exhibition, Munich-Amsterdam, 2001–2, T. Vignau-Wilberg, Rembrandt auf Papier, Staatliche Graphische Sammlung and Museum het Rembrandthuis.

Exhibition, New York-Cambridge, 1960, J. Rosenberg, F. Stampfle and E. Haverkamp-Begemann, Rembrandt Drawings from American Collections, Pierpont Morgan Library and Fogg Art Museum.

Exhibition, New York-Paris, 1977–8, C. van Hasselt, Rembrandt et ses contemporains. Dessins hollandais du dix-septième siecle, collection Frits Lugt, Institut Néerlandais, Pierpont Morgan Library and Institut Néerlandais.

Exhibition, New York, 1988, E. Haverkamp-Begemann and C. Logan, Creative Copies. Interpretative Drawings from Michelangelo to Picasso, The Drawing Center.

Exhibition, New York-Fort Worth-Cleveland, 1990–91, G. Luyten and A.W.F.M. Meij, From Pisanello to Cézanne. Master Drawings from the Museum Boymans-van Beuningen, Rotterdam, Pierpont Morgan Library, Kimbell Art Museum and Cleveland Museum of Art.

Exhibition, New York, 1995–6, W. Liedtke, C. Logan, N.M. Orenstein and S.S. Dickey, Rembrandt/Not Rembrandt, Metropolitan Museum of Art.

Exhibition, Nuremberg, 2001, D. Hess, In Rembrandts Werkstatt. Der Meister in Original, Kopie und Studie, Germanisches Nationalmuseum.

Exhibition, Paris, 1908, F. Courboin, J. Guibert and P.-A. Lemoisne, Exposition d’oeuvres de Rembrandt. Dessins et gravures, Bibliothèque Nationale.

Exhibition, Paris, 1970, R. Bacou et al., Rembrandt et son temps. Dessins des collections publiques et privées conservées en France, Louvre.

Exhibition, Paris-Antwerp-London-New York, 1979–80, F. Stampfle, Rubens and Rembrandt in their Century. Flemish and Dutch Drawings of the 17th Century from the Pierpont Morgan Library, Institut Néerlandais, Koninklijk Museum voor Schone Kunsten, British Museum and Pierpont Morgan Library.

Exhibition, Paris, 1986, S. Renouard de Bussière, Rembrandt. Eaux-fortes, Musée du Petit Palais.

Exhibition, Paris, 1988–9, J. Foucart, Peintres rembranesques au Louvre, Musée du Louvre, Département des peintures.

Exhibition, Paris, 1988–9, E. Starcky, Rembrandt et son école, Musée du Louvre, Cabinet des dessins.

Exhibition, Paris-Haarlem, 1997–8, M. van Berge-Gerbaud, Rembrandt et son école, Institut Néerlandais and Teyler Museum.

Exhibition, Paris-Amsterdam, 2006–7 (catalogue 2008), H. Buijs and S. Alsteens, Voyages en France. Dessinateurs hollandais au siècle de Rembrandt, Institut Néerlandais and Museum het Rembrandthuis.

Exhibition, Paris, 2006–7I, P. Schatborn, C. van Tuyll van Serooskerken and H. Grollemund, Rembrandt dessinateur. Chefs-d’oeuvre des collections en France, Louvre.

Exhibiton, Paris, 2006–7II, S.R. de Bussière, Rembrandt. Eaux-fortes, Petit Palais.

Exhibition, Philadelphia-Berlin-London, 1984, P.C. Sutton et al., Masters of seventeenth-century Dutch genre Painting, Philadelphia Museum of Art, Gemäldegalerie Staatliche Museen preussischer Kulturbesitz and Royal Academy.

Exhibition, Rome, 2002–3, E. Hinterding et al., Rembrandt. Dipinti, incisione e riflesi sul ’600 e ’700 italiano, Scuderie del Quirinale.

Exhibition, Rotterdam-Amsterdam, 1956, J.C.E. Wubben, I.Q. van Regteren Altena, E.H. Begemann, Rembrandttentoonstelling. Tekeningen, Museum Boymans-van Beuningen and Rijksprentenkabinet, Rijksmuseum.

Exhibition, Rotterdam-Paris, 1974, C. van Hasselt and M. van Berghe, Dessins Flamands et Hollandais du Dix-Septieme Siecle. Collections des Musées de Belgique, Musée Boymans-van Beuningen, Rotterdam, Museum Boymans-van Beuningen and Institut Néerlandais.

Exhibition, Rotterdam, 1988, J. Giltaij, G. Janssen and J. Bruyn, Een gloeiend palet. Schilderijen van Rembrandt en zijn school, Museum Boymans-van Beuningen.

Exhibition, Stockholm, 1956, C. Nordenfalck, Rembrandt, Nationalmuseum.

Exhibition, Stockholm, 1992–3, G. Cavalli-Björkman and B. Magnussen, Rembrandt och hans tid, Nationalmuseum.

Exhibition, Tokyo, 1975, A.E. Popham and J.B. Shaw, Old Master Drawings from Chatsworth, National Museum of Western Art.

Exhibition, Tokyo, 2003, A. Kofuku, Rembrandt and Dutch History Painting in the 17th Century, National Museum of Western Art (published in 2004).

Exhibition, Turin, 2006–7, B.A. Kowalczyk and G. Luijten (eds), L’età di Rembrandt. I disegni olandese della Biblioteca Reale di Torino, Biblioteca Reale.

Exhibition, Vienna, 1956, O. Benesch, Rembrandt, Albertina.

Exhibition, Vienna, 1969–70, E. Mitsch, Die Rembrandt Zeichnungen der Albertina. 216 Ausstellung, Albertina.

Exhibition, Vienna, 1970–1, E. Mitsch, Rembrandt. Radierungen aus dem Besitz der Albertina, Albertina.

Exh. Vienna, 2004, K.A. Schröder and M. Bisanz-Prakken (eds), Rembrandt, Albertina.

Exhibition, Warsaw, 1956, Rembrandt i jego krag, Muzeum Narodowe.

Exhibition, Washington-New York-Minneapolis-Boston-Cleveland-Chicago, 1958–9, I.Q. van Regteren Altena, Dutch Drawings. Masterpieces of five Centuries, National Gallery of Art, Pierpont Morgan Library, Minneapolis Institute of Arts, Boston Museum of Fine Arts and Art Institute of Chicago.

Exhibition, Washington-Denver-Fort Worth, 1977, F.W. Robinson, Seventeenth Century Dutch Drawings from American Collections, National Gallery of Art, Denver Art Museum and Kimbell Art Museum.

Exhibition, Washington, 1990, C.P. Schneider, B. Bakker, N. Ash and S. Fletcher, Rembrandt’s Landscapes. Drawings and Prints, National Gallery of Art.

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Baldwin Brown, G., Rembrandt. A Study of his Life and Work, London, 1907.

Barnes, S.J., De Poorter, N., Millar, O., and Vey, H., Van Dyck. A Complete Catalogue of the Paintings, New Haven and London, 2004.

Bartsch = Bartsch, 1797 or 1803–21.

Bartsch, A., Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt [...], Vienna, 1797.

Bartsch, A., Le peintre-graveur, 21 vols, Vienna, 1803–21.

Bauch, K., Jacob Adriaensz. Backer, ein Rembrandtschüler aus Friesland, Berlin, 1926.

Bauch, K., Die Kunst des jungen Rembrandt, Heidelberg, 1933.

Bauch, K., ‘Rembrandt und Lievens’, Westdeutsches Jahrbuch für Kunstgeschichte (Wallraf-Richartz-Jahrbuch), xi, 1939, 239–68.

Bauch, K., ‘Handzeichnungen Pieter Lastmans’, Münchener Jahrbuch der bildenden Kunst, iii–iv, 1952–3, 220–32.

Bauch, K., Der frühe Rembrandt und seine Zeit, Berlin, 1960.

Bauch, K., Rembrandt. Gemälde, Berlin, 1966.

Bauch, K., ‘Zum Werk des Jan Lievens (I)’, Pantheon, xxv, 1967, 160–70, (II), 259–69.

Beck, H.-U., ‘Anmerkungen zu den Zeichnungssammlungen von Valerius Röver und Goll van Franckenstein’, Nederlands Kunsthistorisch Jaarboek, XXXII, 1981, 111–25.

Beck, H.-U., ‘Goll von Franckenstein als Käufer von Zeichnungen auf der Auktion von Abraham van Broyel in Amsterdam (1759)’, Oud Holland, xcviii, 1984, 111–16.

Beck, M.D., Der junge Rembrandt und Italien, diss., Bonn, 1949.

Becker, W., Rembrandt als Dichter. Eine Untersuchung über das Poëtische in den biblischen Darstellungen Rembrandts, Leipzig, 1909.

Bedaux, J.B., ‘Beelden van “leersucht” en tucht. Opvoedingsmetaforen in de Nederlandsche schilderkunst van de zeventiende eeuw’, in Nederlands kunsthistorisch jaarboek, 33, 1982 (1983), 49–74.

Bell, M., Drawings of Rembrandt. Drawings of the Great Masters, London, c. 1905 etc. (1908).

Ben. = Benesch, 1954–7/73.

Benesch = Benesch, 1954–7/73.

Benesch, O., ‘Eine Zeichnung von Aert de Gelder’, Mitteilungen der Gesellschaft für vervielfältigende Kunst, xlv, 1922, 37–43.

Benesch, O., ‘Rembrandts zeichnerische Entwicklung’, Österreichische Rundschau, 19, Vienna, 1923, 993–1013.

Benesch, O., ‘Die Rembrandt-Zeichnungen des Budapester Museums der schönen Künste’, Belvedere, viii, 1925, 119–29 (reprinted in Benesch, 1970, 46–56).

Benesch, O., 1925I or 1926, ‘Rembrandt-Relicta aus der Münchener Graphischen Sammlung’, Die Graphischen Künste, xlviii, 1925, Mitteilungen, 25–39; xlix, 1926, Mitteilungen, 10 (reprinted in Benesch, 1970, 83–100).

Benesch, O., ‘Unbekanntes und Verkanntes von Rembrandt’, Wallraf-Richartz-Jahrbuch, N.F. ii–iii, 1933–4, 295–309 (reprinted in Benesch, 1970, 115–27).

Benesch, O., Rembrandt. Werk und Forschung, Vienna, 1935.

Benesch, O., 1935I, ‘Rembrandt Harmensz. van Rijn’, in Hans Vollmer (ed.), Allgemeines Lexikon der bildenden Künstler [...] begründet von Ulrich Thieme und Felix Becker, vol. xxix, Leipzig, 1935, 259–71.

Benesch, O., ‘An early Group-Portrait Drawing by Rembrandt’, Art Quarterly, iii, 1940, 2–14 (reprinted in Benesch, 1970, 134–9).

Benesch, O., Rembrandt selected Drawings, London and Oxford, 1947, with as a separate vol. A Catalogue of Rembrandt’s selected Drawings.

Benesch, O., The Drawings of Rembrandt, 6 vols, London, 1954–7 [vols i–ii, 1954; iii–iv, 1955; v–vi, 1957], 2nd ed. enlarged and edited by E. Benesch, London and New York, 1973.

Benesch, O., ‘Caravaggism in the Drawings of Rembrandt’, Actes du 17ème congrès international d’histoire de l’art, The Hague, 1955, 385–404 (reprinted in Benesch, 1970, 175–89).

Benesch, O., ‘Rembrandt and ancient History’, Art Quarterly, xxii, Winter, 1959, 309–32.

Benesch, O., Rembrandt as a Draughtsman, London, 1960.

Benesch, O., ‘Neuentdeckte Zeichnungen von Rembrandt’, Jahrbuch der Berliner Museen, vi, 1964, 105–50 (reprinted in Benesch, 1970, 247–69).

Benesch, O., Collected Writings, I. Rembrandt, ed. E. Benesch, New York, 1970.

Benesch, O., 1973, see Benesch, 1954–7.

Berg, H.M. van den, ‘Willem Schellinks en Lambert Doomer in Frankrijk’, Oudheidkundig Jaarboek, xi, 1942, 1–31.

Berlin, 1930, E. Bock and J. Rosenberg, Staatliche Museen zu Berlin. Die Zeichnungen niederländischer Meister.

Berlin, 1975/78, Gemäldegalerie Staatliche Museen Preussischer Kulturbesitz. Katalog der ausgestellten Gemälde des 13–18. Jahrhunderts, ed. princ. 1975; English ed. 1978.

Berlin, 2006, H. Bevers, Rembrandt, die Zeichnungen im Berliner Kupferstichkabinett. Kritischer Katalog. Ostfildern and Berlin, 2006.

Bernhard, M., Rembrandt (vol. I Druckgraphik, vol. II, Handzeichnungen), 2 vols, Munich, 1976.

Bernt, W., Die Niederländischen Zeichner des 17. Jahrhunderts, 2 vols, Munich, 1957.

Bettagno, A., ‘Brief Notes on a Great Collection: Anton Maria Zanetti and his Collection of Drawings’, Festschrift for Erik Fischer, Copenhagen, 1990, 101–8.

Binstock, B., ‘The Birth of Rembrandt’, in Roscam Abbing, 2006I, I, 267–78.

Biörklund, G., and Barnard, O., Rembrandt’s Etchings. True or False, Stockholm, London and Paris, 1955.

Blanc, C., L’oeuvre complet de Rembrandt, 2 vols, Paris, 1859 and 1861.

Blanc, J., Peindre et penser la peinture au XVIIe siècle : la théorie de l’art de Samuel van Hoogstraten, Bern, 2008.

Blankert, A., Ferdinand Bol (1616–1680), een leerling van Rembrandt, diss., Utrecht, 1976.

Blankert, A., Ferdinand Bol 16161680, Rembrandt’s Pupil, Doornspijk, 1982.

Bloch, V., Review of Clark, 1966, Burlington Magazine, cix, 1967, 714–16.

Bock, E., and Rosenberg, J., 1930, see Berlin, 1930.

Bode = Bode, W. and Hofstede de Groot, 1897–1905/6.

Bode, W., ‘Die ersten Selbstporträts des Rembrandt van Rijn’, Zeitschrift für bildende Kunst, xi, 1876, 125–6.

Bode, W., ‘Rembrandts früheste Thätigkeit: der Künstler in einer Vaterstadt Leiden’, Die Graphischen Künste, iii, 1881, 49–72.

Bode, W., Studien zur Geschichte der holländischen Malerei, Braunschweig, 1883.

Bode, W., and Hofstede de Groot, C., Rembrandt. Beschreibendes Verzeichnis seinerGemälde [...], 8 vols, Paris, 1897–1905 (English ed. 1897–1906).

Bode, W., and Valentiner, W.R., Handzeichnungen Altholländischer Genremaler, Berlin, 1907.

Boeck, W., ‘Rechts und links in Rembrandts Druckgraphik’, Wallraf-Richartz-Jahrbuch, xv, 1953, 179–219.

Boeck, W., Rembrandt, Stuttgart, 1962.

Bolten, J., and Folmer-van Oven, A.T., Catalogue of Drawings of a Private Collection, Hilversum, 1989.

Bonnier, H., L’univers de Rembrandt, Paris, 1969 (English ed., Rembrandt, London, 1970).

Boon, K.G., ‘De tekenkunst in de zeventiende eeuw’, in H.E. van Gelder (ed.), Kunstgeschiedenis der Nederlanden, ii, 1955, 134–52.

Boon, K.G., ‘Amor en Venus of het “Vroutgen met een pappotgen”’, De kroniek van het Rembrandthuis, XXVI, 1972, 27–31.

Borssum Buisman, J.H. van, ‘Geertje Dircx nader bezien’, Teylers Museum Magazijn, iii/i, 1984, 5–7.

Boschma, C., ‘Rembrandts tekeningen van de Rhenense stadspoorten’, Oud Holland, lxxxi, 1961, 91–6. Bredius = Bredius 1935/Bredius-Gerson, 1969.

Bredius, A., ‘De Schilder Johannes van der Cappelle’, Oud Holland, x, 1892, 26–40.

Bredius, A., ‘Die Rembrandt-Ausstellung in London’ (Review of Exh. London, R.A., 1899), Zeitschrift für bildende Kunst, x, 1899, 297–305.

Bredius, A., ‘Rembrandtiana II: de nalatenschap van Harmen Becker’, Oud Holland, xxviii, 1910, 195–201.

Bredius, A., ‘Hindoostan’sche tekeningen in Nederland in de XVIIe eeuw’, Oud Holland, xxix, 1911, 139–42.

Bredius, 1915–22 = A. Bredius with O. Hirschmann, Künstler-Inventare. Urkunden zur Geschichte der holländischen Kunst des xviten, xviiten und xviiiten Jahrhunderts, 8 vols, The Hague, 1915–22.

Bredius, A., ‘Christ blessing the Children, by Maes (?)’, Burlington Magazine, xliii, 1923, 104.

Bredius, A., ‘Bijdragen tot een biografie van Nicolaes Maes’, Oud Holland, xli, 1923–4, 207–14.

Bredius, A., with notes by H. Gerson, Rembrandt. Gemälde, Vienna, 1935 (English ed., 1937).

Bredius-Gerson, 1969 = Rembrandt. The complete Edition of the Paintings by A. Bredius revised by H. Gerson, London, 1969.

Bredt, E.W., Rembrandt-Bibel, 2 vols, Munich, 1921 (2nd ed., 1927–8).

Bremen, W., ‘Die Hortges Poort binnen Anrath un das Wirtshaus “Zur blauen Hand”’, Der Niederrhein, 1960, 45–60.

Brière-Misme, C., ‘Un portrait retrouvé de Constantin Huygens’, Oud Holland, liii, 1936, 193–201.

Brière-Misme, C., ‘Autour de Rembrandt’, Musées de France, v, 1949, 122–8.

Brighton, 1964, Brighton Art Gallery and Museum. Paintings executed before 1837 in the permanent Collection.

Brion, M., with P. Zumthor, C. Roger-Marx, R. Huyghe et al., Rembrandt, 1965.

Briquet, C.M., Les filigranes, 4 vols, Geneva, 1907.

British Museum, Reproductions of Drawings by Old Masters, iv, London, 1894.

Broos, B.P.J., ‘Rembrandt. Verandert. En overgeschildert’, De kroniek van het Rembrandthuis, xxvi, 1972, 137–52.

Broos, B.P J., ‘Rembrandt and Lastman’s Coriolanus: the History Piece in 17th-century Theory and Practice’, Simiolus, viii, 1975–6, 199–228.

Broos, B.P.J., Index to the formal Sources of Rembrandt’s Art, Maarssen, 1977.

Broos, B.P.J., ‘Rembrandts Indische miniaturen’, Spiegel Historiael, xv, 1980, 210–18.

Broos, B.P.J., Review of Strauss and van der Meulen, 1979, Simiolus, xii, 1982, 245–62.

Broos, B.P.J., ‘Fame shared is Fame doubled’, in Exh. Amsterdam-Groningen, 1983, 35–58.

Broos, B.P.J., 1983I, ‘De bronnen over Rembrandt anno 1983’, De kroniek van het Rembrandthuis, 1983, nos 1–2, 1–31.

Broos, B.P.J., Review of Sumowski, 1979–81 [Drawings of the Rembrandt School, vols 1–4], Oud Holland, XCVIII, 1984, 162–86.

Broos, B.P.J., ‘Tekeningen en schetsen van Rembrandt’, Antiek, xx, 1, 1985, 19–27.

Broos, B.P.J., 1985I, ‘Notitie der tekeningen van Sybrand Feitama II’, Oud Holland, xcix, 1985, 110–54.

Broos, B.P.J., ‘Rembrandts eerste Amsterdamse periode’, Oud Holland, cxiv, 2000, 1–6.

Broos, B.P.J., and Gert Panhuysen, ‘Predikant Johannes Sylvius, neef en vreind van Saskia en Rembrandt’, De kroniek van het Rembrandthuis, 2006, nos 1–2, 42–68.

Brown, 1907, see Baldwin Brown, 1907.

Brown, C., Carel Fabritius: complete Edition with a Catalogue raisonné, Oxford, 1981.

Brown, C., ‘Rembrandt Reassessed’, Apollo Magazine, cxlviii, 2006, 54–61.

Brown, P., Indian Painting under the Mughals, Oxford, 1924.

Brunet, G., ‘Tableaux et dessins de Rembrandt dans les collections anglaises’, Revue Universelle des Arts, xi, 1866, 256–60.

Bruyn, J., Rembrandts keuze van Bijbelse onderwerpen, Utrecht, 1959.

Bruyn, J. et al., A Corpus of Rembrandt Paintings, see Corpus.

Bruyn, J., ‘On Rembrandt’s Use of Studio-Props and Model Drawings during the 1630s’, Essays in Northern European Art presented to Egbert Haverkamp Begemann, Doornspijk, 1983, 52–60.

Bruyn, J., Review of Sumowski, Gem., vol. i, in Oud Holland, xcviii, 1984, 146–62.

Bruyn, J., Review of Sumowski, Gem., vol. iii, 1986, in Oud Holland, cii, 1988, 322–33.

Bruyn, J., ‘An unknown Assistant in Rembrandt’s Workshop in the early 1660s’, Burlington Magazine, cxxxii, 1990, 715–18.

Bruyn, J., Review of Sumowski, Gem., vol.VI, Oud Holland, CX, 1996, 165–173.

Budapest, 2005, T. Gerszi, 17th-Century Dutch Drawings in the Budapest Museum of Fine Arts, a complete Catalogue.

Bürger, W., (E.J.T. Thoré), ‘Les dessins de Rembrandt au British Museum’, Revue germanique, iii, 1858, 392–403.

Burmeester, A., and Renger, K., ‘Neue Ansätze zur technischen Erforschung von Handzeichnungen: Untersuchungen der ‘Münchener Rembrandt-Fälschungen’ im Nahen Infrarot’, Maltechnik, iii, 1986, Juli, 9–34 (see also Master Drawings, xxiii-xxiv, 1985–6, 526–37).

Busch, W., ‘Zu Rembrandts Anslo-Radierung’, Oud Holland, lxxxvi, 1971, 196–9.

Byam Shaw, J., ‘Rembrandt [...] Study of a Woman as Cleopatra’, Old Master Drawings, iii, 1928, 31–2.

Byam Shaw, J., ‘Arent de Gelder (1645–1727)’, Old Master Drawings, iv, 1929, 10–13.

Byam Shaw, J., ‘Rembrandt van Rijn’, Old Master Drawings, viii, 1933–4, 43–5.

Byam Shaw, J., ‘Three Drawings of Rembrandt’s School’, Old Master Drawings, xiii, 1938, 18–21.

C

Cambridge, Mass., 1940, A. Mongan and P.J. Sachs, Drawings in the Fogg Museum of Art, 3 vols.

Campbell, C., Studies in the formal Sources of Rembrandt’s Figure Compositions, diss., London University, 1971.

Campbell, C., ‘Rembrandts etsen “Het sterfbed van Maria” en “De drie Bomen”’, De kroniek van het Rembrandthuis, 1980, no. 2, 2–33.

Carr, J.W.C., Drawings by the Italian Masters, London, 1877.

Cavalli-Björkman, G. (ed.), Rembrandt and his Pupils; papers given at a symposium in the Nationalmuseum, Stockholm, 2-3 October, 1992, Stockholm, 1993.

Chapman, H.P., ‘Rembrandt’s “burgelijk” self-portraits’, Leids Kunsthistorisch Jaarboek, VIII, 1989, 203–15.

Chapman, H.P., Rembrandt’s Self Portraits. A Study in seventeenth-century Identity, Princeton, 1990.

Chatsworth, M.J., The Devonshire Collection of Northern European Drawings, A Complete Catalogue, 5 vols, Turin, London and Venice, 2002.

Chaumelin, M., Les trésors d’art de la Provence exposés à Marseille en 1861, Paris and Marseille, 1862.

Chong, A., and M. Zell (eds), Rethinking Rembrandt, Boston and Zwolle, 2002.

Churchill, W.A., Watermarks on Paper in Holland, England, France, etc. in the xviiand xviiiCenturies and their Interconnection, Amsterdam, 1935.

Clark, K., Rembrandt and the Italian Renaissance, London, 1966.

Clark, K., An Introduction to Rembrandt, London, 1978.

Claussin, J.J. de, Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt [...], Paris, 1824, with Supplément, 1828.

Clippel, K. de, ‘Adriaen Brouwer, portrait painter: new identifications and an iconographic novelty’, Simiolus, XXX, 2003, 196–216.

Cologne, 1983, Hella Robels, Niederländische Zeichnungen vom 15. bis 19. Jahrhundert im Wallraf-Richartz-Museum, Köln.

Conway, M., ‘Some Rembrandt Drawings’, Burlington Magazine, xiv, 1908–9, 37.

Coppier, A.-C., Les eaux-fortes de Rembrandt, Paris, 1922 (ed. princ. 1917).

Corpus = J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel and E. van de Wetering, A Corpus of Rembrandt Paintings, The Hague, Boston and London, i, 1982, ii, 1986, iii, 1989, iv The Self-Portraits (by E. van de Wetering), 2005 (in progress).

Courtright, N., ‘Observations on the the Origins of Rembrandt’s Drawing Style’, in T.W. Gaehtgens (ed.), Künstlerischer Austausch. Artistic Exchange. Akten des xxviii. internationalen Kongresses für Kunstgeschichte, Berlin, 15.–20. Juli 1992, 1994, 607–20.

Courtright, N., ‘Origins and meanings of Rembrandt’s late drawing style’, Art Bulletin, lxxviii, 1996, 485–510.

Crenshaw, P., ‘Rembrandt’s Declaration of Bankruptcy’, in Chong and Zell, 2002, 159–71.

D

Dattenberg, H., ‘Zur Datierungsfrage von Lambert Doomers deutscher Reise’, Oud Holland, li, 1934, 150.

Dattenberg, H., Der Niederrhein, 1935.

Dattenberg, H., ‘Der Niederrhein in den Handzeichnungen Lambert Doomers (1622/23–1700)’, Die Heimat, xvii, 1938, 385–95.

Dattenberg, H., 1938I, ‘Wandern und Reisen am Niederrhein [...] iv’, Niederrhein, 1938, i, 18–24.

Dattenberg, H., ‘Lambert Doomer als Zeichner’, Pantheon, xxv, 1940, 13–16.

Dattenberg, H., Die Heimat, Krefeld 19, 1–2, 1940, 71.

Dattenberg, H., ‘Een zoekgeraakt kunstboek van Lambert Doomer’, Bulletin van het Rijksmuseum, x, 1962, 31–4.

Dattenberg, H., ‘Doomer-Hoff’, Heimatbuch des Kreises Kempen-Krefeld 1963, 1963, 33–7.

Dattenberg, H., Niederrheinansichten holländischer Künstler des 17. Jahrhunderts, Düsseldorf, 1967.

Daulby, D., A Descriptive Catalogue of the Works of Rembrandt [...], Liverpool, 1796.

Daum, G., ‘Die fünf Zeichnungen des Rembrandtschülers Lambert Doomers von Anrath’, Heimatbuch des Kreises Vieren, 1978, 212–20.

Defoer, H.L.M., ‘Rembrandt van Rijn, de Doop van de Kamerling’, Oud Holland, xci, 1977, 2–26.

Demonts, L., ‘L’album de dessins de Rembrandt donné au Musée du Louvre par M. Bonnat’, Gazette des Beaux-Arts, lxii, 1920, I, 1–20.

Denheane, G., Lambert Lombard, peintre de la Renaissance. Liège 1505/06–1566, Brussels, 2006.

Detroit, 1988, A-M. Logan, The Collection of the Detroit Institute of Arts. Dutch and Flemish Drawings and Watercolors.

dG, see Hofstede de Groot, 1915.

Dibbits, T., ‘De Receptie-geschiedenis van “Heilige Familie bij avond”’, Bulletin van het Rijksmuseum, liv, 2006, 101–21.

Dickey, S.S., Prints, Portraits and Patronage in Rembrandt’s work around 1640, diss., New York, 1994.

Dickey, S.S., ‘Doop door water en het zwaard. Doopsgezind martelaarschap in de kunst van Rembrandt en zijn tijdgenoten’, Doopsgezinde bijdragen, nieuwe reeks 21, 1995, 39–62.

Dickey, S.S., ‘Mennonite Martyrdom in Amsterdam in the Art of Rembrandt and his Contemporaries’, in W.Z. Shetter and I. van der Cruysse (eds), Contemporary Explorations in the Culture of the Low Countries, Lanham (MD), 1996, 81–103.

Dickey, S.S., Prints, Portraits and Patronage in Rembrandt’s work around 1640, Ann Arbor, 1994.

Dickey, S.S., ‘Van Dyck in Holland. The Iconography and its impact on Rembrandt and Lievens’, in H. Vlieghe (ed.), Van Dyck 1599–1999: conjectures and refutations, Turnhout, 2001, 289–303.

Dickey, S.S., Rembrandt: Portraits in Print, Amsterdam, 2004.

Diedenhofen, W., ‘Trophäen im Park. Zu einer Zeichnung des Antonie van Borssum’, Bulletin van het Rijksmuseum, xxi, 1973, 117–26.

Dodgson, C., ‘Drawings: recent acquisitions’, British Museum Quarterly, I, 1926, 72–4.

Drost, W., Adam Elsheimer und sein Kreis, Potsdam, 1933.

Drost, W., Adam Elsheimer als Zeichner, Stuttgart, 1957.

Drost, W., ‘Gouache Bildchen von Adam Elsheimer in der Werkstatt Rembrandts’, Museion. Studien aus Kunst und Geschichte für Otto H. Förster, Cologne, 1960, 148–52.

Drost, W., 1960I, ‘Eine Handzeichnungsgruppe aus der Rembrandt-Werkstatt um 1656’, Das Werk des Künstlers. Studien zur Ikonographie und Formgeschichte. Hubert Schrade zum 60. Geburtstag, Stuttgart, 1960, 212–29.

Duchesne, J., ainé, Description des objets d’arts qui composent le cabinet de feu M. Le Baron V. Denon. Estampes et ouvrages à figures, Paris, 1826.

Dudok van Heel, S.A.C., ‘Het Maecenaat Trip: opdrachten aan Ferdinand Bol en Rembrandt van Rijn’, De kroniek van het Rembrandthuis, xxxi, 1979, no. 1, 14–26.

Dudok van Heel, S.A.C., ‘Een Holbein uit de collectie Six’, Amstelodamum, lxxix, 1992, 55.

Dudok van Heel, S.A.C., ‘Rembrandt en de vaandrigs van de Amsterdamse schutterij’, De Kroniek van het Rembrandthuis, 1993, no. 2, 15–22.

Dutuit, E., Manuel de l’amateur d’estampes. Écoles flamande et hollandaise, ii, Paris and London, 1882.

Dutuit, E., L’oeuvre complet de Rembrandt, vols i and iv, Paris, 1883 and 1885.

E

Edinburgh, 1985, K. Andrews, Catalogue of Netherlandish Drawings in the National Gallery of Scotland, 2 vols.

Eeghen, I.H. van, ‘Maria Trip of een anoniem vrouwsportret van Rembrandt’, Maandblad Amstelodamum, xliii, 1956, 160–69.

Eeghen, I.H. van, ‘Frederick Rihel, een 17de eeuwse zakenman en paardenliefhebber’, Maandblad Amstelodamum, xlv, 1958, 73–81.

Eeghen, I.H. van, ‘Het huis op de Rozengracht’, Maandblad Amsteldamum, lvi, 1969, 180–83.

Eeghen, I.H. van, 1969I, ‘Elsje Christiaens en de kunsthistorici’, Maandblad Amsteldamum, lvi, 1969, 73–8.

Eisler, M., Rembrandt als Landschafter, Munich, 1918.

Ember, I., ‘Benjamin Gerritsz. Cuyp (1612–1652)’, Acta historiae artium, xxv, 1979, 89–141.

Emmens, J.A., ‘Ay Rembrandt, maal Cornelis stem’, Nederlands Kunsthistorisch Jaarboek, vii, 1956, 133–65, reprinted in Emmens, iii, 1981, 61–97.

Emmens, J.A., ‘Rembrandt’s Teachers and Contemporaries’, in Rembrandt after Three Hundred Years. A Symposium, Chicago, 1973, 113–30.

Emmens, J.A., Rembrandt en de regels van de kunst, Amsterdam, 1964, reprinted in Emmens, ii, 1979.

Emmens, J.A., Verzameld Werk, vols 2–4, Amsterdam, 1979–81.

Erpel, F., Die Selbstbildnisse Rembrandts, Vienna and Munich, 1967.

Ettinghausen, R., ‘The Emperor’s Choice’, in De artibus opuscula, xl, Essays in Honour of Erwin Panofsky, New York, 1961, 98–120.

Exh. = Exhibition.

Exhibition, Amsterdam, 1955, I.Q. van Regteren Altena, Amsterdam in tekening 1600–1800: verzameling Mr. Chr. P. van Eeghen, Koninklijk Oudheidkundig Genootschap Amsterdam, Rijksmuseum.

Exhibition, Amsterdam-Rotterdam, 1956, I.Q. van Regteren Altena and K.G. Boon, Rembrandt. Etsen, Rijksprentenkabinet, Rijksmuseum and Museum Boymans-van Beuningen, Rotterdam.

Exhibition, Amsterdam-Rotterdam, 1956I, A. van Schendel, J.L. Cleveringa and B. Haak, Rembrandt. Schilderijen, Rijksmuseum and Museum Boymans-van Beuningen.

Exhibition, Amsterdam, 1964, J.W. Niemeijer, De verzameling van Bernard Houthakker, Rijksmuseum, Rijksprentenkabinet.

Exhibition, Amsterdam, 1964–5, C.W. Mönnich, L.C.J. Frerichs and J. Verbeek, Bijbelse Inspiratie. Tekeningen van Lucas van Leyden en Rembrandt, Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam, 1966, K.G. Boon, De meesterwerken van de europese prentkunst 14101914, Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam, 1968, J.W. Niemeijer, De verzameling van A. Schwarz, Rijksmuseum, Rijksprentenkabinet.

Exhibition, Amsterdam, 1969, P.J.J. van Thiel (ed.), drawings cat. by L.C.J. Frerichs and P. Schatborn, Rembrandt 16691969, Rijksmuseum.

Exhibition, Amsterdam, 1972, B. Haak, Regenten en regentessen, overlieden en chirurgijns, Amsterdamse groepsportretten van 1600–1835, Amsterdams Historisch Museum.

Exhibition, Amsterdam, 1973, K.G. Boon and P. Schatborn, Hollandse Genre-tekeningen uit de zeventiende eeuw, Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam-Toronto, 1977, B. Bakker and B. Haak et al., The Dutch Cityscape in the 17th Century and its Sources, Amsterdams Historisch Museum and Art Gallery of Ontario.

Exhibition, Amsterdam, 1981, E. Ornstein-van Slooten and P. Schatborn, Work in Process: Rembrandt Etchings in different States, Rembrandthuis.

Exhibition, Amsterdam-Washington, 1981–2, P. Schatborn, Figuur-studies/Dutch Figure Drawings of the seventeenth Century, Rijksmuseum and National Gallery of Art.

Exhibition, Amsterdam-Groningen, 1983, A. Blankert, B. Broos, E. van de Wetering and G. Jansen, The Impact of a Genius. Rembrandt, his Pupils and Followers in the seventeenth century, Kunsthandel K. and V. Waterman and Groninger Museum.

Exhibition, Amsterdam, 1984–5, P. Schatborn and E. Ornstein-van Slooten, Bij Rembrandt in de leer/ Rembrandt as Teacher, Rembrandthuis.

Exhibition, Amsterdam, 1985–6, B. Broos, Rembrandt en zijn voorbeelden/ and his Sources, Rembrandthuis.

Exhibition, Amsterdam, 1986–7, R.E.O. Ekkart and E. Ornstein-van Slooten, Oog in oog met de modellen van Rembrandts portret-etsen, Rembrandthuis.

Exhibition, Amsterdam, 1987, M. Schapelhouman and P. Schatborn, Land & Water. Hollandse tekeningen uit de 17de eeuw [in Dutch and English], Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam-Boston-Philadelphia, 1987–8, P.C. Sutton, J. Bruyn, S. Schama et al., Masters of 17th Century Dutch Landscape Painting, Rijksmuseum, Boston Museum of Fine Arts and Philadelphia Museum of Art.

Exhibition, Amsterdam, 1988–9, P. Schatborn and E. Ornstein-van Slooten, Jan Lievens 1607–74. Prenten en Tekeningen/ Prints and Drawings, Rembrandthuis.

Exhibition, Amsterdam, 1989, J.F. Heijbroek (ed.), De verzameling van mr. Carel Vosmaer (182688), Rijksprentenkabinet, Rijksmuseum.

Exhibition, Amsterdam, 1991, B.W. Meijer, Rondom Rembrandt en Titiaan, Museum het Rembrandthuis.

Exhibition, Amsterdam, 1991–2, A. Tümpel and P. Schatborn, Pieter Lastman, Museum het Rembrandthuis.

Exhibition, Amsterdam-Vienna-New York-Cambridge, 1991–2, W.W. Robinson, Seventeenth-Century Dutch Drawings: A Selection from the Maida and George Abrams Collection, Rijksmuseum, Albertina, Pierpont Morgan Library and Fogg Art Museum.

Exhibition, Amsterdam, 1993–4, B. Bakker and H. Leeflang, Nederland naar ’t leven, Museum het Rembrandthuis.

Exhibition, Amsterdam, 1996, C. Schuckmann, M. Royalton-Kisch, E. Hinterding, Rembrandt & van Vliet. A Collaboration on Copper, Museum het Rembrandthuis.

Exhibition, Amsterdam, 1996–7, P. van der Coelen (ed.), Patriarchs, Angels and Prophets. The Old Testament in Netherlandish Printmaking from Lucas van Leyden to Rembrandt, Museum het Rembrandthuis.

Exhibition, Amsterdam, 1997, E. de Jongh and G. Luijten, Spiegel van Alledag. Nederlandse genreprenten 1550–1700, Rijksmuseum.

Exhibition, Amsterdam-Paris, 1998–9, B. Bakker, M. van Berge-Gerbaud, E. Schmitz and J. Peeters, Landscapes of Rembrandt: his favourite walks, Gemeentearchief and Institut Néerlandais.

Exhibition, Amsterdam, 1999–2000, B. van den Boogert, Rembrandts schatkamer, Museum het Rembrandthuis.

Exhibition, Amsterdam, 2000, G. Luijten and J.P. Filedt Kok (eds), The Glory of the Golden Age ... Drawings and Prints, Rijksmuseum.

Exhibition, Amsterdam-London, 2000–01, E. Hinterding, G. Luijten and M. Royalton-Kisch, Rembrandt the Printmaker, Rijksmuseum and British Museum.

Exhibition, Amsterdam, 2003, Vincent’s Choice: The Musée Imaginaire of Van Gogh, Rijksmuseum Vincent Van Gogh.

Exhibiton, Amsterdam, 2003, E. van de Wetering, Rembrandt’s hidden Self-Portraits, Museum het Rembrandthuis.

Exhibition, Amsterdam-Berlin, 2006, Rembrandt. Zoektocht van een genie, E. van de Wetering et al., Museum het Rembrandthuis and Gemäldegalerie der staatlichen Museen in Berlin.

Exhibition, Antwerp-London, 1999, M. Royalton-Kisch, The Light of Nature: Landscape Drawings by Van Dyck and his Contemporaries, Rubenshuis and British Museum.

Exhibition, Antwerp-Amsterdam, 1999–2000, C. Depauw and G. Luijten, Anthony Van Dyck as a Printmaker, Museum Plantin-Moretus and Rijksmuseum.

Exhibition, Arts Council of Great Britain, 1949, A.E. Popham, Old Master Drawings from Chatsworth.

Exhibition, Berlin, 1970, C. and A. Tümpel, Rembrandt legt die Bibel aus, Kupferstichkabinett, Staatliche Museen preussischer Kulturbesitz.

Exhibition, Berlin-Amsterdam-London, 1991–2, C. Brown, J. Kelch and P. van Thiel, Rembrandt. The Master and his Workshop, Paintings, Gemäldegalerie SMPK at the Altes Museum, Rijksmuseum and National Gallery.

Exhibition, Berlin-Amsterdam-London, 1991–2I, P. Schatborn, H. Bevers and B. Welzel, Rembrandt. The Master and his Workshop, Drawings and Etchings, (the drawings not exhibited in London, where the prints were also exchanged for impressions from the British Museum’s collection), Kupferstichkabinett SMPK at the Altes Museum, Rijksmuseum and National Gallery.

Exhibition, Boston-St Louis, 1980–81, C.S. Ackley, Printmaking in the Age of Rembrandt, Boston Museum of Fine Arts and St Louis Art Museum.

Exhibition, Boston-Chicago, 2003–4, C.S. Ackley et al., Rembrandt’s Journey, Boston Museum of Fine Arts and Art Institute of Chicago.

Exhibition, Braunschweig, 1979, R. Klessman, J. Białostocki, S. Jacob and R.E.O. Ekkart, Jan Lievens. Ein Maler im Schatten Rembrandts, Herzog Anton Ulrich-Museum.

Exhibition, Braunschweig-Utrecht-Cologne-Munich, 1988–90, R. Klessmann (ed.), J. Białostocki et al., Europäische Malerei des Barock aus dem Nationalmuseum in Warschau, Herzog Anton Ulrich-Museum, Centraal Museum, Wallraf-Richartz-Museum and Alte Pinakothek.

Exhibition, Braunschweig, 2006, T. Döring et al., Aus Rembrandts Kreis. Die Zeichnungen des braunschweiger Kupferstichkabinetts, Herzog Anton Ulrich-Museum.

Exhibition, Bremen-Zurich, 1967, W. Sumowski, W.R. Deusch, G. Busch, and M. Gregori, Handzeichnungen Alter Meister aus Schweizer Privatbesitz, Kunsthalle and Kunsthaus.

Exhibition, Bremen, 2000–01, A. Röver-Kann and T. Ketelsen, Rembrandt, oder nicht? : Zeichnungen von Rembrandt und seinem Kreis aus den Hamburger und Bremer Kupferstichkabinetten, Kunsthalle.

Exhibition, Brussels-Hamburg, 1961, K.G. Boon and L.C.J. Frerichs, introduction by F. Lugt, Holländische Zeichnungen der Rembrandt-Zeit, Koninklijke Bibliotheek Albert I and Kunsthalle.

Exhibition, Brussels-Rotterdam-Paris-Bern, 1968–9, C. van Hasselt, Landschaptekeningen van hollandse meesters uit de XVIIde eeuw, Albert I Bibliotheek, Museum Boymans-van Beuningen, Institut Néerlandais and Kunstmuseum Bern, 2 vols.

Exhibition, Brussels-Rotterdam-Paris, 1972–3, M.J. Kuznetsov and T.A. Tseshkovskaya, Dessins Flamands et Hollandais du dix-septième siècle, Bibliothèque Royale Albert 1er, Museum Boymans-van Beuningen, Institut Néerlandais.

Exh. Brussels, 2005, S. Hautekeete, Les dessins de Rembrandt et ses élèves appartenant à la collection de Jean de Grez, Musées royaux des beaux-arts de Belgique.

Exhibition, Cambridge, 1966, M. Cormack, Rembrandt and his Circle, Fitzwilliam Museum.

Exhibition, Chicago-Minneapolis-Detroit, 1969–70, J.R. Judson, E. Haverkamp-Begemann and A.-M. Logan, Rembrandt after Three Hundred Years, Art Institute, Institute of Arts and Detroit Institute of Arts.

Exhibition, Coventry, 1987, R.A. Clarke, A. Wright and R. Barnett, The Blasted Oak – The Oak Tree: Natural History, Art and Myth in European Culture, Herbert Art Gallery and Museum.

Exhibition, Delft, 1956, Er was eens…; ons land gezien door schilders in vroeger tijden, Museum het Prinsenhof.

Exhibition, Delft, 1994, J. ten Brink Goldsmith, M. Plomp et al., Leonaert Bramer 1596–1674. Ingenious Painter and Draughtsman in Rome and Delft, Stedelijk Museum het Prinsenhof.

Exhibition, Denver-Newark, 2001–2, M. Westermann, C.W. Fock, E. Jan Sluijter and H.P. Chapman, Art and Home: Dutch Interiors in the Age of Rembrandt, Denver Art Museum and Newark Museum.

Exhibition, Dijon, 2003–4, M. Piotrovsky, E. Starcky et al., Rembrandt et son école: collections du musée de l’Ermitage, Musée des Beaux-Arts.

Exhibition, Dordrecht, 1992–3, A. Chong, J. Loughman, C. Brusati, M.E. Wieseman et al., De Zichtbaere Werelt, Dordrechts Museum.

Exhibition, Dordrecht-Cologne, 1998–99, P. Schoon, E. van de Wetering, J. Loughman, V. Manuth, G. Sluiter, M. de Winkel, E. Mai and P. Schatborn, Arent de Gelder (1645–1727). R’t’s laatste leerling, Dordrechts Museum and Wallraf-Richartz-Museum.

Exhibition, Dresden, 2004, C. Dittrich and T. Ketelsen, Rembrandt. Die Dresdener Zeichnungen, Dresdener Residenzschloss (Ausstellungsräume des Kupferstich-Kabinetts).

Exhibition, Düsseldorf, 1953, H. Dattenberg, Niederrheinansichten Holländischer Meister des 17. Jahrhunderts, Kunstmuseum.

Exhibition, Düsseldorf, 1964, E. Trautscholdt and R.M. Muthman, 150 Meisterzeichnungen des 16. bis 19. Jahrhunderts, C.G. Boerner.

Exhibition, Edinburgh, 1971, D. Thomson, A Virtuous and Noble Education, Scottish National Portrait Gallery.

Exhibition, Edinburgh-London, 2001, J.L. Williams et al., Rembrandt’s Women, National Gallery of Scotland and Royal Academy.

Exhibition, Exeter, 1988, M. Royalton-Kisch and N. Fabian, Rembrandt. A Selection of Etchings, Royal Albert Memorial Museum.

Exhibition, Frankfurt, 1966–7, J. Held et al., Adam Elsheimer. Werk, Künstlerische Herkunft und Nachfolge, Städelsches Kunstinstitut.

Exhibition, Frankfurt, 2000, A. Strech, ‘Nach dem Leben und aus der Phantasie’: Niederländische Zeichnungen vom 15. bis 18. Jahrhundert aus dem Städelschen Kunstinstitut, Städelsches Kunstinstitut.

Exhibition, Frankfurt-Edinburgh-London, 2006, R. Klessmann, E. Gordenker and C.T. Siefert, Adam Elsheimer 1578–1610, Städelsches Kunstinstitut, National Gallery of Scotland and Dulwich Picture Gallery.

Exhibition, Glasgow, 1990–91, J. Walsh, H.P. Chapman and H. Beloff, Rembrandt by himself, Burrell Collection.

Exhibition, Haarlem, 1978, J.H. van Borssum Buisman, Teylers Museum. 200 jaar verzamelen.

Exhibition, Hartford-Dartmouth-Boston, 1973–4, F.W. Robinson, One hundred Master Drawings from New England Private Collections, Wadsworth Atheneum, Hopkins Center Art Galleries, Museum of Fine Arts.

Exhibition, Kassel-Amsterdam, 2001–2, E. van de Wetering and B. Schnackenburg et al., The Mystery of the Young Rembrandt, Staatliche Museen Kassel and Museum het Rembrandthuis.

Exhibition, Kassel-Leiden, 2006–7, C. Vogelaar and G.J.M. Weber, Rembrandt’s Landscapes, Staatliche Museen Kassel and Stedelijk Museum ‘De Lakenhal’.

Exhibition, Koblenz-Bonn, 1992, K. Honnef, K. Weschenfelder and I. Haberland, Vom Zauber des Rheins ergriffen, [with contributions on L. Doomer by W. Schulz], Mittelrhein Museum and Rheinisches Landesmuseum.

Exhibition, Laren, 1966, Oude tekeningen. Een keuze uit de Verzameling P. en N. de Boer, Singer Museum.

Exhibition, Leiden, 1956, J. van Wessem, Rembrandt als leermeester, Stedelijk Museum ‘De Lakenhal’.

Exhibition, Leiden, 1991–2, C. Vogelaar (ed.), Rembrandt en Lievens in Leiden, Stedelijk Museum ‘De Lakenhal’.

Exhibition, Leningrad, 1926, M. Dobroklonski, Musée de l’Ermitage. Dessins des maîtres anciens, Exposition de 1926, (published 1927).

Exhibition, Leningrad, 1969, V. Loewinson-Lessing and Y.I. Kuznetsov, Rembrandt, his Pupils and Followers, Hermitage.

Exhibition, Liverpool, 1994–5, Xanthe Brooke, Face to Face. Three Centuries of Artists’ Self-Portraiture, Walker Art Gallery.

Exhibition, London, 1835, A Catalogue of one hundred original Drawings by Sir Ant. Vandyke and by Rembrandt van Ryn, Lawrence Gallery (drawings formerly in the collection of Thomas Lawrence).

Exhibition, London, 1858, 1859 and 1860, W.H. Carpenter, British Museum. A Guide to the Drawings and Prints exhibited to the Public in the King’s Library.

Exhibition, London, 1877, F.S. Haden, Catalogue of the etched Work of Rembrandt, Burlington Fine Arts Club (2nd ed., 1879).

Exhibition, London, Grosvenor Gallery, 1877–8, Winter Exhibition of Drawings by the Old Masters.

Exhibition, London, Grosvenor Gallery, 1878–9, Winter Exhibition of Drawings by the Old Masters.

Exhibition, London, 1891, S. Colvin, Guide to an Exhibition of Drawings and Sketches in the Print and Drawing Gallery, British Museum.

Exhibition, London, 1895, S. Colvin, Guide to an Exhibition of Drawings and Engravings by the Old Masters, principally from the Malcolm Collection, British Museum (2nd ed.).

Exhibition, London, 1899, S. Colvin, Guide to an Exhibition of Drawings and Etchings by Rembrandt and Etchings by other Masters in the British Museum.

Exhibition, London, 1899, Exhibition of Works by Rembrandt. Winter Exhibition, Royal Academy.

Exhibition, London, 1901, S. Colvin, Guide to an Exhibition of Drawings and Sketches by the Old Masters, and deceased artists of the English School, principally acquired between 1895 and 1901, British Museum.

Exhibition, London, 1910, Exhibition of Drawings bequeathed to the British Museum by the late Mr George Salting, British Museum.

Exhibition, London, 1912, British Museum. Guide to an Exhibition of Drawings and Sketches by the Old Masters [...] acquired between 1904 and 1912.

Exhibition, London, 1914, C. Dodgson, Guide to an Exhibition of Drawings and Sketches acquired between 1912 and 1914, British Museum.

Exhibition, London, 1929, H. Schneider and A.M. Hind, Exhibition of Dutch Art 1450–1900, Royal Academy (1929I= Commemorative Catalogue of the Exhibition of Dutch Art [...], 1930).

Exhibition, London, 1933, A.M. Hind, Guide to an Exhibition of the more important Prints and Drawings acquired during the Keepership of Mr Campbell Dodgson 1912–1932, British Museum.

Exhibition, London, 1938, A.M. Hind, Drawings and Etchings by Rembrandt, British Museum.

Exhibition, London, 1938, Exhibition of 17th Century Art in Europe, Royal Academy.

Exhibition, London, 1953, Drawings by Old Masters, Royal Academy.

Exhibition, London, 1956, C. White, Rembrandt and his Succession, British Museum.

Exhibition, London, 1958, Eight Centuries of Landscape, British Museum.

Exhibition, London, 1965, Sixty Years of Patronage [...] the National Art-Collections Fund, Arts Council Gallery.

Exhibition, London, 1965–7, The British Museum. Masterpieces of the Printroom, British Museum.

Exhibition, London, 1969, C. White, The late Etchings of Rembrandt. A Study in the Development of a Print, British Museum.

Exhibition, London, 1970, I.Q. van Regteren Altena and P.W. Ward-Jackson, Drawings from the Teyler Museum, Haarlem, Victoria and Albert Museum.

Exhibition, London, 1972–3, E. Croft-Murray, The Art of Drawing, British Museum.

Exhibition, London, 1973, J.B. Shaw, Old Master Drawings from Chatsworth, Victoria and Albert Museum.

Exhibition, London, 1974, J.A. Gere, Portrait Drawings, xv–xxCenturies, British Museum.

Exhibition, London, 1976, C. Brown et al., Art in seventeenth-century Holland, National Gallery.

Exhibition, London, 1976–7, Dutch Drawings from the Witt Collection, Part II: other than Landscape, Courtauld Institute Galleries.

Exhibition, London, 1977, see Rawson, 1977.

Exhibition, London, 1977I, J. Rowlands, Rubens. Drawings and Sketches, British Museum.

Exhibition, London, 1978, T. Clifford, A. Griffiths and M. Royalton-Kisch, Gainsborough and Reynolds in the British Museum, British Museum.

Exhibition, London, 1981, S. Lambert, Drawing: Technique and Purpose, Victoria and Albert Museum.

Exhibition, London, 1984, M. Royalton-Kisch, Rembrandt and the Passion, British Museum.

Exhibition, London, 1984I, J. Rowlands (ed.), Master Drawings and Watercolours in the British Museum, British Museum.

Exhibition, London, 1987, S. Lambert, The Image Multiplied, Victoria and Albert Museum.

Exhibition, London, 1988–9, D. Bomford, C. Brown and A. Roy, Art In the Making: Rembrandt, National Gallery.

Exhibition, London, 1990, Treasures of the Print Room, British Museum (no catalogue).

Exhibition, London, 1990, M. Jones (ed.), Fake?, British Museum.

Exhibition, London, 1991, N. Turner and C. Plazzotta, Drawings by Guercino in British Collections, British Museum, 1991.

Exhibition, London, 1992, M. Royalton-Kisch, Drawings by Rembrandt and his circle in the British Museum, British Museum.

Exhibition, London, 1992I, J. Ingamells, Rembrandt 1892. Twelve paintings: a century of changing perceptions, Wallace Collection.

Exhibition, London-Washington, 1993, A. Wilton and A. Lyles, The Great Age of British Watercolours, 1750–1880, Royal Academy and National Gallery of Art.

Exhibition, London, 1996–7, M. Royalton-Kisch, H. Chapman and S. Coppel, Old Master Drawings from the Malcolm Collection, British Museum.

Exhibition, London-The Hague, 1999–2000, C. White and Q. Buvelot (eds), Rembrandt by himself, National Gallery and Mauritshuis.

Exhibition, London-Paris-Cambridge, 2002–3, W.W. Robinson, Bruegel to Rembrandt. Dutch and Flemish Drawings from the Maida and George Abrams Collection, British Museum, Institut Néerlandais and Fogg Art Museum.

Exhibition, London, 2005, Masterpieces of Portrait Drawing, British Museum (no catalogue).

Exhibition, London, 2006, Rembrandt: a 400th Anniversary Display, British Museum (no catalogue). Exhibition, London, 2006 I, D. Bomford et al., Art in the Making. Rembrandt, National Gallery.

Exhibition, Los Angeles, 1991–2, R. Rand, with a contribution by J. Fronek, Masterpiece in Focus: The Raising of Lazarus by Rembrandt, L.A. County Museum of Art.

Exhibition, Madrid, 1934, E.L. Ferrari, Grabados y Dibujos de Rembrandt en la Biblioteca Nacional, Museo de Arte Moderno.

Exhibition, Manchester, 1982, M. Clarke and N. Penny (eds), The Arrogant Connoisseur: Richard Payne Knight (17511824), Whitworth Art Gallery.

Exhibition, Melbourne-Canberra, 1997–8, A. Blankert et al., Rembrandt: A Genius and His Impact, National Gallery of Victoria and National Gallery of Australia.

Exhibition, Milwaukee, 1976, A. Bader, The Bible through Dutch Eyes, from Genesis through the Apocrypha, Milwaukee Art Center.

Exhibition, Munich, 1966–7, W. Wegner, Rembrandt und sein Kreis, Staatliche Graphische Sammlung.

Exhibition, Munich-Amsterdam, 2001–2, T. Vignau-Wilberg, Rembrandt auf Papier, Staatliche Graphische Sammlung and Museum het Rembrandthuis.

Exhibition, New York-Cambridge, 1960, J. Rosenberg, F. Stampfle and E. Haverkamp-Begemann, Rembrandt Drawings from American Collections, Pierpont Morgan Library and Fogg Art Museum.

Exhibition, New York-Paris, 1977–8, C. van Hasselt, Rembrandt et ses contemporains. Dessins hollandais du dix-septième siecle, collection Frits Lugt, Institut Néerlandais, Pierpont Morgan Library and Institut Néerlandais.

Exhibition, New York, 1988, E. Haverkamp-Begemann and C. Logan, Creative Copies. Interpretative Drawings from Michelangelo to Picasso, The Drawing Center.

Exhibition, New York-Fort Worth-Cleveland, 1990–91, G. Luyten and A.W.F.M. Meij, From Pisanello to Cézanne. Master Drawings from the Museum Boymans-van Beuningen, Rotterdam, Pierpont Morgan Library, Kimbell Art Museum and Cleveland Museum of Art.

Exhibition, New York, 1995–6, W. Liedtke, C. Logan, N.M. Orenstein and S.S. Dickey, Rembrandt/Not Rembrandt, Metropolitan Museum of Art.

Exhibition, Nuremberg, 2001, D. Hess, In Rembrandts Werkstatt. Der Meister in Original, Kopie und Studie, Germanisches Nationalmuseum.

Exhibition, Paris, 1908, F. Courboin, J. Guibert and P.-A. Lemoisne, Exposition d’oeuvres de Rembrandt. Dessins et gravures, Bibliothèque Nationale.

Exhibition, Paris, 1970, R. Bacou et al., Rembrandt et son temps. Dessins des collections publiques et privées conservées en France, Louvre.

Exhibition, Paris-Antwerp-London-New York, 1979–80, F. Stampfle, Rubens and Rembrandt in their Century. Flemish and Dutch Drawings of the 17th Century from the Pierpont Morgan Library, Institut Néerlandais, Koninklijk Museum voor Schone Kunsten, British Museum and Pierpont Morgan Library.

Exhibition, Paris, 1986, S. Renouard de Bussière, Rembrandt. Eaux-fortes, Musée du Petit Palais.

Exhibition, Paris, 1988–9, J. Foucart, Peintres rembranesques au Louvre, Musée du Louvre, Département des peintures.

Exhibition, Paris, 1988–9, E. Starcky, Rembrandt et son école, Musée du Louvre, Cabinet des dessins.

Exhibition, Paris-Haarlem, 1997–8, M. van Berge-Gerbaud, Rembrandt et son école, Institut Néerlandais and Teyler Museum.

Exhibition, Paris-Amsterdam, 2006–7 (catalogue 2008), H. Buijs and S. Alsteens, Voyages en France. Dessinateurs hollandais au siècle de Rembrandt, Institut Néerlandais and Museum het Rembrandthuis.

Exhibition, Paris, 2006–7I, P. Schatborn, C. van Tuyll van Serooskerken and H. Grollemund, Rembrandt dessinateur. Chefs-d’oeuvre des collections en France, Louvre.

Exhibiton, Paris, 2006–7II, S.R. de Bussière, Rembrandt. Eaux-fortes, Petit Palais.

Exhibition, Philadelphia-Berlin-London, 1984, P.C. Sutton et al., Masters of seventeenth-century Dutch genre Painting, Philadelphia Museum of Art, Gemäldegalerie Staatliche Museen preussischer Kulturbesitz and Royal Academy.

Exhibition, Rome, 2002–3, E. Hinterding et al., Rembrandt. Dipinti, incisione e riflesi sul ’600 e ’700 italiano, Scuderie del Quirinale.

Exhibition, Rotterdam-Amsterdam, 1956, J.C.E. Wubben, I.Q. van Regteren Altena, E.H. Begemann, Rembrandttentoonstelling. Tekeningen, Museum Boymans-van Beuningen and Rijksprentenkabinet, Rijksmuseum.

Exhibition, Rotterdam-Paris, 1974, C. van Hasselt and M. van Berghe, Dessins Flamands et Hollandais du Dix-Septieme Siecle. Collections des Musées de Belgique, Musée Boymans-van Beuningen, Rotterdam, Museum Boymans-van Beuningen and Institut Néerlandais.

Exhibition, Rotterdam, 1988, J. Giltaij, G. Janssen and J. Bruyn, Een gloeiend palet. Schilderijen van Rembrandt en zijn school, Museum Boymans-van Beuningen.

Exhibition, Stockholm, 1956, C. Nordenfalck, Rembrandt, Nationalmuseum.

Exhibition, Stockholm, 1992–3, G. Cavalli-Björkman and B. Magnussen, Rembrandt och hans tid, Nationalmuseum.

Exhibition, Tokyo, 1975, A.E. Popham and J.B. Shaw, Old Master Drawings from Chatsworth, National Museum of Western Art.

Exhibition, Tokyo, 2003, A. Kofuku, Rembrandt and Dutch History Painting in the 17th Century, National Museum of Western Art (published in 2004).

Exhibition, Turin, 2006–7, B.A. Kowalczyk and G. Luijten (eds), L’età di Rembrandt. I disegni olandese della Biblioteca Reale di Torino, Biblioteca Reale.

Exhibition, Vienna, 1956, O. Benesch, Rembrandt, Albertina.

Exhibition, Vienna, 1969–70, E. Mitsch, Die Rembrandt Zeichnungen der Albertina. 216 Ausstellung, Albertina.

Exhibition, Vienna, 1970–1, E. Mitsch, Rembrandt. Radierungen aus dem Besitz der Albertina, Albertina.

Exh. Vienna, 2004, K.A. Schröder and M. Bisanz-Prakken (eds), Rembrandt, Albertina.

Exhibition, Warsaw, 1956, Rembrandt i jego krag, Muzeum Narodowe.

Exhibition, Washington-New York-Minneapolis-Boston-Cleveland-Chicago, 1958–9, I.Q. van Regteren Altena, Dutch Drawings. Masterpieces of five Centuries, National Gallery of Art, Pierpont Morgan Library, Minneapolis Institute of Arts, Boston Museum of Fine Arts and Art Institute of Chicago.

Exhibition, Washington-Denver-Fort Worth, 1977, F.W. Robinson, Seventeenth Century Dutch Drawings from American Collections, National Gallery of Art, Denver Art Museum and Kimbell Art Museum.

Exhibition, Washington, 1990, C.P. Schneider, B. Bakker, N. Ash and S. Fletcher, Rembrandt’s Landscapes. Drawings and Prints, National Gallery of Art.

Exhibition, Washington-London-The Hague, 2000–01, R. Baer, A. Wheelock and A. Boersma, Gerrit Dou: Master Painter in the Age of Rembrandt, National Gallery of Art, Dulwich Picture Gallery and Mauritshuis.

Exhibition, Washington-Milwaukee-Amsterdam, 2008–9, A.K. Wheelock Jr, with G. Rubinstein (for the drawings), National Gallery of Art, Milwaukee Art Museum and Rembrandthuis.

F

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Flekel, M. ‘Rembrandt’s Drawings’, Xydoshnik, 1963, no. 1, 37–42.

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Forssman, E., ‘Rembrandts Radierung “Der Triumph des Mordechai’”, Zeitschrift für Kunstgeschichte, xxxix, 1976, 297–311.

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Franken, M., ‘“Aen stoelen en bancken leren gaen” : leerzame vormen van navolging in Rembrandts werkplaats’, in P. van den Brink and L.M. Helmus (eds), Album discipulorum J.R.J. van Asperen de Boer, Zwolle, 1997, 66–73.

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