Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

Museum number

1945,0927.11945,0927.1

Description

Full: Front

Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

© The Trustees of the British Museum

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  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • The Portland Vase: cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Incorporates 37 small fragments numbered 1948.10-18.1.

    Detail: Other

  • Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Portland Vase.

    Full: Front

  • Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Portland Vase.

    Full: Front

  • Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Portland Vase.

    Full: Front

  • Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Portland Vase.

    Full: Front

  • Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Portland Vase.

    Full: Front

  • Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Portland Vase.

    Full: Front

  • Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Portland Vase.

    Full: Front

  • Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Portland Vase.

    Full: Front

  • Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis. Portland Vase.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • COMPASS Image Caption: Conservation completed

    Unknown

  • COMPASS Image Caption: Back view;Conservation completed (other side)

    Full: Back

  • Part of a sequence showing the reconstruction of the Portland Vase. Vase in fragments, laid out in sticking order on a plan. Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    Detail: Other

  • Part of a sequence showing the reconstruction of the Portland Vase. This is the vase before the last reconstruction, before it was taken to pieces and the old glue removed. Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    Full: Front

  • Part of a sequence showing the reconstruction of the Portland Vase. This is the complete vase after the last reconstruction. Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    Full: Front

  • Part of a sequence showing the reconstruction of the Portland Vase. Fragments laid out on plan, beginning to be built up. Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    Detail: Other

  • Part of a series of slides showing the reconstruction of the Portland vase. Sandra Smith and Nigel Williams lay out the fragments on a plan drawing. Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    People

  • Collage picture showing the reconstruction of the Portland Vase. Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    Full: Front

  • Part of a sequence of slides showing the reconstruction of the Portland Vase. This is a detail shot to compare with the same view seen under UV light. Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    Detail: Other

  • Part of a sequence of slides showing the reconstruction of the Portland Vase. This is a detail shot taken under UV light to show old joins/cracks, etc. Compare with same view under normal light AN143554001. Picture taken before vase was dismantled for restoration. Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    Full: Front

  • Part of a sequence of slides showing the reconstruction of the Portland Vase. Resin fill tests. Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    Detail: Other

  • Part of a sequence of slides showing the reconstruction of the Portland Vase. Nigel Williams and Sandra Smith use UV setting adhesive to join the fragments.Cobalt-blue blown glass vase with opaque white decoration of a mythical scene, possibly Peleus and Thetis.

    People

  • Watercolour of the fragments of the Portland Vase and Portland Vase Plaque by T. Hosmer Shepherd

    Recto

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Back

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Detail: Other

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Detail: Other

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Detail: Other

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Unknown

  • Nigel Williams, conservator who worked on the Portland Vase

    People

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Front:Top

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Underside

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Drawing of the fragments from the Portland Vase.

    Recto

  • The Portland Vase in Room 70. Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • Room 70.  Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately.  A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration.  Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century.  The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above.

    Full: Front

  • J. Doubleday Restorer of the Portland Vase

    Full: Front