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Orchis Library / Orchis One

  • Object type

  • Museum number

    2016,7070.1

  • Title (object)

    • Orchis One

    Title (series)

    • Orchis Library
  • Description

    Orchis One, from the series 'Orchis Library'; nine leporello prints, printed in three panels each bound in different coloured fabrics by the artist, 'One' is bound in navy blue; title and number printed from laser cut block of the artist's handwriting in gold leaf. 2016
    Linocut

  • Producer name

  • School/style

  • Date

    • 2016
  • Materials

  • Technique

  • Dimensions

    • Height: 295 millimetres (closed)
    • Width: 157 millimetres
    • Height: 200 millimetres (sheet (open))
    • Width: 925 millimetres
  • Inscriptions

      • Inscription Content

        Sigend, titled and numbered in pencil: '1/30'
  • Curator's comments

    Edition of 30

    Artist's statement:
    I've been obsessed with the word Orchis (the ancient Greek word for testicle) ever since I discovered that orchids were named after the shape of their bulbs. It amuses me that such a lavishly feminine flower comes from such a masculine shaped object. I've been working on this series of prints called Orchis for the past few months. This has led me onto making these works about sexuality, touch and desire, involving orchids and chrysanthemums, amongst other symbols. I wanted to make images that convey the feeling of closeness to another body and communication through emotion.This is not from an external view, a photographic view, a logical view, but from feeling, the sensation of being inside one's own skin: a rendition of position, muscle memory, and distortion around a point that radiates from the inner eye. The landscapes are internal ones that flow and merge from bodies into plants and flowers, jungle and folded fabric, between figures that are solid and those that seem to shimmer and disappear. I wanted to make black and white linocut prints with a binary code that could potentially appear blurry; lines that evoke sensation rather than logic.

    It made sense to fold the prints into a book form, rather than display them as flat images on the wall, as I wanted the viewer to touch the books and alter the shape of the sculptural space that they make, and also rearrange the timelines and view the pages in any order. The books have a very simple accordion fold, such that each of the three panels that make up the linocut print come out towards the viewer. The unfolded print is about 92 cm long, which fits nicely within the arm span: a book that tests the limit of the arm stretch. The accordion fold makes a syncopated rhythm to the shape of the print, which can be read in any direction. The folds can be manipulated to hide sections and join parts of the image to distant areas. While the prints are related, they are each a chapter within the series rather than one continuous story. Nine was the natural number that happened. When eight books are lined up in a row, they fit the length of the ninth book on display. I had fun deciding the colour for each book's cover, which is made from fabric covered book board. The title Orchis and the number of the book are printed from a laser cut block which was made to the shape of my handwriting. I used these blocks to print acrylic size, and then applied gold leaf. Having made them all, I'm now thinking of ways of displaying them such that they can be viewed as a whole, but read one at a time.

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  • Location

    Not on display (Not yet placed)

  • Acquisition name

  • Acquisition date

    2016

  • Department

    Prints & Drawings

  • Registration number

    2016,7070.1

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Object reference number: PPA457976

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