Photobook, one volume, first edition. 72 photographic plates. Large 8vo. Original decorated boards in dustwrapper and slipcase.
- Published in: Tokyo-to
Possibly Fukuda's most famous work. The Ginza was his favourite hunting ground for images of modern Japan. The slipcase with the design of a blue noren (shop-curtain) on top of a yellow background, the dustwrapper with a photograph of a shop mannequin wearing a broad-rimmed sun hat and bright red lipstick is a fitting introduction to this book that is a gem from beginning to end. Fukuda plays with contrasts of tradition and modernity, facing pictures are consciously juxtaposed (22-23; 36-37) P.8 A couple from behind at Ginza 4chome crossing, taken from a low angle, tram lines running above, in the back is Mitsukoshi department store. Image of two geisha scuttling along with a parasol, image taken from above. P. 37 a rickshaw in front of Bar Lila taken in a pictorialist style. P. 43 An image of a couple taken from the inside of the Monami (Mon ami) Coffee shop. Contrast of light and dark inside and outside and the pun of the name and the couple. All of this radiates with an aura of confidence and peace. Only one copy in OCLC. (Titus Boeder, 4/2007)
2010 Feb-Oct, BM Japanese Galleries, 'Japan from Prehistory to the Present'
2011 Jun-2011 Oct, BM Japanese Galleries, 'Japan from Prehistory to the Present'
2012 Feb - Jun, BM Japanese Galleries, 'Japan from Prehistory to the Present'
2013 Apr – Oct, BM Japanese Galleries, 'Japan from Prehistory to the Present'
- Topographic representation of: Ginza
- PB.354 (Photobook number)
There is no image of this object, or there may be copyright restrictions
If you’ve noticed a mistake or have any further information about this object, please email: email@example.com
Object reference number: JCF20456
British Museum collection data is also available in the W3C open data standard, RDF, allowing it to join and relate to a growing body of linked data published by organisations around the world.
The Museum makes its collection database available to be used by scholars around the world. Donations will help support curatorial, documentation and digitisation projects.