- Previous 0/635
Photobook. One volume. One double-page colour plate, 128 b-w. with reproductions of photographs. Japanese text. Signed copy.
- Made in: Tokyo-to
Domon first visited Hiroshima in 1957. He visited survivors, hospitals, orphanages, met with blind people, nurses, elderly too poor to pay for treatment, and families struggling to re-built their lives. The result is a deeply moving document about the long-term effects of the Hiroshima bomb. The discrepancy between the portrayal of excruciating pain and the optimism of the disfigured generation is hard to bear. And yet the photographs manage to stay clear of cheap sentimentality or over-indulgence. This work does not portray the Japanese as victims, it simply portrays Hiroshima victims. It remains a milestone. Domon Ken won the 4th Mainichi Photo Award and 2nd Japan Photo Critics Association Award for the present work in 1958. Two images stand out: A group photo of the Kotani family exposing the disfigured face of the proud father. As well as an image of the blind and mentally damaged girl twins, Yuriko and Kaeko. The book-design is by Sano Toshijiro. The poem translates as: "When they hear about the children of the urns, the insects are crying". (Titus Boeder, 4/07)
2007 Jun 13-Oct 7, BM Japanese Galleries, 'Japan from Prehistory to the Present'
2010 Jun-Oct, BM Japanese Galleries, ‘Japan from prehistory to the present’
2013-2014, Oct-Feb BM Japanese Galleries, ‘Japan from prehistory to the present’
- Topographic representation of: Hiroshima-shi
- PB.25 (Photobook number)
There is no image of this object, or there may be copyright restrictions
If you’ve noticed a mistake or have any further information about this object, please email: email@example.com
Object reference number: JCF16143
British Museum collection data is also available in the W3C open data standard, RDF, allowing it to join and relate to a growing body of linked data published by organisations around the world.
The Museum makes its collection database available to be used by scholars around the world. Donations will help support curatorial, documentation and digitisation projects.