Bunraku 文楽 (Japanese Puppet Plays)
- Previous 0/665
- Bunraku 文楽 (Japanese Puppet Plays)
Photobook. First edition. 2 vols.
- Made in: Kyoto-fu
- Height: 41.3 centimetres
- Width: 27 centimetres
One of the most beautiful book-productions in post-war Japan, and undoubtedly another milestone in Domon's oeuvre. The art of Bunraku puppet plays was developed in the 17th century and supposedly reached the peak of its popularity in the 18th century. It is a highly complex art form where wooden puppets are moved on a stage by one to three puppeteers to the accompaniment of a shamisen player and a narrator. The skill of the puppeteer lies in his ability to submerge his whole existence beneath the role of puppet, i.e. to become invisible. Lower ranking puppeteers (so-called 'black children' kuro-ko) wear black robes and masks to help them achieve that aim, but for a master of the art such artificial camouflage is unnecessary. Although first published in 1972, Domon had taken most of the images before the war. One of the most evocative photographs is the left hand of the Yoshida Bungoro (1869-1962), the most renowned master of bunraku during the 20th century. Clearly visible are the calluses that develop from the pressure of the control-mechanism on the thumb and middle finger. Many of the images are taken backstage. Exquisite book-design by Tanaka Ikko. Only two copies in OCLC. (Titus Boeder, 4/07)
Not on display
2007 Oct 10-2008 Feb 17, BM Japanese Galleries, 'Japan from prehistory to the present'
2015 April-October, London, BM Japanese Galleries, 'Japan from Prehistory to the Present'
- PB.28 (Photobook number)
There is no image of this object, or there may be copyright restrictions
If you’ve noticed a mistake or have any further information about this object, please email: firstname.lastname@example.org
Object reference number: JCF16146
British Museum collection data is also available in the W3C open data standard, RDF, allowing it to join and relate to a growing body of linked data published by organisations around the world.
The Museum makes its collection database available to be used by scholars around the world. Donations will help support curatorial, documentation and digitisation projects.