There may be information missing from this page.
Following the issue last week with object details, these records are almost back to normal. However some objects (1%) are still not showing all the data they should. We estimate the data will be fully restored next week.
Updated: 14 April 2015
Fragment (one of three) of a polychrome tomb-painting divided into two registers: upper - six women seated at a banquet; lower - five musicians seated on the ground with remains of nine vertical registers of hieroglyphic text above.
- 1350BC (circa)
- Found/Acquired: Tomb of Nebamun
- (Africa,Egypt,Upper Egypt,Tomb of Nebamun (Thebes))
- Width: 50 centimetres (painting only)
Inscription CommentRemains of nine vertical registers of black-painted hieroglyphs.
Published: PM I Part 2, p. 817;
N. Strudwick, Masterpieces of Ancient Egypt, London 2006, pp. 172-3.
Full publication: R. Parkinson, The Painted Tomb-Chapel of Nebamun: Masterpieces of Ancient Egyptian Art in the British Museum (London: British Museum Press 2008).
A. Middleton and K. Uprichard (ed.), The Nebamun Wall paintings: Conservation, Scientific Analysis and Display at the British Museum (London: Archetype 2008).
Acquired by Waddington and Hanbury in Egypt in 1821.
Ancient Egypt & Sudan
- EA175 (original Big Number)
Fragment (one of three) of a polychrome tomb-painting representing a banquet scene, divided into two registers: upper - men and women sit together and are attended by one standing servant-girl; lower - four musicians (two shown full-face) are shown seated on the ground while two dancers provide entertainment for the guests, fifteen vertical registers of hieroglyphs survive.
If you’ve noticed a mistake or have any further information about this object, please email: email@example.com
Object reference number: YCA67993
British Museum collection data is also available in the W3C open data standard, RDF, allowing it to join and relate to a growing body of linked data published by organisations around the world.
The Museum makes its collection database available to be used by scholars around the world. Donations will help support curatorial, documentation and digitisation projects.