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To celebrate Vikings Live, we have replaced our Roman alphabet with the runic alphabet used by the Vikings, the Scandinavian ‘Younger Futhark’. The ‘Younger Futhark’ has only 16 letters, so we have used some of the runic letters more than once or combined two runes for one Roman letter.

For an excellent introduction to runes, we recommend Martin Findell’s book published by British Museum Press.

More information about how we have ‘runified’ this site

 

The woman with the spider's web Caspar David Friedrich (1774-1840)


Friedrich, Woodcut

Dürer's Melancholia

Dürer's Melancholia


Height: 171.000 mm
Width: 119.000 mm

PD 1981-7-25-2


This print is related to other compositions by Friedrich showing scenes of mourning. It is taken from a number of drawings by the artist that were cut onto blocks by his brother Christian, who was a furniture maker by trade. In a letter to his brother of 2 April 1816, Caspar recommends that his brother should study Dürer's woodcuts as a model from which to work, and mentions somewhere else that Dürer was one of the great artists who had undertaken a craftsman's apprenticeship.

This print is often called Melancholy: its connection with Dürer's Melancholia is essentially one of mood. There is a similarity of pose and a suggestion of the passage of time in each: the setting sun in the background of Dürer's print is indicated by the fall of light across the woman's face in Friedrich's work, although her lament seems to relate more specifically to the brevity of life and its ephemeral nature, suggested by the flowers and the spider's web, than the woman in Dürer's print, whose inertia and numerous attributes indicate the more complex iconography that was so typical of Dürer's art. The ease with which Friedrich could transform such well-known images into his own Romantic idiom emphasizes the total familiarity that he had with Dürer's work.