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To celebrate Vikings Live, we have replaced our Roman alphabet with the runic alphabet used by the Vikings, the Scandinavian ‘Younger Futhark’. The ‘Younger Futhark’ has only 16 letters, so we have used some of the runic letters more than once or combined two runes for one Roman letter.

For an excellent introduction to runes, we recommend Martin Findell’s book published by British Museum Press.

More information about how we have ‘runified’ this site

 

Chinese Jade


© 2003 Private Collection

Jade pendants in the form of dragons


'Soft, smooth and glossy, it appeared to them like benevolence; fine, compact and strong - like intelligence'
Attributed to Confucius (about 551-479 BC)

Jade has always been the material most highly prized by the Chinese, above silver and gold. From ancient times, this extremely tough translucent stone has been worked into ornaments, ceremonial weapons and ritual objects. Recent archaeological finds in many parts of China have revealed not only the antiquity of the skill of jade carving, but also the extraordinary levels of development it achieved at a very early date.

Jade was worn by kings and nobles and after death placed with them in the tomb. As a result, the material became associated with royalty and high status. It also came to be regarded as powerful in death, protecting the body from decay. In later times these magical properties were perhaps less explicitly recognised, jade being valued more for its use in exquisite ornaments and vessels, and for its links with antiquity. In the Ming and Qing periods ancient jade shapes and decorative patterns were often copied, thereby bringing the associations of the distant past to the Chinese peoples of later times.

This tour illustrates examples showing the development of Chinese jade from around 5000 BC to the modern period. The subtle variety of colours and textures of this exotic stone can be seen, as well as the many different types of carving, ranging from long, smooth Neolithic blades to later plaques, ornaments, dragons, animal and human sculpture.