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William Hogarth, Marriage A-la-Mode, Plate II, etching and engraving
Hogarth (1697-1764) does not give an address for the fiction…
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William Hogarth, a preliminary drawing for Plate 8 of Industry and Idleness
In the narrative of Industry and Idleness , Francis Goodchil…
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William Hogarth, Gin Lane, etching and engraving
The scene is set in the poverty-stricken area to the north o…
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William Hogarth's gold admission ticket to Vauxhall Pleasure Gardens
William Hogarth (1697-1764) , the celebrated painter, was in…
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Daniel Nikolaus Chodowiecki, The Improvement of Morals, an etching
By the age of 60, Chodowiecki (1726-1801) had been the most …
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William Hogarth, A Rake's Progress, plate 8, a print
This is the last of eight prints making up Hogarth's series …
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William Hogarth, The Idle 'Prentice betrayed by his Whore and taken in a night cellar with his accomplice, a pri
These four items illustrate different stages in the creative…
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William Hogarth, Beer Street and Gin Lane, two prints
Hogarth claimed that these prints were 'calculated to reform…
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William Hogarth, Characters and Caricaturas, a print
This etching was designed as a subscription ticket - a recei…
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William Hogarth, Gulielmus Hogarth, a print
This is an unfinished proof engraving, before the lettering …
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William Hogarth, The Bad Taste of the Town, an etching
This etching was Hogarth's earliest attack on the taste for …
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Ronald Searle, George Cruikshank, pen and black ink sketch, over graphite
Ronald Searle (born in 1920) is an internationally famous ca…
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