Peter Paul Rubens, Eight Turkish Women, a drawing
Flanders, about AD 1610-15
The figures are simply drawn in pen and brown
ink. Like Gentile Bellini on his drawing of a Turkish woman, Rubens
has written some notes on the colours and materials of the
costumes. But, unlike Bellini, Rubens did not actually visit
Turkey. For the study of exotic figures from the Near and Far East,
Rubens had to rely on copying from books and manuscripts. This
sheet comes from a 'Costume Book' in which Rubens
copied some replicas of
The upper half of this drawing shows a few figures from a procession of women going to the baths. This is almost the only occasion when they would have been visible to visiting Europeans.
The central figure of the lower half of the drawing has ‘Sultana' written below her, but in fact she is neither the mother nor one of the wives of the Sultan, but is simply a member of the harem. The girl to her right is her servant. The gipsy on the far left plays castanets. The woman with a veil on her head is a Jewess.
J. Rowlands, Rubens: drawings and sketches (London, The British Museum Press, 1977)
C. White, Peter Paul Rubens: man and art (New Haven and London, Yale University Press, 1987)

