Life and training of embroiderers, £8.99
Height: 256.000 mm
Width: 197.000 mm
Prints and Drawings
Nicolas Poussin, Self-portrait, a red chalk drawing
France, around AD 1630
The long inscription in Italian below the drawing was written by a collector of Old Master drawings, Francesco Gabburri (1676-1742). It states that the red chalk drawing was made by Poussin (1594-1665) in front of a mirror about 1630 when he was recovering from a serious illness. The artist gave the drawing to Cardinal Camillo Massimi (1620-1677) who became one of Poussin's best patrons, buying paintings and acquiring some of his finest drawings. The artist also gave the cardinal drawing lessons.
In this striking and vivid drawing, the face grimaces at the viewer. Poussin wears a bonnet, and his shirt is casually open at the neck. The long growth of his beard and his curly hair is brought out by the red chalk applied with pressure and vitality. His head and shoulders stand out against a background which is lightly shaded in long parallel strokes. The most intense shading occurs on the neck and the right side of the face. Altogether, it is a penetrating and psychological portrait.
The unshaven and ill-kempt appearance of the man however, is in complete contrast to what we know of the artist, especially when compared to his painted self-portraits. The uncharacteristically realistic and dramatic style of the drawing, too, is not matched by other drawings of this period. Doubts have therefore been raised as to whether this fine drawing is of Poussin, or even by him.
J. Rowlands, Master drawings and watercolou (London, The British Museum Press, 1984)
M. Clayton, Poussin. works on paper (Houston, Museum of Fine Arts, 1995)
L.A. Prat and P. Rosenberg, Nicolas Poussin: Catalogue rai (Milan and Geneva, 1996)
R. Verdi, Nicolas Poussin (London, Royal Academy of Arts, 1995)
H. Brigstocke, A loan exhibition of drawings (Oxford, Ashmolean Museum, 1990)