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Jacques Bellange, The Annunciation, an etching


Height: 339.000 mm
Width: 320.000 mm

PD 1875-7-10-345

Prints and Drawings

    Jacques Bellange, The Annunciation, an etching

    France AD 1614-16

    Etching and engraving of the Annunciation to Mary

    In this signed etching, Mary has been interrupted at her respectable feminine employments of spinning (the balls of wool in a basket) and pious reading (the open book on a stool). She is dressed in the voluminous clothes suited for elegant leisure and moves with the deliberate stylishness admired in 16th century courts.

    Jacques Bellange (1575-1616) was painter to the court at Nancy, capital of the independent duchy of Lorraine, from 1602 until his death in 1616. He has adapted the angel of this Annunciation from a painting by Caravaggio that had arrived in Nancy in about 1610 (Musée des Beaux-Arts, Nancy). However, in contrast to Caravaggio's naturalism, Bellange's angel has the courtly elegance of Mannerist Netherlandish prints. The angel's astonishing hairstyle, silhouetted against a burst of divine light, is a characteristic piece of Mannerist bravura. His etching style partly depends on the prints of Federico Barocci or Barocci's pupil Salimbeni, who employed a similar stipple on the flesh and who used straight, cross-hatched lines to create areas of tone.

    Prints achieve a wide distribution, which may have been Bellange's purpose in producing them. Although he was famous in his lifetime for his paintings, these have not survived. His forty-eight etchings, filled with exotic figures from the court of his imagination, preserved his reputation for posterity.

    A. Griffiths and C. Hartley, Jacques Bellange, c. 1575-1616, exh. cat. (London, The British Museum Press, 1997)


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