Etruscan mythology, £8.99
Height: 237.000 mm
Width: 177.000 mm (upper corners cut)
Prints and Drawings
Filippino Lippi, A Nude Man, a silverpoint drawing
Florence, Italy, AD 1480s
A fine study from life of a muscular human body in movement
This sketch is in
The man lurches forward in a dramatic pose, with a ribbon or piece of rope in his left hand and his right arm raised. It is clear that Filippino Lippi changed his mind as he drew: he started with the right side of the man's back somewhat lower and then broadened the shoulders. The right arm and left hand are loosely sketched as he concentrated on the torso and lower body. The strokes of the silverpoint stylus are varied, the broad zigzags on the calf of the right leg compare with the parallel lines of the upper thigh. White heightening and tonal shadows suggest the effect of light falling on the muscles, in the final stages of this study. In contrast, the rapid, freer and longer strokes of the stylus form the hair and compliment the subject's expressive face.
The study of the heroic male nude was the focus of much artistic interest in late fifteenth-century Florence. Drawings such as this permitted Renaissance artists to understand how the human body worked, which led to a greater naturalism and fluency in their paintings.
A.E. Popham and P. Pouncey, Italian drawings in the Depa-5 (London, The British Museum Press, 1950)
J. Rowlands, Master drawings and watercolou (London, The British Museum Press, 1984)
G. Goldner and C. Bambach, The drawings of Filippino Lipp (Metropolitan Museum of Art, New York, 1997)