Albrecht Dürer's Rhinoceros,
a drawing and woodcut

Germany, AD 1515

This celebrated woodcut records the arrival in Lisbon of an Indian rhinoceros on 20 May 1515.

The ruler of Gujarat, Sultan Muzafar II (1511-26) had presented it to Alfonso d'Albuquerque, the governor of Portuguese India. Albuquerque passed the gift on to Dom Manuel I, the king of Portugal. The rhinoceros travelled in a ship full of spices.

On arrival in Lisbon, Dom Manuel arranged for the rhinoceros to fight one of his elephants (according to Pliny the Elder's Historia Naturalis ('Natural History') (AD 77), the elephant and rhinoceros are bitter enemies). The elephant apparently turned and fled.

A description of the rhinoceros soon reached Nuremberg, presumably with sketches, from which Dürer prepared this drawing and woodcut.

No rhinoceros had been seen in Europe for over 1000 years, so Dürer had to work solely from these reports. He has covered the creature's legs with scales and the body with hard, patterned plates. Perhaps these features interpret lost sketches, or even the text, which states, '[The rhinoceros] has the colour of a speckled tortoise and it is covered with thick scales'.

So convincing was Dürer's fanciful creation that for the next 300 years European illustrators borrowed from his woodcut, even after they had seen living rhinoceroses without plates and scales.

Dom Manuel sent the rhinoceros to Pope Leo X in Rome, who had much admired 'Hanno', the elephant the king had sent him the year before. Sadly, the ship carrying the new gift sank before it reached Rome.

Albrecht Dürer

Born in Nuremberg, Dürer set up his own workshop in 1495, specializing in the production of innovative, high quality prints.


He excelled at a variety of drawing, painting and printing techniques, but his Europe-wide fame rested on his graphic art

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Object details

Height: 24.8 cm
Width: 31.7 cm


PD 1895-1-22-714 (B.136)

Prints and Drawings

    Gift of William Mitchell


    G. Bartrum (ed.), Albrecht Dürer and his legacy: The Graphic Work of a Renaissance Artist
    (London and N.J., The British Museum Press and Princeton University Press, 2002)

    G. Bartrum, German Renaissance prints, 149, exh. cat. (London, The British Museum Press, 1995)

    T.H. Clarke, The Rhinoceros from Dürer to Stubbs: 1515–1799 (London, 1986)

    See this object in our Collection database online

    See also the feature quality article about Albrecht Dürer's Rhinoceros in Wikipedia

    Further reading

    S.A. Bendini, The Pope’s Elephant (Austin, 1997)

    I. Buchanan, ‘Dürer and Abraham Ortelius’, Burlington Magazine, 124 (1982), 734–741

    T.H. Clarke, ‘Two Rhinoceros Drawings Re-attributed’, Burlington Magazine, 126 (1984), 625–629

    D.B. Kuspit, ‘Dürer’s scientific side’, Art Journal, 32 (1972-3), 163–171

    A. Potts, ‘Natural Order and the Call of the Wild: the Politics of Animal Picturing’, Oxford Art Journal, 13 (1990), 12–33

    P. Smith, and P. Findlen (eds.), Merchants and Marvels: Commerce, Science and Art in Early Modern Europe (2002)

    A.G. Stewart, ‘Early Woodcut Workshops’, Art Journal, 39 (1980), 189–194