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The Netherlands, around AD 1660
Adriaen Van de Velde (1636-1672) made his numerous red chalk figure studies from models posed in his studio. The drawings then became stock motifs from which he could take figures for his paintings.
The main study
is of a cavalier, his sword in his right hand, his pistol in a
holster in front of him. Though apparently sitting on a horse, only
the man is drawn. The shading is varied with light parallel lines
made more intense where necessary with further, stronger red chalk
lines. The long flowing lines around his waist contrast with the
shorter shaded strokes. The effect of light is achieved by the
areas of totally blank paper. The strength of the light especially
on the cavalier's face, and its dramatic contrast with the
shadows on the body, lends this sketch an Italianate quality. The
second figure, below, is also a soldier and like the upper study,
he stands out in relief against a background of parallel
Adriaen
was the son and brother of two famous marine painters. He spent
most of his life in Amsterdam but he may have studied with Jan
Wijnants (around 1635-84) in Haarlem. He may also have been a pupil
of his father, Willem van de Velde the Elder (1611-93). His
subject-matter suggests that he may have visited Italy, like many
Netherlandish artists. However, no record of such a journey exists.
Most of his paintings, drawings and
M. Royalton-Kisch, H. Chapman and S. Coppel, Old Master drawings from the M, exh. cat. (London, The British Museum Press, 1996)