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Riza-yi 'Abbasi, Seated calligrapher, a drawing

 

Height: 10.000 cm
Width: 7.000 cm

Transferred from the Department of Oriental Manuscripts and Printed Books, British Library

ME OA 1920.9-17.0271 (1)

Middle East

    Riza-yi ʿAbbasi, Seated calligrapher, a drawing

    From Isfahan, Iran
    Around AD 1600

    'In this age, he has no rival; master painters, skillful artists who live in our times regard him as perfect.' (Qadi Ahmad, 1606)

    A bearded man sits on the ground, holding a blank book in his hand. The tools lying around him - pens, ink and paper - show that he is a calligrapher. He smiles faintly, and gazes into the distance. The draughtsmanship is simple and suitably calligraphic. The gold leafy 'background' against the bare coloured paper is similar to the gilt-decorated margins of illustrated manuscripts typical of this period.

    This drawing has been signed by the celebrated Persian artist Riza-yi ʿAbbasi (died 1635), who worked at the courts of Shah ʿAbbas I (reigned 1588-1629) and his successor Shah Safi I (reigned 1629-42). Riza-yi ʿAbbasi is famous for his drawings of individual or paired figures on single pages, but he also contributed paintings to illustrated manuscripts. He was so admired by Shah ʿAbbas that in 1603 Riza was granted the honour of carrying the title ʿAbbasi to demonstrate his position in the Shah's favour. This drawing was completed a few years before he received this honour, although the presence of the Shah's royal seal (in the bottom right corner) suggests that ʿAbbas already enjoyed the artist's work.

    Respect for Riza-yi ʿAbbasi's work was widespread in seventeenth-century Iran, and the strong influence of his style continued long after his death. 

    S. Canby, The rebellious reformer: the d (London, 1997)

    A. Soudavar, Art of the Persian courts (New York, Rizzoli, 1992)

    V. Porter and H. Nayel Barakat, Mightier than the sword, Arabi (The Islamic Arts Museum Malaysia, 2004)

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