Shakyamuni preaching on
the Vulture Peak, silk embroidery on hemp
cloth
From Cave 17, Mogao, near Dunhuang, Gansu
province, China
Tang dynasty, 8th century
AD
This is one of the largest known examples of
Chinese embroidery. Its layout compares closely with paradise
paintings and the wall murals at Mogao.
Shakyamuni
is shown preaching the
Lotus
Sūtra at Rājagrha on the
Vulture Peak, represented by the rockery. A scattering of flowers
and leaves embellishes the background. He is accompanied by two
disciples and the
bodhisattvas,
Avalokiteshvara and Mahāsthāmapāpta. Hovering over this assembly
are two
apsarasas
who flank a jewelled canopy. At the base, there are two groups of
donor figures and a central inscription
panel.
The panel was made
from three widths of hemp cloth entirely covered with thin
closely-woven silk. The outline of the design was first drawn in
ink onto the silk. Its main contours were worked with split
stitching of brown or dark blue silk. The areas enclosed by the
outlines were then filled in using closely packed unplied floss
silk. The embroidery is generally well preserved. However, when it
was folded for storage in the cave, the two disciples fell along
the lines of folding, which explains the heavy damage to
them.
M. Aurel Stein, Serindia: detailed report of e, 5 vols. (Oxford, 1921)
J. Rawson (ed.), The British Museum book of Chi (London, The British Museum Press, 1992)
W. Zwalf (ed.), Buddhism: art and faith (London, The British Museum Press, 1985)
R. Whitfield, Art of Central Asia: The Stein, vol. 3 (Tokyo, Kodansha International Ltd., 1982-85)
R. Whitfield and A. Farrer, Caves of the thousand Buddhas: (London, The British Museum Press, 1990)