Illustrations to the Sutra
of the Ten Kings, a painting on paper
roll
From Cave 17, Mogao, near Dunhuang, Gansu
province, China
Five Dynasties, late 9th-early
10th century AD
The 'Ten Kings of Hell' come
from an apocryphal
sutra
dated AD 903. They preside over the successive spheres through
which a soul must pass on its way to rebirth. After death, the soul
comes before the first seven kings at seven-day intervals, before
the eighth king on the hundredth day, the ninth on the first
anniversary of death, and finally, the tenth on the third
anniversary. The Kings illustrate the Buddhist concept of judgement
after death in its most fully developed
form.
This incomplete roll
shows five of the Ten Kings, each sitting before a draped table
attended by the Good and Bad Boys (recorders of a person's
good and evil deeds during life). A virtuous couple, carrying
sutra rolls and an image
of the Buddha, contrasts with sinners in chains and
cangues
being driven past by their bull-headed jailers. The breaks in the
scroll are before and after this next scene. A last King is shown
with the six Gati
('Ways of Rebirth'), each represented by trailing
clouds. Depicted in descending order, these are the Ways of divine
beings, titanic demons, men, animals, hungry ghosts, and hell. The
final dramatic scene shows figures running from a flaming city of
hell towards the
bodhisattva
Kshitigarbha, who has the power to save souls from the evil forms
of rebirth.
M. Aurel Stein, Serindia: detailed report of e, 5 vols. (Oxford, 1921)
A. Waley, A catalogue of paintings recov (London, 1931)
R. Whitfield, Art of Central Asia: The Ste-1, vol. 2 (Tokyo, Kodansha International Ltd., 1982-85)
W. Zwalf (ed.), Buddhism: art and faith (London, The British Museum Press, 1985)
R. Whitfield and A. Farrer, Caves of the thousand Buddhas: (London, The British Museum Press, 1990)