The discoveries of hidden caves along the Silk Road, £18.99

Height: 250.000 mm
(approx.)
Width: 260.000 mm
(approx.)
Asia OA 1970.2-2.05, 06;Asia OA 1970.2-2.07, 08
Asia
Nanjing, China
Around AD
1619-33
The most important of the early Chinese colour-printed woodblock books
This is the first Chinese woodblock books printed in colour. It was originally printed in sixteen parts between 1619 and 1633. Its creator, Hu Zhengyan (about 1582 - about 1672) was a native of Anhui Province who lived in Nanjing. The Ten Bamboo Studio was the name of the house in Nanjing where Hu and his friends would gather. A noted calligrapher, painter and seal-carver, Hu also produced a similar volume of decorated letter paper, Shizhuzhai jianpu.
The
technique of multi-colour block printing or
taoban was used. The
format for the book was one of a double-page illustration followed
by similar pages of calligraphy. These pages would have been bound
together using a 'butterfly-binding' so that the
complete image could be seen at a single opening without needing
the usual central division of a double page. The example shown here
depicts a bamboo with prunus, a pictorial theme popular in
The seventeenth century was a period of conspicious consumption in China, and books like this were luxury objects created for pleasure rather than learning. Great attention was paid to the creation of each illustration. Care was taken so that the subtle tonalities of colour and fine brushwork of Chinese painting could be reproduced in the medium of print.
J. Rawson (ed.), The British Museum book of Chi (London, The British Museum Press, 1992)