Four manifestations of
Avalokiteshvara, with Samantabhadra and
Manjushri, a painting on
silk
From Cave 17, Mogao, near Dunhuang, Gansu
province, China
Tang dynasty, dated 5th year
of Xiantong (AD 864)
The four manifestations of Avalokiteshvara, the
bodhisattva
of compassion, in the upper register are almost identical, though
there is some variation in their haloes and their Indian-style
costume. Each figure is identified by an inscription in the
cartouche to his right. The second from the left indicates the
devotion of the chief donor, a minor official named Tang, to the
'eleven-headed'
Avalokiteshvara.
At the
next level, Samantabhadra, the special patron of the followers of
the
Lotus
Sutra and Manjushri, the
bodhisattva of Wisdom,
are riding their respective mounts, the elephant and the lion.
Their entourage comprises other
bodhisattvas in flowing
Chinese-style robes carrying three-tiered canopies and a
dark-skinned Indian groom leading the
mount.
Cartouches identify
the figures at the base of the painting (the single monk and three
laymen on the right, and the two nuns and two women on the left) as
a family of donors. They flank the inscription which records their
dedication of the painting 'First, on behalf of the present
emperor; second, on behalf of his envoy ... third, on behalf of his
departed parents and all his family .... May they [escape] both
earthly disasters and obstacles to salvation. Xiantong 5th year [AD
864].'
M. Aurel Stein, Serindia: detailed report of e, 5 vols. (Oxford, 1921)
R. Whitfield, Art of Central Asia: The Ste-2, vol. 1 (Tokyo, Kodansha International Ltd., 1982-85)
A. Waley, A catalogue of paintings recov (London, 1931)
R. Whitfield and A. Farrer, Caves of the thousand Buddhas: (London, The British Museum Press, 1990)