Four manifestations of Avalokiteshvara, with Samantabhadra and Manjushri, a painting on silk
From Cave 17, Mogao, near Dunhuang, Gansu
province, China
Tang dynasty, dated 5th year
of Xiantong (AD 864)
The four manifestations of Avalokiteshvara, the
At the
next level, Samantabhadra, the special patron of the followers of
the
Cartouches identify the figures at the base of the painting (the single monk and three laymen on the right, and the two nuns and two women on the left) as a family of donors. They flank the inscription which records their dedication of the painting 'First, on behalf of the present emperor; second, on behalf of his envoy ... third, on behalf of his departed parents and all his family .... May they [escape] both earthly disasters and obstacles to salvation. Xiantong 5th year [AD 864].'
M. Aurel Stein, Serindia: detailed report of e, 5 vols. (Oxford, 1921)
R. Whitfield, Art of Central Asia: The Ste-2, vol. 1 (Tokyo, Kodansha International Ltd., 1982-85)
A. Waley, A catalogue of paintings recov (London, 1931)
R. Whitfield and A. Farrer, Caves of the thousand Buddhas: (London, The British Museum Press, 1990)

