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Bride's apron (jocolo)

 

Length: 61.000 cm
Width: 47.000 cm

AOA 1985.Af9.1

Africa, Oceania, Americas

    Bride's apron (jocolo)

    Ndebele, probably 20th century AD
    From South Africa

    The Ndebele are Nguni-speaking people who were dispersed during the Zulu wars and came to live among Sotho-speaking people. They responded to this by developing creative and distinctive decoration in their house designs and beadwork.

    Aprons and capes were traditionally made of sheepskins decorated with white beads. As the variety of colours of beads and their availability increased in the earlier part of the twentieth century, more beads were sewn onto garments. During the 1970s colours in beads changed to include green, blue, purple, brown and black against a white beaded background. More recently, braided trimmings and coloured plastic are sewn or glued to the edges of the apron.

    Beadwork is made and worn by women to denote their life cycle from puberty to adult and married status. A young girl would wear a ghabi, a beaded panel above a fringed apron followed by a pepetu, a larger version at puberty. Made by the girl's mother, it would be worn on her coming-out day together with other beaded ornaments. Upon marriage the jocolo is worn and is later worn on special occasions. In addition to this the bride also wears a sheepskin cape attached to the shoulders of which are two long strips, nyoga, of white beads and other beaded ornaments. A small basket, a beer gourd decorated in white beads, a wedding stick and a fertility doll are carried by the bride who remains under a cloak until all the wedding ceremonies are completed. After a few months the bride wears a mapoto, a larger rectangular apron.

    M. Carey, Beads and beadwork of East and (Princes Risborough, Shire Publications, 1986)

    J. Perani and F.T. Smith, The visual arts of Africa: gen (Prentic Hall, New Jersey, 1998)

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