Explore highlights
Bark carving representing an emu


Height: 69.000 cm
Width: 30.000 cm
Depth: 27.000 cm

Donated by Kew Royal Botanical Gardens

AOA Oc.+ 1281

    Bark carving representing an emu

    From the Loddon and Murray Rivers area, northern Victoria, Australia
    Mid-19th century AD

    This is a unique surviving Aboriginal ceremonial carving. It was made in the mid-nineteenth century by people who lived around the Murray and Loddon Rivers in northern Victoria. John Hunter Kerr, a Scotsman who settled near the Loddon people, joined them in some activities, participating in hunting expeditions and observing certain ceremonies. He collected the etching along with a range of other objects and also took some photographs.

    The carving was made from the bark of a River Red Gum and has a painted design in red ochre and white clay. It represents the silhouette of an emu. It was carried by a dancer in a dance ceremony that Kerr witnessed. He described how the dancer 'imitated the gait of the bird, while the others danced around'.

    Kerr exhibited his Loddon collection at the Melbourne Exhibition in October 1854. It was then sent to another exhibition in Paris but when that closed it was dispersed and mostly lost. The emu was acquired by the Royal Botanic Gardens, Kew, in London and transferred to the British Museum in 1880.

    C. Cooper, 'Traditional visual culture in south-east Australia' in Aboriginal artists of the 19th century(Melbourne, OUP, 1994)


    Browse or search over 4,000 highlights from the Museum collection

    Shop Online

    Word into Art, £16.99

    Word into Art, £16.99