Introduction to the popular 19th century British artist, £25.00
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The emperors still reigned as cultural and religious figureheads in Kyoto, but the ruling power moved from a civil aristocracy to a provincial warrior class. Yoritomo reorganized the country. He created governing boards, appointed local governors and officials and demanded absolute loyalty from his vassals. Yoritomo's wife's family, the Hōjō, took over after the death of his sons and there was comparatively stable government for almost two hundred years. The ritsuryō system disappeared and the economy, based on private landed estates, improved rapidly.
There was an increase in popular forms of Buddhism, such as the Jōdo (Pure Land) sect which assured salvation to commoners. Zen Buddhism, with its attendant arts, took a firm hold on the samurai classes because of its emphasis on self-discipline and simplicity. Wooden sculpture, realistic portraiture and narrative painting all flourished. The Shin Kokinshū poetry anthology of 1285, the military prose epic Heike monogatari ('Tale of the Heike') and the pessimistic Hōjōki are outstanding literary works of the period.
The Hōjō family successfully fought off two invasion attempts by the Mongols in 1274 and 1281. However, many warriors who had not been properly rewarded for their efforts turned against the Shogunate, and, led by Ashikaga Takauji, they defeated the Hōjō in 1333.