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To celebrate Vikings Live, we have replaced our Roman alphabet with the runic alphabet used by the Vikings, the Scandinavian ‘Younger Futhark’. The ‘Younger Futhark’ has only 16 letters, so we have used some of the runic letters more than once or combined two runes for one Roman letter.

For an excellent introduction to runes, we recommend Martin Findell’s book published by British Museum Press.

More information about how we have ‘runified’ this site

 

Coins and the Bible

09 May – 20 October 2013
Free, Room 69a

Some of the most famous stories in the Bible revolve around coins. From the widow’s humble mite to Judas’s thirty pieces of silver, writers and translators used coin terms which were relevant to with the time and place of the readership to make the narrative more understandable to its audience. In turn, the words of the Bible helped inspire the first Christian symbols on coins.

In the first section the exhibition considers how money was referred to in the Old Testament. Payments were recorded in shekels; these were not coins but units of weight. The term shekel grew out of this tradition, and first came into the English language via the Hebrew Bible, where the phrase is used in the Book of Genesis. Similarly today, the pound is both a weight and a British coin. At the time of the Old Testament, various items were used as ‘money’ for payments before the invention of coinage, such as metals, and were used in exchange often according to set values by weight or volume.

With the New Testament we jump forward several centuries to find a rich source for how Roman, Jewish and Greek society used money in the 1st century AD. This can range from the most humble coppers of the poor widow (Mark 12:42-4) to the various pieces of silver needed to pay the taxes both of Caesar and the Temple. Examples of this range of Gospel money can be seen in the exhibition, ranging from a tiny copper made in Pontius Pilate’s Jerusalem, to thirty shekels of Temple silver.

In the exhibition, we look at how the visual language of Christian art, with its rich symbolism, was developed from a culture based initially on the written word. An early form of decoration in both the Bible and other media were monogram symbols derived from Greek letters. In the exhibition, these are presented on the coinage of the first Christian emperor, Constantine the Great(AD 306–37) and his successors. The cross itself (as opposed to monograms) came later, as did the image of Jesus himself. The Jesus of late Roman art appears more like the contemporary clean-shaven emperors of the time; the bearded image would develop in Byzantine times. The first image of Jesus on a coin appears from about AD 450 and this is kindly on loan from the Hunterian Museum, Glasgow especially for the display. The British Library is also contributing some early Biblical fragments on papyrus and vellum to the exhibition. These will help to illustrate how the Bible was written on scrolls in early Christian times, and how this abbreviated text influenced the early artistic expressions of the faith on coins.

The exhibition will also include the British Museum’s famous ivory panel from the early AD 400s depicting the earliest narrative portrayal of the Crucifixion with this very same Roman-type Jesus. Appropriately the panel also includes an image of the most infamous purse in history. Filled with thirty pieces of silver, the price of betrayal lies by the feet of the hanged Judas. Even at this early phase of artistic development, money had become one of the instruments of the Passion.

Curators Richard Abdy and Amelia Dowler :

‘Following the British Museum’s exhibition Crowns and ducats: Shakespeare’s money and medals, we were inspired to explore the Bible in relation to money mentioned in its pages or coined by the rulers who helped shape the Biblical world. (Show me a denarius. Whose image and superscription has it? (Luke 20:24)). Biblical words inspired the symbolism of early Christian art and this exhibition helps to demonstrate this through the relationship between coins and the Bible.’

Notes to Editors:

Opening hours 10.00–17.30 Saturday to Thursday and 10.00–20.30 Fridays

A full public programme of lectures, workshops and events will run concurrent with the exhibition. Further details from the press office or www.britishmuseum.org

Gold solidus showing a bust of Jesus with a cross behind his head and holding a Bible. Minted in Constantinople (modern-day Istanbul, Turkey),
AD 705–711.

For further information

Please contact the Press Office on 020 7323 8583 / 8394 or communications@britishmuseum.org

For public information

Please print britishmuseum.org or 020 7323 8181