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Natasha McKinney has degrees in Pacific Anthropology and Pacific-based Museum Studies and has been a curator in the Oceania section since 2006.
Her research interests include Marquesan art and history, the material culture of eastern Polynesia, and anthropological expeditions in that region. Curatorial projects have included displays on Pacific photography, body adornment, and the Maori meeting house. She also works on the acquisition of new material for the collections, including commissioned artworks.
Shifting patterns: Pacific barkcloth clothing, Room 91, lead curator (5 February to 6 December 2015)
Managing curator, Room 24 Wellcome Gallery, Living and Dying
Human remains Working Party, Departmental representative
Room 3, Crocodile Dance Mask from the Torres Strait Islands (11 August – 16 October 2011)
Australian Landscape (21 April – 16 October 2011)
Wellcome Gallery Refresh, the Maori meeting house (June 2009 – present)
Room 2 Oceania content (2008 – present)
Getty Pictorial Cataloguing Project, supervising curator (2008-9)
External fellowships/ honorary positions/ membership of professional bodies
Royal Anthropological Institute
Pacific History Association
Pacific Arts Association
Museum Ethnographers Group
McKinney, N. (2014). 'Textiles of the trees'. British Museum Magazine, No.80, Winter 2014, pp.34-36.
McKinney, N. (2014). ‘Ancestral Remains from Oceania: Histories and Relationships in the Collection of the British Museum’. In Fletcher, A., Antoine, D. & Hill, J.D. (eds) , Regarding the Dead: Human Remains in the British Museum. London: British Museum Press (pp.34-42).
McKinney, N. (2013). Oceania at the Tropenmuseum (book review). Journal of the History of Collections, 25 (1), 144-146.
McKinney, N. (2012). Maino and the crocodile dance mask. Pacific Arts Journal, 12 (2), 45-50.
McKinney, N. (2011). Dances of the spirit world. British Museum Magazine, 70, 30-31.
McKinney, N. (2010). ethKnowcentrix: Museums Inside the Artist (exhibition review). Pacific Arts Journal, 10 (2), 47-49.