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To celebrate Vikings Live, we have replaced our Roman alphabet with the runic alphabet used by the Vikings, the Scandinavian ‘Younger Futhark’. The ‘Younger Futhark’ has only 16 letters, so we have used some of the runic letters more than once or combined two runes for one Roman letter.

For an excellent introduction to runes, we recommend Martin Findell’s book published by British Museum Press.

More information about how we have ‘runified’ this site

 

Lissant Bolton


Contact

+44 (0)20 7323 8047
lbolton@thebritishmuseum.ac.uk

Lissant Bolton is an anthropologist who specialises in the Pacific. Her research focuses on gender and kastom in Vanuatu, and on the indigenous use of collections and cultural knowledge. She has a specific interest in textiles, and has also written about issues relating to museums and indigenous communities.

She has worked in Vanuatu annually since 1989, collaborating with the Vanuatu Cultural Centre (VKS) www.vanuatuculture.org in the development of programmes to document and revive women’s knowledge and practice. This programme, the Women’s Culture Project, holds annual training workshops for ni-Vanuatu women extension workers, which Bolton chairs for the VKS. She has made a number of films with the VKS for use in Vanuatu.

Bolton lead-curated the permanent gallery Living and Dying (2003), and curated the exhibitions Power and Taboo: Sacred Objects from the Pacific (2006), and Baskets and Belonging: Indigenous Australian Histories (2011) all for the British Museum. She has undertaken a series of major research projects, including Melanesian art: objects, narratives and indigenous owners with Nicholas Thomas, Cambridge (2005-10) and most recently Engaging Objects: Indigenous Communities, museum collections and the representation of indigenous histories with the Australian National University and the National Museum of Australia (2011-14).

Current projects

Previous projects

  • Clothing the Pacific (Joint research project with University College, London and Goldsmiths College, University of London

Recent Publications

  • B. Burt and L. Bolton (eds.), The things we value: Culture and History in Solomon Islands (Oxon: Sean Kingston Publishing, 2014)

    L. Bolton, Nicholas Thomas, Elizabeth Bonshek, Julie Adams and Ben Burt (eds.), Melanesia: Art and Encounter (London: British Museum Press, 2013)

    Brunt, Peter, Sean Mallon, Nicholas Thomas, Deidre Brown, Lissant Bolton, Suzanne Kuchler and Damian Skinner (co-authors), Art in Oceania: A New History (London: Thames and Hudson, 2012) (personal contribution: 4 chapters, 2 co-authored chapters, 5 features)

    L. Bolton, ‘Describing Knowledge and Practice in Vanuatu’, in Hviding E. and K.M. Rio (eds.) Made in Oceania: Social Movements, Cultural Heritage and the State in the Pacific (Wantage: Sean Kingston Publishing, 2011) pp 301-319

    L. Bolton, ‘Framing the art of West Papua: an introduction’, in L. Bolton and N Stanley (eds.) The Asia Pacific Journal of Anthropology, Special Issue: Framing the Art of West Papua 12(4) (2011) pp.317-326

    L. Bolton and N. Stanley (eds.), Framing the Art of West Papua. The Asia Pacific Journal of Anthropology, Special Issue 12(4) (2011)

    L. Bolton, ‘Los textiles y la vida’, in Mondragón, Carlos (ed.) Moana: Culturas de las Islas del Pacífico (Mexico City: Instituto Nacional de Antropología e Historia, 2010) pp. 67-72

    L. Bolton, ‘Explorers and Traders of South Papua’, in I. McCalman and N. Erskine (eds.) In the Wake of the Beagle: Science in the Southern Oceans from the Age of Darwin (Sydney: UNSW Press, 2009) pp. 108-123

    L. Bolton, ‘Living and Dying: Ethnography, class and aesthetics in the British Museum’, in D. Sherman (ed.) Museums and Difference (Bloomington: Indiana University Press, 2007) pp. 330-353

    L. Bolton, ‘‘Island dress that belongs to us all’: Mission dresses and the innovation of tradition in Vanuatu’ in E. Ewart and M. O’Hanlon (eds.) Body Arts and Modernity (Wantage: Sean Kingston Publishing, 2007) pp. 165-182

    M. Rodman, D. Kramer, L. Bolton and J. Tarisesei (eds.) House-girls Remember: Domestic Workers in Vanuatu (Honolulu: University of Hawai’i Press, 2007)

    L. Bolton, ‘Resourcing Change: Fieldworkers, the Women’s Culture Project and the Vanuatu Cultural Centre’, in N. Stanley (ed.) The Future of Indigenous Museums: Perspectives from the Southwest Pacific (Oxford: Berghahn Books, 2007) pp. 23-37

    L. Bolton, 'The museum as cultural agent: the Vanuatu Cultural Centre extension worker program', in C. Healy, and A. Witcomb (eds.) South Pacific Museums: Experiments in Culture (Melbourne: Monash University ePress, 2006)

    L. Bolton, ‘Power of the gods’, British Museum Magazine, 56 (2006) pp. 24-27

    L. Bolton, 'Dressing for Transition: Weddings, Clothing and Change in Vanuatu', in S. Kuechler and G. Were (eds.), Pacific Clothing: the Art of Experience (London: UCL Press, 2005) pp. 19-32

    L. Bolton, 'The effect of objects: the return of a north Vanuatu textile from the Australian Museum to the Vanuatu Cultural Centre', in V.Attenbrow and R.Fullagar (eds.) A Pacific Odyssey: Archaeology and Anthropology in the Western Pacific. Papers in Honour of Jim Specht Records of the Australian Museum, Supplement 29. (Sydney: Australian Museum, 2004) pp. 31-36

    L. Bolton, Unfolding the moon: Enacting Women's Kastom in Vanuatu (Honolulu: University of Hawai’i Press, 2003)

    L, Bolton, 'Living and Dying', British Museum Magazine, 47 (Winter 2003) pp. 34-37